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Yume Nara Samete
is a 2002 Japanese fantasy suspense film directed by Toshiki Satō and based on the novel ''Yume nara Samete...'' by Yoshikazu Takeuchi. It was released on 24 August 2002. Cast *Ayaka Maeda as Ai *Makiko Watanabe *Masahiro Toda *Nao Ōmori , sometimes credited as Nao Ohmori or Nao Omori, is a Japanese actor. He was given the Best Supporting Actor award at the 2004 Yokohama Film Festival. Career Omori starred in Takashi Miike's ''Ichi the Killer''. He co-starred with Shinobu Teraji ... *Taro Suwa *Yumi Shimizu Reception Jasper Sharp of Midnight Eye wrote that "for the most part ''Yume Nara Samete'' is downright boring". References External links * 2002 fantasy films Films based on Japanese novels Films directed by Toshiki Satō Japanese fantasy films 2000s Japanese-language films 2000s Japanese films {{fantasy-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toshiki Satō
a.k.a. , , ''and'' is a Japanese film director and screenwriter best known for his '' pink films'' of the 1990s. Along with fellow directors, Takahisa Zeze, Kazuhiro Sano and Hisayasu Satō, he is known as one of the . Life and career Toshiki Satō was born in 1961 and graduated from Nikkatsu Arts School. After graduation, Satō was scheduled to make his directorial debut in 1986 with the pink film studio, Million Film, but this project was canceled when the studio ceased production that year. Satō worked as an AV (Adult Video) director for a few years, and made two films for Nikkatsu's post-Roman Porno subsidiary, Nikkatsu Video, in 1988. His debut film was the unsuccessful 1989 ''pink film'' drama, ''The Beast''. AV idol Maya Asabuki starred in this film judged "light on drama, but heavy on sex scenes."Weisser, p.480. Though he often collaborates, Satō usually writes or co-write his own scripts. His films deal with the difficulties of relationships in modern society, and hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masahiro Kobayashi (director)
was a Japanese film director. Career Kobayashi became the first Japanese filmmaker to win the Grand Prize at the Yubari International Fantastic Film Festival. In its wake, he founded Monkey Town Productions and made three films back to back which won prizes in three consecutive years at Cannes: '' Kaizokuban Bootleg Film'' (1999) and ''Man Walking on Snow'' (2001) in Un Certain Regard and ''Koroshi'' (2000) in the Directors' Fortnight. '' Bashing'' was screened at the 2005 Cannes Film Festival. “Amazing Story” (2003), “The Rebirth” (2007) and “Where are you?” (2009) were invited in competition to Festival del film Locarno. “The Rebirth” won four prizes at the 60th Festival del film Locarno prizes, including the Golden Leopard and the Daniel Schmid award. In 2008, International Film Festival Rotterdam, Festival do Rio and the Buenos Aires International Film Festival hosted a retrospective of his films to great acclaim. Kobayashi makes out of as many as 16 feature f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshikazu Takeuchi
is a Japanese writer of fan guides and novels, as well as a radio co-host. His work was the basis for the 1997 Satoshi Kon anime film ''Perfect Blue'' and a 2002 live-action film titled '' Perfect Blue: Yume Nara Samete''. Takeuchi's book ''Ultraman Visits the Grave'' is about a young boy who happens to be a fan of Ultraman. Takeuchi has expressed interest in getting his work translated for an English-speaking audience. Seven Seas Entertainment has optioned the English-language rights to the Perfect Blue novels for Q4 2017 and Q1 2018, respectively. Bibliography * (1982, Shogakukan is a Japanese publisher of dictionaries, literature, comics (manga), non-fiction, DVDs, and other media in Japan. Shogakukan founded Shueisha, which also founded Hakusensha. These are three separate companies, but are together called the Hit ...) *''The History of Toho Special Effects Movies'' (1983) * (March 1991) () * (March 1998, Metamor Publishing) () (reprint of ''Perfect Blue: Complete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasy Film
Fantasy films are films that belong to the fantasy genre with fantastic themes, usually magic, supernatural events, mythology, folklore, or exotic fantasy worlds. The genre is considered a form of speculative fiction alongside science fiction films and horror films, although the genres do overlap. Fantasy films often have an element of magic, myth, wonder, escapism, and the extraordinary. Prevalent elements include fairies, angels, mermaids, witches, monsters, wizards, unicorns, dragons, talking animals, ogres, elves, trolls, white magic, gnomes, vampires, werewolves, ghosts, demons, dwarves, giants, goblins, anthropomorphic or magical objects, familiars, curses and other enchantments, worlds involving magic, and the Middle Ages. Subgenres Several sub-categories of fantasy films can be identified, although the delineations between these subgenres, much as in fantasy literature, are somewhat fluid. The most common fantasy subgenres depicted in movies are High Fantasy a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suspense Film
Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible. The cover-up of important information from the viewer, and fight and chase scenes are common methods. Life is typically threatened in a thriller film, such as when the protagonist does not realize that they are entering a dangerous situation. Thriller films' characters conflict with each other or with an outside force, which can sometimes be abstract. The protagonist is usually set against a problem, such as an escape, a mission, or a mystery. Screenwriter and scholar Eric R. Williams identifies thriller films as one of eleven super-genres in his screenwriters' taxonomy, claiming that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nao Ōmori
, sometimes credited as Nao Ohmori or Nao Omori, is a Japanese actor. He was given the Best Supporting Actor award at the 2004 Yokohama Film Festival. Career Omori starred in Takashi Miike's ''Ichi the Killer''. He co-starred with Shinobu Terajima in Ryuichi Hiroki's '' Vibrator''. Personal life Omori is the son of the actor Akaji Maro and the younger brother of the film director Tatsushi Ōmori. Filmography Films * ''The Revenge: A Scar That Never Fades'' (1997) * ''Tenshi ni Misuterareta Yoru'' (1999) - Shop assistant * ''Big Show! Hawaii ni Utaeba'' (1999) - Jimmy * ''Monday'' (2000) * ''Swing Man'' (2000) * ''Quartet'' (2001) - Daisuke * ''Ichi the Killer'' (2001) - Ichi * ''Harmful Insect'' (2001) - Man at Love Hotel * '' Out'' (2002) - Kenji Yamamoto * ''Dolls'' (2002) - Matsumoto's Colleague * ''Demonlover'' (2002) - Shoji * ''Pakodate-jin'' (2002) * ''Perfect Blue'' (2002) - Toshihiko Horibe * ''Saru'' (2003) - Isomura * ''Akame 48 Waterfalls'' (2003) * '' Vibrator'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midnight Eye
Midnight Eye is a non-profit review website launched in 2001 by Tom Mes, Jasper Sharp, and Martin Mes. The website features reviews and analyses of Japanese films, as well as book reviews and interviews with filmmakers. In June 2015, it was announced that no further content would be added to the website. History Editor Tom Mes, alongside his brother, designer and programmer Martin Mes, and fellow editor Jasper Sharp, launched the website in spring 2001. Tom Mes conceived the idea for the website after watching a retrospective of then-recent Japanese films at the Rotterdam Film Festival in 2000. In 2004, Tom Mes and Sharp published ''The Midnight Eye Guide to New Japanese Film'', a book about Japanese cinema which includes over 100 reviews of Japanese films, and which features a foreword by Hideo Nakata. Throughout its history, the website has published articles by numerous contributors, along with interviews with filmmakers such as Takashi Miike, Hayao Miyazaki, Satoshi Kon, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Based On Japanese Novels
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Toshiki Satō
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Fantasy Films
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2000s Japanese-language Films
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter '' samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the compli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
