The Payback
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The Payback
''The Payback'' is the 37th studio album by American musician James Brown. The album was released in December 1973, by Polydor Records. It was originally scheduled to become the soundtrack for the blaxploitation film ''Hell Up in Harlem'', but was rejected by the film's producers, who dismissed it as "the same old James Brown stuff." A widely repeated story—including by Brown himself—that director Larry Cohen rejected the music as "not funky enough" is denied by Cohen. On the DVD commentary track for '' Black Caesar'' (to which ''Hell Up in Harlem'' is a sequel), Cohen states that executives at American International Pictures were already unhappy with Brown for delivering songs much longer than expected on ''Black Caesar'' and ''Slaughter's Big Rip-Off'' and opted for a deal with Motown Records instead. Cohen said the absence of Brown's music from ''Harlem'' still "breaks isheart." It went to #1 on the Soul Albums chart for two weeks and cracked the Pop Albums chart in the ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Larry Cohen
Lawrence George Cohen (July 15, 1936 – March 23, 2019) was an American screenwriter, producer, and director of film and television, best known as an author of horror and science fiction films — often containing police procedural and satirical elements — during the 1970s and 1980s, such as '' It's Alive'' (1974), ''God Told Me To'' (1976), ''It Lives Again'' (1978), ''The Stuff'' (1985) and '' A Return to Salem's Lot'' (1987). He originally emerged as the writer of blaxploitation films such as ''Bone'' (1972), '' Black Caesar'', and ''Hell Up in Harlem'' (both 1973). Later on he concentrated mainly on screenwriting, including ''Phone Booth'' (2002), ''Cellular'' (2004) and '' Captivity'' (2007). Early in his career, Cohen was a prolific television writer, creating series such as '' Branded'', ''Blue Light'', ''Coronet Blue'', and ''The Invaders''. In 2006, he returned to the directing chair for Mick Garris's anthology series ''Masters of Horror'', directing the episo ...
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John Starks (drummer)
John Levell Starks (born August 10, 1965) is an American former professional basketball shooting guard. Starks was listed at 6'5" and 190 pounds during his NBA playing career. Although he was undrafted in the 1988 NBA draft after attending four colleges in his native Oklahoma, including Oklahoma State University, he gained fame while playing for the New York Knicks of the National Basketball Association in the 1990s. Early life Starks was born in Tulsa, Oklahoma where he attended Tulsa Central High School. At Tulsa Central, Starks played only one year on the basketball team. After high school, he enrolled at Rogers State College in 1984. While at Rogers State, Starks was on the "taxi squad" of the basketball team for backups to replace injured or suspended players; taxi squad players did not suit up and instead watched games from the stands. However, Starks was expelled from Rogers State for stealing another student's stereo equipment in retaliation for the student breaking in ...
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Fred Wesley
Fred Wesley (born July 4, 1943) is an American trombonist who worked with James Brown in the 1960s and 1970s and Parliament-Funkadelic in the second half of the 1970s. Biography Wesley was born the son of a high school teacher and big band leader in Columbus, Georgia, and raised in Mobile, Alabama. As a child he took piano and later trumpet lessons. He played baritone horn and trombone in school, and at around age 12 his father brought a trombone home, whereupon he switched (eventually permanently) to trombone. During the 1960s and 1970s, he was a pivotal member of James Brown's bands, playing on many hit recordings including "Say it Loud - I'm Black and I'm Proud," "Mother Popcorn" and co-writing tunes such as "Hot Pants." His slippery riffs and pungent, precise solos, complementing those of saxophonist Maceo Parker, gave Brown's R&B, soul, and funk tunes their instrumental punch. In the 1970s he also served as band leader and musical director of Brown's band the J.B.'s and d ...
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Alan Leeds
Alan Leeds (born January 26, 1947) is an American music executive, tour manager, production manager, writer and archivist best known for his work organizing performances and concert tours for artists such as James Brown, Prince, KISS, Cameo, D'Angelo and Chris Rock. In addition to his career in management for artists, Leeds is recognized as an award-winning writer and music archivist. Leeds received a Grammy Award for Best Album Notes in 1992 for his work on the James Brown compilation '' Star Time''. Leeds also penned the liner notes for the 1993 Prince box set ''The Hits/The B-Sides'', and cowrote ''The James Brown Reader'' with Nelson George. Alan Leeds was born in Jackson Heights, New York. Leeds' music career began as a music writer. He first became involved with James Brown as his publicity director in 1969, and worked as Brown's tour manager from 1970 to 1973. Beginning in 1983, Leeds managed tours for Prince during the peak of his commercial and artistic success, notably ...
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Reissue
In the music industry, a reissue (also re-release, repackage or re-edition) is the release of an album or Single (music), single which has been released at least once before, sometimes with alterations or additions. Reasons for reissue New audio formats Recordings originally released in an audio format that has become technologically or commercially obsolete are reissued in new formats. For example, thousands of original vinyl record, vinyl albums have been reissued on Red Book (audio CD standard), CDs since introduction of that format in the early 1980s. With the introduction of the LP record in 1948, some collections of 78 rpm records were reissued on LP. More recently, many albums originally released on CD or earlier formats have been reissued on Super Audio CD, SACD, DVD-Audio, digital music downloads, and on streaming media, music streaming services. Budget records Beginning with Pickwick Records, which acquired the rights to reissue many of Capitol Records' non-current ...
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Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Revenge
Revenge is committing a harmful action against a person or group in response to a grievance, be it real or perceived. Francis Bacon described revenge as a kind of "wild justice" that "does... offend the law ndputteth the law out of office." Primitive justice or retributive justice is often differentiated from more formal and refined forms of justice such as distributive justice and divine judgment. Function in society Social psychologist Ian Mckee states that the desire for the sustenance of power motivates vengeful behavior as a means of impression management: "People who are more vengeful tend to be those who are motivated by power, by authority and by the desire for status. They don't want to lose face". Vengeful behavior has been found across a majority of human societies. Some societies encourage vengeful behavior, which is called a feud. These societies usually regard the honor of individuals and groups as of central importance. Thus, while protecting of their reputa ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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Certified Gold
Music recording certification is a system of certifying that a music recording has shipped, sold, or streamed a certain number of units. The threshold quantity varies by type (such as album, single, music video) and by nation or territory (see List of music recording certifications). Almost all countries follow variations of the RIAA certification categories, which are named after precious materials (gold, platinum and diamond). The threshold required for these awards depends upon the population of the territory where the recording is released. Typically, they are awarded only to international releases and are awarded individually for each country where the album is sold. Different sales levels, some perhaps 10 times greater than others, may exist for different music media (for example: videos versus albums, singles, or music download). History The original gold and silver record awards were presented to artists by their own record companies to publicize their sales achiev ...
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