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Prince Of Wales Theatre, Cardiff
The Prince of Wales Theatre is a former theatre in central Cardiff. Built in 1878, seating 2,800, it later became a sex cinema. It is now a pub. The building is located near Cardiff Central railway station, near the corner of St Mary Street and Wood Street, with entrances and façades on both streets. Architecture The theatre was built in 1878 to a Venetian Gothic design by the architects W. D. Blessley and T. Waring, during a period when Cardiff, then a prosperous coal-exporting port, was rapidly expanding. The building was a prompt replacement of Cardiff's old Theatre Royal in Queen Street (built 1827, which had burnt down in December) doubling the audience capacity to almost 2000, and was opened on 7 October 1878. The main stage was 56 feet wide and 46 feet deep, framed by a proscenium arch 30 feet high, topped with the royal coat of arms. Interior decoration was in gold and white and the building was illuminated after dark using 800 gas lamps. The theatre was later rebuilt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Of Wales Theatre Cardiff Wood St Facade B
A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. ''Prince'' is also a title of nobility (often highest), often hereditary, in some European states. The female equivalent is a princess. The English word derives, via the French word ''prince'', from the Latin noun , from (first) and (head), meaning "the first, foremost, the chief, most distinguished, noble ruler, prince". Historical background The Latin word (older Latin *prīsmo-kaps, literally "the one who takes the first lace/position), became the usual title of the informal leader of the Roman senate some centuries before the transition to empire, the ''princeps senatus''. Emperor Augustus established the formal position of monarch on the basis of principate, not dominion. He also tasked his grandsons as summer rulers of the city when most of the government were on holiday in the country or attending religious rituals, and, for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amusement Arcade
An amusement arcade (often referred to as a video arcade, amusements or simply arcade) is a venue where people play arcade games, including arcade video games, pinball machines, electro-mechanical games, redemption games, merchandisers (such as claw cranes), or coin-operated billiards or air hockey tables. In some countries, some types of arcades are also legally permitted to provide gambling machines such as slot machines or ''pachinko'' machines. Games are usually housed in cabinets. The term used for ancestors of these venues in the beginning of the 20th century was penny arcades. Video games were introduced in amusement arcades in the late 1970s and were most popular during the golden age of arcade video games, the early 1980s. Arcades became popular with children and particularly adolescents, which led parents to be concerned that video game playing might cause them to skip school. History Penny arcade A penny arcade can be any type of venue for coin-operated devices, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rex Harrison
Sir Reginald Carey "Rex" Harrison (5 March 1908 – 2 June 1990) was an English actor. Harrison began his career on the stage in 1924. He made his West End debut in 1936 appearing in the Terence Rattigan play ''French Without Tears'', in what was his breakthrough role. He won his first Tony Award for his performance as Henry VIII in the play ''Anne of the Thousand Days'' in 1949. He won his second Tony for the role of Professor Henry Higgins in the stage production of ''My Fair Lady'' in 1957. In addition to his stage career, Harrison also appeared in numerous films. His first starring role was opposite Vivien Leigh in the romantic comedy '' Storm in a Teacup'' (1937). Receiving critical acclaim for his performance in ''Major Barbara'' (1941), which was shot in London during the Blitz, his roles since then included '' Blithe Spirit'' (1945), '' Anna and the King of Siam'' (1946), ''The Ghost and Mrs. Muir'' (1947), ''Cleopatra'' (1963), ''My Fair Lady'' (1964), reprising his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Gielgud
Sir Arthur John Gielgud, (; 14 April 1904 – 21 May 2000) was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art he worked in repertory theatre and in the West End theatre, West End before establishing himself at the Old Vic as an exponent of William Shakespeare, Shakespeare in 1929–31. During the 1930s Gielgud was a stage star in the West End and on Broadway theatre, Broadway, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Sondheim Theatre, Queen's Theatre, London. He was regarded by many as the finest Prince Hamlet, Hamlet of his era, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noël Coward
Sir Noël Peirce Coward (16 December 189926 March 1973) was an English playwright, composer, director, actor, and singer, known for his wit, flamboyance, and what ''Time'' magazine called "a sense of personal style, a combination of cheek and chic, pose and poise"."Noel Coward at 70" ''Time'', 26 December 1969, p. 46 Coward attended a dance academy in London as a child, making his professional stage début at the age of eleven. As a teenager he was introduced into the high society in which most of his plays would be set. Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards. Many of his works, such as '' |
Richard Burton
Richard Burton (; born Richard Walter Jenkins Jr.; 10 November 1925 – 5 August 1984) was a Welsh actor. Noted for his baritone voice, Burton established himself as a formidable Shakespearean actor in the 1950s, and he gave a memorable performance of Hamlet in 1964. He was called "the natural successor to Olivier" by critic Kenneth Tynan. A heavy drinker, Burton's perceived failure to live up to those expectations disappointed some critics and colleagues and added to his image as a great performer who had wasted his talent. Nevertheless, he is widely regarded as one of the most acclaimed actors of his generation. Burton was nominated for an Academy Award seven times, but never won an Oscar. He was a recipient of BAFTAs, Golden Globes, and Tony Awards for Best Actor. In the mid-1960s, Burton ascended into the ranks of the top box office stars. By the late 1960s, Burton was one of the highest-paid actors in the world, receiving fees of $1 million or more plus a share of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Of Wales Theatre Cardiff Advert 1882
A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. ''Prince'' is also a title of nobility (often highest), often hereditary, in some European states. The female equivalent is a princess. The English word derives, via the French word ''prince'', from the Latin noun , from (first) and (head), meaning "the first, foremost, the chief, most distinguished, noble ruler, prince". Historical background The Latin word (older Latin *prīsmo-kaps, literally "the one who takes the first lace/position), became the usual title of the informal leader of the Roman senate some centuries before the transition to empire, the ''princeps senatus''. Emperor Augustus established the formal position of monarch on the basis of principate, not dominion. He also tasked his grandsons as summer rulers of the city when most of the government were on holiday in the country or attending religious rituals, and, for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Tear
Robert Tear (pronounced to rhyme with "beer"), CBE (8 March 1939 – 29 March 2011) was a Welsh tenor singer, teacher and conductor. He first became known singing in the operas of Benjamin Britten in the mid-1960s. From the 1970s until his retirement in 1999 his main operatic base was the Royal Opera House, Covent Garden; he appeared with other opera companies in the UK, mainland Europe, the US and Australia. Generally avoiding the Italian repertoire, which did not suit his voice, Tear became known in leading and character roles in German, British and Russian operas. Tear's concert repertoire was wide, extending from music from the 17th century to contemporary works by Britten, Tippett and others. He conducted for some years from the mid-1980s, but found himself temperamentally unsuited to it. As a teacher at the Royal Academy of Music he was happier, and was well regarded by colleagues and pupils. Life and career Early years Tear was born in Barry, Glamorgan, the son of T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Welsh National Opera
Welsh National Opera (WNO) ( cy, Opera Cenedlaethol Cymru) is an opera company based in Cardiff, Wales; it gave its first performances in 1946. It began as a mainly amateur body and transformed into an all-professional ensemble by 1973. In its early days the company gave a single week's annual season in Cardiff, gradually extending its schedule to become an all-year-round operation, with its own salaried chorus and orchestra. It has been described by ''The New York Times'' as "one of the finest operatic ensembles in Europe". For most of its existence the company lacked a permanent base in Cardiff, but in 2004 it moved into the new Wales Millennium Centre, Cardiff Bay. The company tours nationally and internationally, giving more than 120 performances annually, with a repertoire of eight operas each year, to a combined audience of more than 150,000 people. Its most frequent venues other than Cardiff are Llandudno in Wales and Bristol, Birmingham, Liverpool, Milton Keynes, Oxfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pygmalion And Galatea (play)
''Pygmalion and Galatea, an Original Mythological Comedy'' is a blank verse play by W. S. Gilbert in three acts based on the Pygmalion story. It opened at the Haymarket Theatre in London on 9 December 1871 and ran for a very successful 184 performances.Moss, Simon"Pygmalion and Galatea"at ''Gilbert & Sullivan: a selling exhibition of memorabilia'', c20th.com, accessed 16 November 2009 It was revived many times, including an 1883 production in New York starring Mary Anderson as Galatea, an 1883–84 revival at the Lyceum Theatre, again with Anderson, and an 1888 production at the Lyceum Theatre, with Julia Neilson as Cynisca. ''Pygmalion'' was Gilbert's greatest success to that date and is said to have earned him £40,000 during his lifetime. ''Pygmalion and Galatea'' was so popular that other Pygmalions were rushed to the stage. In January 1872, ''Ganymede and Galatea'' opened at the Gaiety Theatre. This was a comic version of Franz von Suppé's '' Die schöne Galathee'', c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Welsh Theatre Company
The Welsh Theatre Company was a professional theatrical company that performed in English in Wales. The Welsh language section of the company was Cwmni Theatr Cymru and the two shared workshops and technical facilities until 1973.Martin Morley: A Life in Theatre and TV Design Morley Theatre Design website The Welsh Theatre Company was established in 1962 in in Wales by the ; its first director was Warren Jenkins. The majority of the company's productions were performed in English. The company received some criticism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
