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Krautrock
Krautrock (also called , German for ) is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can, Faust, Tangerine Dream, Kraftwerk, Cluster, Ash Ra Tempel, Popol Vuh, Amon Düül II and Harmonia. The term "krautrock" was popularized by British music journalists as a humorous umbrella-label for the diverse German scene, and although many so-labeled artists disliked the term, it is no longer considered controversial by German artists in the 21st century, although English- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraut
''Kraut'' is a German word recorded in English from 1918 onwards as an ethnic slur for a German, particularly a German soldier during World War I and World War II. Its earlier meaning in English was as a synonym for sauerkraut, a traditional Central and Eastern European food. Etymological foundations In German, the term means "herb", or designates the leaves and stem of a plant as opposed to the root. The term is more often used in compound nouns for herbs, and also for cabbage and cabbage products: * ''Weißkraut'' = white cabbage (also called ''Weißkohl'') * ''Blaukraut'' or ''Rotkraut'' = red cabbage (also called ''Rotkohl'') * ''Sauerkraut'' = fermented white cabbage or 'sour cabbage' * ''Unkraut'' = weed * ''Bohnenkraut'' = savory * ''Rübenkraut'' = thick sugar beet syrup The plural ''Kräuter'' is commonly used (herbs, weeds) when talking about spices, but is often replaced by ''Gewürz'' which can refer to any spice. Slang It was recorded as a colloquial term for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Electronic
Indie rock is a subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or " guitar pop rock". One of the primary scenes of the movement was Dunedin, where a cultural scene based around a convergence of noise pop and jangle became popular among the city's large student population. Independent labels such as Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement, Pixies and R.E.M. Other notable scenes grew in Manchester and Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "indie" (or "indie pop") started to shift from its reference to recording companies to describe the style of music produced on punk and post-punk labels.S. Brown and U. V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisation (music), improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as Popular music, pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Genre
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from ''musical form'' and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in varying ways, such as popular music and art music, or religious music and secular music. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. Definitions In 1965, Douglass M. Green distinguishes between genre and Musical form, form in his book ''Form in Tonal Music''. He lists madrigal (music), madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance music, Renaissance period. To further clarify the meaning of ''genre'', Green writes "Beethoven's Op. 61" and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and are Violin concerto, violin concertos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motorik
Motorik is the 4/4 beat often used by, and heavily associated with, krautrock bands. Coined by music journalists, the term is German for "motor skill". The motorik beat was pioneered by Jaki Liebezeit, drummer with German experimental rock band Can. Klaus Dinger of Neu!, another early pioneer of motorik, later called it the " Apache beat". The motorik beat is heard in one section of Kraftwerk's "Autobahn", a song designed to celebrate exactly this experience. It is heard throughout Neu!'s "Hallogallo", from their self-titled album ''Neu!''. Some music critics felt that the motorik style has its roots in the music of Beethoven and Rossini and may be influenced by jazz. They opined that it initially evoked the "glorification of the industrial modern era". The motorik beat is in 4/4 time, at a moderate tempo. The pattern is repeated in each bar throughout the song. A splash or crash cymbal is often hit at the beginning bar of a verse or chorus. Klaus Dinger emphasized that it w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Space Rock
Space rock is a music genre characterized by loose and lengthy song structures centered on instrumental textures that typically produce a hypnotic, otherworldly sound. It may feature distorted and reverberation-laden guitars, minimal drumming, languid vocals, synthesizers and lyrical themes of outer space and science fiction. The genre emerged in late 1960s psychedelia and progressive rock bands such as Pink Floyd, Hawkwind, and Gong who explored a "cosmic" sound. Similar sounds were pursued in the early 1970s West German ''kosmische Musik'' ("cosmic music") scene. Later, the style was taken up in the mid-1980s by Spacemen 3, whose "drone-heavy" sound was avowedly inspired by and intended to accommodate drug use. By the 1990s, space rock developed into shoegazing, stoner rock and post-rock with bands such as the Verve, Flying Saucer Attack, and Orange Goblin. History Origins: 1950s-1960s Humanity's entry into outer space provided ample subject matter for rock and roll and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronics In Rock Music
The use of electronic music technology in rock music coincided with the practical availability of electronic musical instruments and the genre's emergence as a distinct style. Rock music has been highly dependent on technological developments, particularly the invention and refinement of the synthesizer, the development of the MIDI digital format and computer technology. In the late 1960s, rock musicians began to use electronic instruments, like the theremin and Mellotron, to supplement and define their sound; by the end of the decade the Moog synthesizer took a leading place in the sound of emerging progressive rock bands who would dominate rock in the early 1970s. In the 1980s, more commercially oriented synthpop dominated electronic rock. In the new millennium the spread of recording software led to the development of new distinct genres including electroclash, dance-punk and new rave. Technology Experiments in tape manipulation or musique concrète, early computer mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Detroit Techno
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, and Robert Hood. The Belleville Three The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the " Belleville Three".Hanf, Mathias Kilian. ''Detroit Techno: Transfer of the Soul through the Machine'' VDM Verlag Dr. Müller, 2010. The three, who were high school friends from Belleville, Michigan, created electronic music tracks in their basement(s). Derrick May once described Detroit techno music as being a "complete mistake ... like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company." While attending Washtenaw Community College, Atkins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmic Couriers
Cosmic Couriers / Cosmic Music (also known as by its German name Kosmische Kuriere / Kosmische Musik) was a German experimental/space-rock label set up by Rolf-Ulrich Kaiser in 1973 following his association with Ohr and Pilz. A number of influential records in the Krautrock genre were released on Cosmic Couriers, including Klaus Schulze's ''Cyborg'' and Ash Ra Tempel/Timothy Leary's ''Seven Up''.Cope, Julian (1995). "Krautrocksampler," pp.86-88. Head Heritage, Great Britain Cosmic Couriers released many important Krautrock titles by artists including Klaus Schulze, Ash Ra Tempel, Manuel Göttsching, Wallenstein, Popol Vuh, and others, including Walter Wegmüller's ''Tarot''. However Kaiser got into trouble when he started releasing albums under the name of the Cosmic Jokers, a supergroup made up of artists who did not even realise they were participating in such a project: Kaiser had taken recordings of informal jams by various artists from the label and had released them unde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album ''Millions Now Living Will Never Die''. The term has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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