|
German Bold Italic
"GBI (German Bold Italic)" is a 1997 song by Japanese-American music producer Towa Tei, featuring vocals from Australian singer Kylie Minogue, Japanese musician Haruomi Hosono, and co-written by Tei and Minogue. It is the lead single from Tei's second studio album, '' Sound Museum'' (1997), released by Arthrob in the United Kingdom. The song is a "minimalist" house-techno track with lyrics portrayed Minogue as a typeface called "German Bold Italic", with her vocals performed in a tongue-in-cheek style. Many critics praise the song for its distinctiveness within Minogue's catalogue, while others consider the track to be one of the important artistic moves that define her musical career. Commercially, the song was one of Minogue's least successful track on the charts. It peaked at number 50 in Australia and failed to reach top 50 in the United Kingdom, where it reached number 63. However, it was said to be a minor hit in Tei's home country, Japan. The song's music video was direc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pixel Art
Pixel art () is a form of digital art drawn with graphics software, graphical software where images are built using pixels as the only building block. It is widely associated with the low-resolution graphics from 8-bit and 16-bit era computers and writing, computers and arcade video game consoles, in addition to other limited systems such as LED displays and graphing calculators, which have a limited number of pixels and colors available. The art form is still employed to this day by pixel artists and game studios, even though the technological limitations have since been surpassed. Most works of pixel art are also restrictive both in file size and the number of colors used in their palette (computing), color palette because of software limitations — in order to achieve a certain aesthetic or simply to reduce the perceived noise. Older forms of pixel art tend to employ smaller palettes, with some video games being made using just two colors (1-bit color depth). Because of these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stéphane Sednaoui
Stéphane Sednaoui () is a French director, photographer, film producer and actor. Over the years, Sednaoui has redefined his artistic approach to focus on his fine-art and cinematographic projects. New and existing work have been exhibited recently at the MoMA, New York (2015)– the National September 11 Memorial & Museum (2013–2015), New York – the Brooklyn Museum, New York (2013 – the (Barbican Center, London (2014) – Le Grand Palais, Paris (2015)– the National Gallery of Victoria, Melbourne (2014) and in a solo exhibition at the Sam Art Projects Foundation, Paris (2013). Stéphane Sednaoui's career started 30 years ago exploring various film and photographic territories. He covered with success the genres of music video, photojournalism, portrait photography and pop culture. As a music video director, he made " Give It Away" and "Scar Tissue" (Red Hot Chili Peppers), " Sly" (Massive Attack), " Mysterious Ways" ( U2), "Big Time Sensuality" (Björk), "Fever" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lounge Music
Lounge music is a type of easy listening music popular in the 1950s and 1960s. It may be meant to evoke in the listeners the feeling of being in a place, usually with a tranquil theme, such as a jungle, an island paradise or outer space. The range of lounge music encompasses beautiful music-influenced instrumentals, modern electronica (with chillout, and downtempo influences), while remaining thematically focused on its retro-space age cultural elements. The earliest type of lounge music appeared during the 1920s and 1930s, and was known as light music. Retrospective usage Exotica, space age pop, and some forms of easy listening music popular during the 1950s and 1960s are now broadly termed "lounge". The term "lounge" does not appear in textual documentation of the period, such as '' Billboard'' magazine or long playing album covers, but has been retroactively applied. While rock and roll was generally influenced by blues and country, lounge music was derived from jazz and othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Waterman Entertainment
Pete Waterman Entertainment (PWE) is the production company one-time pop and dance record label owned by British pop mogul Pete Waterman. The label, originally PWL (Pete Waterman Limited), is most famous for being the home of hit record producers Stock Aitken Waterman. History After producing many hits for other record companies, PWL launched its own label in 1987 (PWL Records) with the single "I Just Can't Wait" by Mandy Smith. The next single was the biggest selling single of the year: "I Should Be So Lucky" by Kylie Minogue. As a record label, PWL enjoyed success with Australian artists such as Kylie Minogue and Jason Donovan and Dutch dance group 2 Unlimited. As a production house they produced hits for English artists such as Rick Astley, Dead or Alive and Bananarama on other record labels. In the US, PWL America was established in 1989 and specialized primarily in hip-hop music, launching the careers of MCs Ed O.G. and Diamond D. In 1992, it was renamed Chemist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deconstruction Records
Deconstruction Records is a British record label founded in 1987 by Pete Hadfield and Keith Blackhurst, together with Mike Pickering of M People. According to ''DJ Magazine'' it is "best remembered for marrying underground credibility and diversity with an open-minded attitude towards pop". Artists It initially specialised in house anthems such as K Klass's "Rhythm Is a Mystery" and Bassheads' "Is There Anybody Out There?", as well as M People's output, but also had a record in promoting underground dance acts such as Dave Clarke. Hits included Robert Miles' UK No. 2 hit "Children", Felix's twice UK top ten hit "Don't You Want Me" and Italian techno act U. S. U. R. A.'s UK No. 7 hit, "Open Your Mind". It was home to Kylie Minogue in the mid-late 1990s, when working with Saint Etienne, Brothers in Rhythm (who produced her single "Confide in Me"), and others. Among the other artists to record for the company were Guru Josh, Black Box, M People, Way Out West, Sasha, Jam Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kylie Minogue (album)
''Kylie Minogue'' is the fifth studio album recorded by Australian singer Kylie Minogue. Deconstruction Records, Deconstruction released it in the United Kingdom on 19 September 1994, while a release was issued through Mushroom Records in Australia on the same date. After leaving Pete Waterman Entertainment, Minogue wanted to establish her credibility and signed with the independent record label Deconstruction in early 1993. She became involved with a diverse group of collaborators in order to experiment with different sounds. After generally unsuccessful sessions with Saint Etienne (band), Saint Etienne and The Rapino Brothers, Minogue collaborated with new producers including Brothers in Rhythm, M People, Fire Island (duo), Farley & Heller, and Jimmy Harry. Musically, ''Kylie Minogue'' is a dance-pop album containing elements of Dance music, dance, contemporary R&B, R&B and adult contemporary music. Lyrically, the album touches on themes of love, seduction and womanhood. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
For Life Music
is a Japanese record label founded in 1975. of FLME Inc.' Sub-divisions *Güt Records *Anri *Artists Its artists include , Abe Fuyumi, , , , |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bossa Nova
Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. According to the Brazilian journalist Ruy Castro, the bossa beat – which was created by the drummer Milton Banana – was "an extreme simplification of the beat of the samba school", as if all instruments had been removed and only the tamborim had been preserved. In line with this thesis, musicians such as Baden Powell (guitarist), Baden Powell, Roberto Menescal, and Ronaldo Bôscoli also claim that this beat is related to the tamborim of the samba school. One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the classical guitar. According to mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Future Listening!
''Future Listening!'' is the debut studio album by Japanese music producer Towa Tei, released on October 21, 1994 by For Life Music. It is Tei's first release after his departure from Deee-Lite. The album was released in the United States on April 25, 1995 by Elektra Records. Produced by Tei, ''Future Listening!'' includes collaborations with artists such as Joi Cardwell, Bebel Gilberto, Arto Lindsay, MC Kinky, Hiroshi Takano, Ryuichi Sakamoto, Haruomi Hosono, Toshihiko Mori, Satoshi Tomiie, Yuichi Oki of Tokyo Ska Paradise Orchestra, and Pizzicato Five vocalist Maki Nomiya. The album peaked at number 50 on the Oricon Albums Chart. Both "Luv Connection" (featuring Cardwell on vocals) and "Technova" (remixed by Josh Wink) were top 30 hits on the US Hot Dance Club Play chart in 1995. In 2007, ''Rolling Stone Japan ''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yellow Magic Orchestra
Yellow Magic Orchestra (YMO for short) is a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals) and Ryuichi Sakamoto (keyboards, vocals). The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, arcade games, funk music, and the disco productions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> German Bold Italic")
