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Follies
''Follies'' is a Musical theater, musical with music and lyrics by Stephen Sondheim and a book by James Goldman. The plot takes place in a crumbling Broadway theater, now scheduled for demolition, previously home to a musical revue (based on the ''Ziegfeld Follies''). The evening follows a reunion of the Weismann Girls who performed during the interwar period. Several of the former showgirls perform their old numbers, often accompanied by the ghosts of their younger selves. The score offers a pastiche of 1920s and 1930s musical styles, evoking a nostalgic tone. The original Broadway production, directed by Harold Prince and Michael Bennett (theater), Michael Bennett, with choreography by Bennett, opened April 4, 1971. The musical was nominated for 11 Tony Awards and won seven. The original production, among the most costly on Broadway, ran for over 500 performances but ultimately lost its entire investment. The musical has had a number of major revivals, and several of its song ...
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David Edward Byrd
David Edward Byrd (born April 4, 1941) is an American graphic artist, designer, illustrator and painter. Many of his design are considered to have helped define the look of rock and roll music starting in the 1960s. He is most well known for his poster designs, including his rock posters for the Fillmore East as well as his Broadway theatre posters. Early life David Byrd was born April 4, 1941, in what is now Cleveland, Tennessee and was raised in Miami Beach, Florida. Education He graduated from Miami Beach High School in 1959, attended the Boston Museum School for a year and then Carnegie-Mellon University in Pittsburgh, Pennsylvania where he received a BFA in Painting and Design in 1964 and an MFA in Painting and Printmaking in 1966. From 1970 to 1979, Byrd taught at the Pratt Institute and the School of Visual Arts. After receiving his BFA, Byrd moved to Pittsburgh to work at WQED-TV, where he did design for the nascent ''Mister Rogers' Neighborhood'' show. He was sub ...
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Interwar Period
In the history of the 20th century, the interwar period lasted from 11 November 1918 to 1 September 1939 (20 years, 9 months, 21 days), the end of the World War I, First World War to the beginning of the World War II, Second World War. The interwar period was relatively short, yet featured many significant social, political, and economic changes throughout the world. Petroleum-based energy production and associated mechanisation led to the prosperous Roaring Twenties, a time of both social mobility and economic mobility for the middle class. Automobiles, electric lighting, radio, and more became common among populations in the developed world. The indulgences of the era subsequently were followed by the Great Depression, an unprecedented worldwide economic downturn that severely damaged many of the world's largest economies. Politically, the era coincided with the rise of communism, starting in Russia with the October Revolution and Russian Civil War, at the end of World War I ...
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Ziegfeld Girls
Ziegfeld Girls were the chorus girls and showgirls from Florenz Ziegfeld's theatrical Broadway revue spectaculars known as the ''Ziegfeld Follies'' (1907–1931), in New York City, which were based on the Folies Bergère of Paris. Description These showgirls followed on the heels of the Florodora girls, who had started to "loosen the corset" of the Gibson Girl in the early years of the 20th century. These beauties, decked out in Erté designs, gained many young male admirers and became objects of popular adoration. All of the showgirls looked very similar, both in appearance and in stature. They danced in complete synchronization, and were the only act that was uniform in the Ziegfeld Follies. Many were persuaded to leave the show to marry, some to men of substantial wealth. The Ziegfeld Ball in New York City continued as a social event of the season for years after the last production of the Follies. In 1897, Ziegfeld married Anna Held, one of his Ziegfeld girls, by comm ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ...
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Bookwriter
{{unreferenced, date=January 2014 The book writer is the member of a musical's team who creates the book—the musical's plot, character development, and dramatic structure. Essentially, the book writer is the playwright of the musical, working very closely in collaboration with the lyricist and composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Defi ... to create an integrated piece of drama. There is a common misconception that the book writer merely The book writer is often also the musical's lyricist, composer, or director. Occupations in music ...
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Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ...
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Do I Hear A Waltz?
''Do I Hear a Waltz?'' is a musical with a book by Arthur Laurents, music by Richard Rodgers, and lyrics by Stephen Sondheim. It was adapted from Laurents' 1952 play ''The Time of the Cuckoo'', which was the basis for the 1955 film '' Summertime'' starring Katharine Hepburn. Background Laurents originally conceived the production as a small chamber musical with music by Richard Rodgers, lyrics by Oscar Hammerstein, and Mary Martin in the lead role of spinster Leona Samish. By the time the project began to jell, however, Hammerstein had died, and Stephen Sondheim was asked by Laurents and Mary Rodgers, Richard Rodgers' daughter, to write the lyrics. Even so, Rodgers felt that the original play did not lend itself to musicalization; Sondheim agreed. According to Peter Filichia, "Sondheim didn’t want to do the musical in the first place, but given that Laurents sought him – and had recommended him for 'West Side Story' when he was a novice — he accepted. Also a factor was that ...
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Losing My Mind
"Losing My Mind" is a song written by Stephen Sondheim originally for the 1971 musical ''Follies'' for the character of a former showgirl, Sally Durant Plummer. The song became a popular top ten hit for singer and actress Liza Minnelli in 1989 on the UK Singles Chart and in Europe. "Losing My Mind" has been covered by many artists over the years. ''Follies'' Background "Losing My Mind" was first performed by Dorothy Collins in the role of Sally Durant Plummer in the original Broadway production of ''Follies''." ''Follies'', 1971 Broadway Production"
SondheimGuide.com, accessed June 7, 2011
Other performers who have sung the song in later productions of ''Follies'' include (1 ...
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Could I Leave You? (song)
"Could I Leave You?" is a song written by Stephen Sondheim for the 1971 musical ''Follies'' for the character Phyllis. Production Synopsis Phyllis sings to her husband about how apathetic she is to her marriage, yet she decides to stay. Critical reception ''Time'' magazine explained that Sondheim is "still the great chronicler of married life" in all its form - in this song he demonstrates the bitterness of marriage. Backstage described it as "biting contemplation of divorce." ''Vulture'' calls the song a "stinging Coward Cowardice is a trait wherein excessive fear prevents an individual from taking a risk or facing danger. It is the opposite of courage. As a label, "cowardice" indicates a failure of character in the face of a challenge. One who succumbs to cowa ...-esque waltz." ''The New York Times'' notes "Phyllis’s lacerating assertion of independence to her husband, overflows with both tenderness and hostility." References {{authority control 1971 songs Songs fro ...
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I'm Still Here (Follies Song)
"I'm Still Here" is a song written by Stephen Sondheim for the 1971 musical ''Follies''. Production "I'm Still Here" was introduced in the musical ''Follies'', which premiered on Broadway at the Winter Garden Theatre on April 4, 1971. The song is sung by former Follies showgirl, Carlotta Campion. The role was originally played by Yvonne De Carlo." ''Follies'', Broadway, 1971"
sondheimguide.com, accessed May 29, 2014
Other performers who have played Carlotta in ''Follies'' on Broadway include Ann Miller in the 1998 production,

Standard (music)
In music, a standard is a musical composition of established popularity, considered part of the "standard repertoire" of one or several genres. Even though the standard repertoire of a given genre consists of a dynamic and partly subjective set of songs, these can be identified by having been performed or recorded by a variety of musical acts, often with different arrangements. In addition, standards are extensively quoted by other works and commonly serve as the basis for musical improvisation. Standards may " cross over" from one genre's repertoire to another's; for example, many jazz standards have entered the pop repertoire, and many blues standards have entered the rock repertoire. Standards exist in the classical, popular and folk music traditions of all cultures. In the context of Western classical music, the standard repertoire constitutes most of what is considered the "teaching canon", i.e. the compositions that students learn in their academic training. The standard r ...
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Tony Award
The Antoinette Perry Award for Excellence in Broadway Theatre, more commonly known as the Tony Award, recognizes excellence in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in Midtown Manhattan. The awards are given for Broadway productions and performances. One is also given for regional theatre. Several discretionary non-competitive awards are given as well, including a Special Tony Award, the Tony Honors for Excellence in Theatre, and the Isabelle Stevenson Award. The awards were founded by theatre producer and director Brock Pemberton and are named after Antoinette "Tony" Perry, an actress, producer and theatre director who was co-founder and secretary of the American Theatre Wing. The trophy consists of a spinnable medallion, with faces portraying an adaptation of the comedy and tragedy masks, mounted on a black base with a pewter swivel. The rules for the Tony Awards are set forth in the off ...
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