|
Zoolook
''Zoolook'' is the seventh studio album by French electronic musician and composer Jean-Michel Jarre, released in November 1984 by Disques Dreyfus. Much of the music is built up from singing and speech in 25 different languages recorded and edited in the Fairlight CMI digital sampling synthesizer. The album spawned two singles: the title track and "Zoolookologie". Composition and recording ''Zoolook'' was greatly influenced by his former mentor Pierre Schaeffer and his musique concrète, taking samples from everyday life and voice human in 25 different languages from all over the world. In this album was expanded the sample-based approach which had been initiated on ''Les Chants Magnétiques'' (1981) and continued on ''Music for Supermarkets'' (1983). Some fragments were recorded digitally by Jarre and then played back and edited on the Fairlight CMI. This process was done together with Frederick Rousseau for three months. Some of the vocals were recorded during Jean-Michel's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Michel Jarre
Jean-Michel André Jarre (; born 24 August 1948) is a French composer, performer and record producer. He is a pioneer in the electronic, ambient and new-age genres, and is known for organising outdoor spectacles featuring his music, accompanied by vast laser displays, large projections and fireworks. Jarre was raised in Lyon by his mother and grandparents and trained on the piano. From an early age, he was introduced to a variety of art forms, including street performers, jazz musicians and the artist Pierre Soulages. But his musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales. His first mainstream success was the 1976 album ''Oxygène''. Recorded in a makeshift studio at his home, the album sold an estimated 18 million copies. ''Oxygène'' was followed in 1978 by ''Équinoxe'', and in 1979, Jarre performed to a record-breaking audience of more than a million people at the Place de l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Pour Supermarché
''Musique pour Supermarché'' (English title: ''Music for Supermarkets'') is the sixth studio album by electronic musician and composer Jean-Michel Jarre. Only a single vinyl copy was ever pressed and distributed, and its master plates were deliberately destroyed following. However later Jarre albums such as ''Zoolook'' (1984) or '' Rendez-Vous'' (1986) sample/reuse several parts from ''Musique pour Supermarché''. An excerpt from "Musique pour Supermarché (Part 1)" was included on the 2018 compilation Planet Jarre. Composition and recording In 1983, Jarre was approached to create background music for a supermarket-themed art show called Orrimbe, to be held in Paris during June, 1983. Jarre recorded the album between February and May of that year based on the analogy of a painting, of which there is always only one copy. So he decided to print a single LP copy of the album entitled ''Musique pour Supermarché'' (English: ''Music for Supermarkets'') which would be auctioned just ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rendez-Vous (Jean-Michel Jarre Album)
''Rendez-vous'' (English: Appointment) is the eighth studio album by electronic musician and composer Jean-Michel Jarre released on Disques Dreyfus, licensed to Polydor, in 1986. The album art was created by long-time collaborator Michel Granger. Composition and recording ''Rendez-Vous'' was created over a period of about two months. It features heavy use of the Elka Synthex, notably so on "Second Rendez-Vous", a track Jarre often performs using a laser harp. As with ''Zoolook'', it contains elements from the album ''Musique pour Supermarché'', in this case it is in "Fifth Rendez-Vous". The last track on the album was originally scheduled to include a saxophone part recorded by astronaut Ron McNair on the Space Shuttle ''Challenger'', which would have made it the first piece of music to be recorded in space. However, on January 28, 1986, 73 seconds after lift-off, the shuttle disintegrated and the entire ''Challenger'' crew were killed. The track was later dedicated to Mc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Rousseau
Frederick Rousseau (born 1958 in Paris) is a New Age instrumentalist. His musical research is based on electronic sounds that he mixes with ethnic instruments, classical orchestras, and vocals. Career After a classical training in piano, Rousseau tried multiple instruments (including bass guitar, drums, electric guitar, and percussions) and finally chose the keyboards. After completing his studies in electronics, he was hired by the Defense Nationale in 1978 to work on the final tests of the neutronic head, the detonator for the French atomic bomb. After two years of this work, he quit. In 1980, he met Francis Mandin, a young electronic music fan, who convinced him to become a partner in Music Land, a music store in Paris and a laboratory for future electronic instruments. In 1981, after working on the finalization of the first polyphonic sequencer ( MDB Polysequencer), he met Jean Michel Jarre, who was looking for a musical programmer capable of manipulating this instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu Emulator
The Emulator is a series of digital sampling synthesizers using floppy disk storage, manufactured by E-mu Systems from 1981 until 2002. Though not the first commercial sampler, the Emulator was among the first to find wide use among ordinary musicians, due to its relatively low price and fairly contained size, which allowed for its use in live performances. It was also innovative in its integration of computer technology. The samplers were discontinued in 2002. Impetus E-mu Systems was founded in 1971 and began business as a manufacturer of microprocessor chips, digital scanning keyboards and components for electronic instruments. Licensing this technology gave E-mu ample funds to invest in research and development, and it began to develop boutique synthesizers for niche markets, including a series of modular synthesizers and the high-end Audity system. In 1979, founders Scott Wedge and Dave Rossum saw the Fairlight CMI and the Linn LM-1 at a convention, inspiring them to de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Chants Magnétiques
''Les Chants Magnétiques'' (English title: ''Magnetic Fields'') is the fifth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus on 20 May 1981. The album reached number six in the United Kingdom, number 98 in the United States and number 76 in Australia. Title The title of the album is a play on words in the French language. The literal English translation of the French title, "Les Chants Magnétiques", is "Magnetic Songs". However, the French word for 'fields' (champs) is a homophone of the French word for 'songs' (chants) - so in French, if the title is spoken out loud, it can be interpreted as either magnetic fields or as magnetic songs, and it is only when written down that the ambiguity is resolved. The English title, "Magnetic Fields" is a literal translation of "les champs magnétiques" rather than "les chants magnétiques", and the pun in the original French title is lost in translation. Composition and recording ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Aboriginal Languages
The Indigenous languages of Australia number in the hundreds, the precise number being quite uncertain, although there is a range of estimates from a minimum of around 250 (using the technical definition of 'language' as non-mutually intelligible varieties) up to possibly 363. The Indigenous languages of Australia comprise numerous language families and isolates, perhaps as many as 13, spoken by the Indigenous peoples of mainland Australia and a few nearby islands. The relationships between the language families are not clear at present although there are proposals to link some into larger groupings. Despite this uncertainty, the Indigenous Australian languages are collectively covered by the technical term "Australian languages", or the "Australian family". The term can include both Tasmanian languages and the Western Torres Strait language, but the genetic relationship to the mainland Australian languages of the former is unknown, while the latter is Pama–Nyungan, thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Équinoxe
''Équinoxe'' (, en, Equinox) is the fourth studio album by French electronic musician and composer Jean-Michel Jarre, released in December 1978 on the Dreyfus record label, licensed to Polydor Records for its worldwide distribution. The album featured two singles: "Équinoxe Part 4" and "Équinoxe Part 5", the latter having more success reaching No. 45 on the UK Singles Chart. It reached number 11 on the UK Album Chart and number 126 on the US ''Billboard'' 200 chart. Composition and recording The album was recorded from January to August 1978 in the makeshift recording studio set up in his apartment in Paris. The making of the album was done with a 16-track MCI tape. Jarre stated that although his previous album ''Oxygène'' was created without a concept in mind, ''Équinoxe'' was intended to represent a day in the life of a person, from waking up in the morning to sleeping at night. The aquatic, rain, storm and thunder sounds that play on various tracks were designed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Geiss
Michel Geiss is a French sound engineer, instrument designer and musician who was a long-time collaborator of Jean Michel Jarre. He has also collaborated with other famous French artists such as Marc Lavoine, Patrick Bruel or Laurent Voulzy. In 1978 during the recording of ''Équinoxe ''Équinoxe'' (, en, Equinox) is the fourth studio album by French electronic musician and composer Jean-Michel Jarre, released in December 1978 on the Dreyfus record label, licensed to Polydor Records for its worldwide distribution. The albu ...'' he designed the ''Matrisequencer 250'', an instrument that later was used in '' Rendez-Vous'' (1986). The instrument was succeeded by the ''Geiss Digisequencer''. Notes and references Year of birth missing (living people) Living people French musicians French audio engineers {{France-music-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha DX7
The Yamaha DX7 is a synthesizer manufactured by the Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units. In the early 1980s, the synthesizer market was dominated by analog synthesizers. Frequency modulation synthesis, FM synthesis, a means of generating sounds via frequency modulation, was developed by John Chowning at Stanford University, California. FM synthesis created brighter, "glassier" sounds, and could better imitate acoustic sounds such as brass. Yamaha licensed the technology to create the DX7, combining it with very-large-scale integration chips to lower manufacturing costs. With its complex menus and lack of conventional controls, few learned to program the DX7 in depth. However, its preset sounds became staples of 1980s pop music, used by artists including A-ha, Kenny Loggins, Kool & the Gang, Whitney Houston, Chicago (band), Chicago, Phil Collin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LinnDrum
The LinnDrum, also referred to as the LM-2, is a drum machine manufactured by Linn Electronics between 1982 and 1985. About 5,000 units were sold. Its high-quality samples, flexibility and affordability made the LinnDrum popular; it sold far more units than its predecessor (the LM-1) and its successor (the Linn 9000) combined. Roger Linn re-used the moniker on the LinnDrum Midistudio and the Roger Linn Designs' LinnDrum II. The LinnDrum was used on many recordings throughout the 1980s, including international hits such as Frankie Goes to Hollywood's "Relax", a-Ha's "Take On Me", Harold Faltermeyer's "Axel F", Billy Idol's " Eyes Without a Face", Deniece Williams's "Let's Hear It for the Boy" and Madonna's " Lucky Star". When Linn Electronics closed in 1986, Forat Electronics purchased its assets and offered service, sounds and modifications for the LinnDrum. The LinnDrum was pre-MIDI, using a DIN sync interface, but MIDI Retrofit Kits were offered by JL Cooper and are curre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music Studios
Electronic Music Studios (EMS) is a synthesizer company formed in Putney, London in 1969 by Peter Zinovieff, Tristram Cary and David Cockerell. It is now based in Ladock, Cornwall. Founders The founding partners had wide experience in both electronics and music. Cockerell, who was EMS' main equipment designer in its early years, was an electronics engineer and computer programmer. In the mid-1960s Zinovieff had formed the electronic music group Unit Delta Plus with Delia Derbyshire and Brian Hodgson of the BBC Radiophonic Workshop. Cary was a noted composer and a pioneer in electronic music—he was one of the first people in the UK to work in the musique concrete field and built one of the country's first electronic music studios; he also worked widely in film and TV, composing scores for numerous Ealing Studios and Hammer Films productions, and he is well known for his work on the BBC's ''Doctor Who'', notably on the classic serial ''The Daleks''. VCS 3 The company's firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
