Les Chants Magnétiques
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''Les Chants Magnétiques'' ( English title: ''Magnetic Fields'') is the fifth studio album by French electronic musician and composer
Jean-Michel Jarre Jean-Michel André Jarre (; born 24 August 1948) is a French composer, performer and record producer. He is a pioneer in the Electronic music, electronic, Ambient music, ambient and New-age music, new-age genres, and is known for organising out ...
, released on Disques Dreyfus on 20 May 1981. The album reached number six in the United Kingdom, number 98 in the United States and number 76 in Australia.


Title

The title of the album is a play on words in the French language. The literal English translation of the French title, "Les Chants Magnétiques", is "Magnetic Songs". However, the French word for 'fields' (champs) is a homophone of the French word for 'songs' (chants), so in French, if the title is spoken out loud, it can be interpreted as either magnetic fields or as magnetic songs. ('' Les Champs magnétiques'' was a surrealist book published in 1920.) The English title, "Magnetic Fields", is a literal translation of "les champs magnétiques" rather than "les chants magnétiques", and the pun in the original French title is lost in translation.


Composition and recording

The album is one of the first to use sounds from the
Fairlight CMI The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, music sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commerc ...
. Its digital technology allowed Jarre to continue his earlier sonic experimentation in new ways. He also used instruments from the EMS company, among them the Synthi AKS, the VCS 3 and the Vocoder 1000. "Les Chants Magnétiques (Part 1)" is divided into three different movements, "kicking off with an exhibitionist, cocksure first movement that seems to keep reaching to the sky for yet more key changes, followed by the swishy human samples and surreality of the second, and the mechanical chuntering and sonic lack of constraint of the third". In minimalist piece "Les Chants Magnétiques (Part 3)" employs sounds from a toy box, and Jarre's collaborator
Michel Geiss Michel Geiss is a French sound engineer, instrument designer and musician who was a long-time collaborator of Jean Michel Jarre. He has also collaborated with other famous French artists such as Marc Lavoine, Patrick Bruel or Laurent Voulzy. In ...
recorded the sounds produced by trains that would be used in the album. ''Les Chants Magnétiques'' was recorded and mixed by Jean-Pierre Janiaud assisted by Patrick Foulon at Croissy studio, the cover was designed by Remy Magron.


Release

''Les Chants Magnétiques'' was released on 20 May 1981 in Europe, on 29 May in the UK, and on 15 June in the US. It sold a reported 200,000 units in France alone by the beginning of July. In that same year, the British Embassy gave Radio Beijing copies of his albums, which became the first pieces of foreign music to be played on Chinese national radio in decades. China invited Jarre to become the first western musician to play there since the death of
Mao Zedong Mao Zedong pronounced ; traditionally Romanization of Chinese, romanised as Mao Tse-tung. (26December 18939September 1976) was a Chinese politician, revolutionary, and political theorist who founded the People's Republic of China (PRC) in ...
.


Critical reception

Contemporary reception of the album was generally positive. '' Cashbox'' wrote that Magnetic Fields "is Jarre's most subtle work yet, being a bit busier than ''Oxygene'' and more textural than ''Equinoxe''". In ''
Smash Hits ''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand ...
'', Johnny Black stated that the album "proves more energetic than either of its two mega-selling predecessors. It is, arguably, wallpaper music, but his creative use of Latin and African rhythms ... moves it all up a notch." Simon Tebbutt of ''
Record Mirror ''Record Mirror'' was a British weekly music newspaper published between 1954 and 1991, aimed at pop fans and record collectors. Launched two years after ''New Musical Express'', it never attained the circulation of its rival. The first UK Album ...
'' described the album as "nullifying, stultifying and ultimately BORING". In an
AllMusic AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Mus ...
retrospective review, writer John Bush commented that: "It's often just as melodic and inventive as ''Oxygene'', though not as consistently creative."


Track listing


Equipment

* MDB Polysequencer * RSF Kobol *
Oberheim OB-X The Oberheim OB-X was the first of Oberheim Electronics, Oberheim's OB-series polyphony (instrument), polyphonic Analog synthesizer, analog Subtractive synthesis, subtractive synthesizers. First commercially available in June 1979, the OB-X was ...
* ARP 2600 *
Fairlight CMI The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, music sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commerc ...
* EMS Synthi AKS * EMS Synthi VCS3 * Korg KR 55 * Elka 707 * Eminent 310U * Moog Taurus Pedal Synthesizer * Electronic Music Studios (EMS) Vocoder 1000 * Korg VC-10 * Electro-Harmonix Echoflanger


Charts


Weekly charts


Year-end charts


Certifications and sales


References


Bibliography

* {{DEFAULTSORT:Chants Magnetiques, Les 1981 albums Jean-Michel Jarre albums Electronic albums by French artists Synth-pop albums by French artists