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Zhang Yuan (director)
Zhang Yuan (; born October 1963) is a Chinese film director who has been described by film scholars as a pioneering member of China's Sixth Generation of filmmakers.Tasker, Yvonne (2002). "Zhang Yuan" i''Fifty Contemporary Filmmakers'' Routledge Publishing, p. 419. . Google Book Search. Retrieved 2008-08-24. He and his films have won ten awards out of seventeen nominations received at international film festivals. Feature films Born in Nanjing, the capital of Jiangsu Province, Zhang received a BA in cinematography from the Beijing Film Academy in 1989. Having initially emerged onto the film scene shortly after the Tiananmen Square protests of 1989, he is frequently referenced as an exemplar of the pioneers who are grouped into the loosely defined Sixth Generation. Despite a diploma from the prestigious Film Academy, Zhang decided to eschew his assigned position within the People's Liberation Army-connected August First Film Studio, choosing instead to produce his films indepen ...
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Zhang (surname)
Zhang () is the third most common surname in China and Taiwan (commonly spelled as "Chang" in Taiwan), and it is one of the most common surnames in the world. Zhang is the pinyin romanization of the very common Chinese surname written in simplified characters and in traditional characters. It is spoken in the first tone: ''Zhāng''. It is a surname that exists in many languages and cultures, corresponding to the surname 'Archer' in English for example. In the Wade-Giles system of romanization, it is romanized as "Chang", which is commonly used in Taiwan; "Cheung" is commonly used in Hong Kong as romanization. It is also the pinyin romanization of the less-common surnames (''Zhāng''), which is the 40th name on the ''Hundred Family Surnames'' poem. There is the even-less common (''Zhǎng''). was listed 24th in the famous Song-era ''Hundred Family Surnames'', contained in the verse 何呂施張 (He Lü Shi Zhang). Today, it is one of the most common surnames in the world a ...
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Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many fields of ...
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I Love You (2002 Film)
''I Love You'' is a 2002 Chinese drama film directed by Zhang Yuan and starring Xu Jinglei and Tong Dawei. The film was a co-production between the Xi'an Film Studio and Jewel Film Investment Company. It is one of three films made by Zhang in 2002 (the other two being a film of the 1964 communist opera '' Jiang jie'', and the romantic comedy, ''Green Tea'') marking one of the more prolific periods in his career. ''I Love You'' is based on author Wang Shuo's novel ''Get a Kick and Die.'' Zhang would again adapt one of Wang's stories in 2006's ''Little Red Flowers''. Plot Du Xiaoju and Wang Yi are two people in their 20s living in contemporary Beijing. As the film opens, Xiaoju is about to marry one of Yi's friends. Before the day of the wedding, her fiancé inadvertently commits suicide by diving into an empty swimming pool while drunk. Devastated, Xiaoju becomes increasingly close to Wang Yi, which causes them to fall in love and marry. The honeymoon period between Xiaoju and Yi ...
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Green Tea (film)
''Green Tea'' () is a 2002 Chinese film. It was adapted from the novel ''Adiliya by the River'' by Jin Renshun. Shot in the summer of 2002, ''Green Tea'' was one of three films directed by Zhang Yuan that year (including the earlier '' I Love You'' and the subsequent '' Jiang Jie''). The film was photographed by established Hong Kong-cinematographer Christopher Doyle, whose work gives ''Green Tea'' a more polished look than many of Zhang's earlier independent features. Plot Shy, ordinary, and glasses wearing Wu Fang (Zhao Wei) is a graduate student at Beijing University who goes on a sequence of blind dates despite never successfully attracting a partner. She always orders a glass of green tea, and is perceptive, nuanced, and quietly pretty, though this goes unnoticed with the men who are often curt and uninterested, put off by her conservative clothing and awkward demeanor. In the entire movie, Wu Fang never talks about herself, choosing instead to only muse about a friend sh ...
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Ning Ying
Ning Ying (born 1959 in Beijing) is a female Chinese film director often considered a member of China's " Sixth Generation" filmmaker coterie, a group that also includes Jia Zhangke, Zhang Yuan and Wang Xiaoshuai. However, this is more a result of a shared subject matter than anything else, as chronologically, Ning is closer to the earlier Fifth Generation. Her sister, the screenwriter Ning Dai, is a frequent collaborator and the wife of fellow director Zhang Yuan. In 1997, she was a member of the jury at the 47th Berlin International Film Festival. Directorial career Part of the first class to reenter the Beijing Film Academy in 1978 (along with Fifth Generation helmers Zhang Yimou, Tian Zhuangzhuang and Chen Kaige), Ning Ying's career veered away from the path of her male counterparts when she was allowed to study abroad in Italy's Centro Sperimentale di Cinematografia. While in Italy, she met Italian director Bernardo Bertolucci, whom she would act as an assistant direct ...
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Tian Zhuangzhuang
Tian Zhuangzhuang (; born April 1952 in Beijing) is a Chinese film director, producer and actor. Tian was born to an influential actor and actress in China. Following a short stint in the military, Tian began his artistic career first as an amateur photographer and then as an assistant cinematographer at the Beijing Agricultural Film Studio. In 1978, he was accepted to the Beijing Film Academy, from which he graduated in 1982, together with classmates Chen Kaige and Zhang Yimou. The class of 1982 collectively would soon gain fame as the so-called Fifth Generation film movement, with Tian Zhuangzhuang as one of the movement's key figures. Tian's early career was marked both with avant-garde documentary infused films (''On the Hunting Ground'' (1985), ''The Horse Thief'' (1986)) to more commercial fare ('' Li Lianying: The Imperial Eunuch'' (1991)). In 1991, Tian began work on a quiet epic about one of modern China's darkest moments. This film, ''The Blue Kite'' (1993), would ...
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Wu Wenguang
Wu Wenguang 吴文光 (born 1956 in Yunnan Yunnan , () is a landlocked province in the southwest of the People's Republic of China. The province spans approximately and has a population of 48.3 million (as of 2018). The capital of the province is Kunming. The province borders the C ...) is a Chinese independent documentary filmmaker. He is known internationally as one of the founding figures of Chinese independent documentary. His first film, Bumming in Beijing: The Last Dreamers, featured a large amount of handheld camerawork and unscripted interviews. This was a stark contrast to Chinese documentaries produced previously, which were generally carefully planned and controlled. References External links *"Portrait: Wu Wenguang (吴文光)"Goethe-Institut China Online Magazine, April 2014 (English) 1956 births Living people Chinese documentary filmmakers Film directors from Yunnan Chinese film directors {{China-film-director-stub ...
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Wang Xiaoshuai
Wang Xiaoshuai (; born May 22, 1966) is a Chinese film director, screenwriter and occasional actor. He is commonly grouped under the loose association of filmmakers known as the "Sixth Generation" of the Cinema of China. Like others in this generation, and in contrast with earlier Chinese filmmakers who produced mostly historical drama, Wang proposed a “new urban Chinese cinema hathas been mainly concerned with bearing witness of a fast- paced transforming China and producing a localized critique of globalization.” Many of Wang's works are known for their sensitive portrayal of teens and youths, most notable in films such as '' Beijing Bicycle'', '' So Close to Paradise'', '' Drifters'', and ''Shanghai Dreams''. His 2008 film '' In Love We Trust'' was an exception as it portrays marital strains. In 2010 Wang was appointed a ''chevalier'' of the Ordre des Arts et des Lettres. He also served as a member of the jury of the BigScreen Italia Film Festival 2006, held in Kunming, ...
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He Jianjun
He Jianjun (; born 1960 in BeijingBarbieri, Maria (2005). "He Jianjun" i''Encyclopedia of Contemporary Chinese Culture'' edited by Edward Lawrence Davis. Routledge, p. 340. . ) is a Chinese film director and screenwriter. A graduate of the Beijing Film Academy, He is considered a leading voice in the so-called " Sixth Generation."Zhang, Yingjin & Xiao, Zhiwei (1998). ''Encyclopedia of Chinese Film''. Taylor & Francis, p. 184. . He is occasionally credited under the name "He Yi." Career He Jianjun began his film career like many of his contemporaries at the Beijing Film Academy, China's premiere film school. Upon graduating in 1990, he began an apprenticeship with some of the Fifth Generation's major figures, notably Zhang Yimou, Chen Kaige, and Tian Zhuangzhuang. He would serve as the assistant director in Zhang's ''Raise the Red Lantern'' (1992) and Tian's ''The Blue Kite'', as well as a screenwriter for Chen Kaige's '' King of the Children'' (1987), before his debut film, '' ...
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The International Herald Tribune
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Beijing Bastards
''Beijing Bastards'' () is a 1993 drama film by Sixth Generation director Zhang Yuan, and is one of the first independently produced Chinese films. Cast * Karzi "a rock promoter" - played by Li Wei 李委 * Cui Jian as himself * Wu Lala (武啦啦, Wu Gang), sound-manCinemaya - Issues 58-62 -2003 Page 25 "Dazzling's main character is Wu Gang, a movie theatre usher played by the stocky actor Wu Lala, who appeared previously in Zhang Yuan's Beijing Bastards. He gives the film its title, because an eye disease has made it difficult for him to ..." * Tang Danian 唐大年, also screenwriter * Bian Jing 边境 as himself * Zang Tianshuo Zang Tianshuo (; 6 March 1964 – 28 September 2018) was a Chinese rock musician. Biography Zang Tianshuo began his musical career with the band 1989, formed with his childhood friends Qin Yong, Qin Qi and Li Li, and they incorpored American Ch ... as himself * Wang Wenli 王文丽 * Director: Zhang Yuan 张元 References External links * ...
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Mama (1990 Film)
''Mama'' is a 1990 Chinese film directed by Zhang Yuan. Zhang Yuan's directorial debut, ''Mama'' is now considered a seminal film in the history of Chinese independent cinema, and by extension, as a pioneering film of the Sixth Generation of which Zhang is a member. Shot on a very low budget within Zhang Yuan's apartment, ''Mama'' follows the story of a mother and her mentally challenged adult son. Plot The film focuses on a librarian struggling to raise her mentally handicapped son in modern-day Beijing while at the same time dealing with an absent and unresponsive husband. The story garnered much criticism from state-censors, who found the film too dark. While the film was originally written to end on the dour note of the mother euthanizing her son, director Zhang Yuan eventually opted for a more open-ended and ambiguous conclusion. Production history The film that was to become ''Mama'' began as a screenplay in the Children's Film Studio for a film entitled ''The Sun Tree ...
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