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Zarlino
Gioseffo Zarlino (31 January or 22 March 1517 – 4 February 1590) was an Italian music theorist and composer of the Renaissance. He made a large contribution to the theory of counterpoint as well as to musical tuning. Life and career Zarlino was born in Chioggia, near Venice. His early education was with the Franciscans, and he later joined the order himself. In 1536 he was a singer at Chioggia Cathedral, and by 1539 he not only became a deacon, but also principal organist. In 1540 he was ordained, and in 1541 went to Venice to study with the famous contrapuntist and ''maestro di cappella'' of Saint Mark's, Adrian Willaert. In 1565, on the resignation of Cipriano de Rore, Zarlino took over the post of ''maestro di cappella'' of St. Mark's, one of the most prestigious musical positions in Italy, and held it until his death. While ''maestro di cappella'' he taught some of the principal figures of the Venetian school of composers, including Claudio Merulo, Girolamo Diruta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioseffo Zarlino
Gioseffo Zarlino (31 January or 22 March 1517 – 4 February 1590) was an Italian music theorist and composer of the Renaissance. He made a large contribution to the theory of counterpoint as well as to musical tuning. Life and career Zarlino was born in Chioggia, near Venice. His early education was with the Franciscans, and he later joined the order himself. In 1536 he was a singer at Chioggia Cathedral, and by 1539 he not only became a deacon, but also principal organist. In 1540 he was ordained, and in 1541 went to Venice to study with the famous contrapuntist and ''maestro di cappella'' of Saint Mark's, Adrian Willaert. In 1565, on the resignation of Cipriano de Rore, Zarlino took over the post of ''maestro di cappella'' of St. Mark's, one of the most prestigious musical positions in Italy, and held it until his death. While ''maestro di cappella'' he taught some of the principal figures of the Venetian school of composers, including Claudio Merulo, Girolamo Diruta, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian School (music)
In music history, the Venetian School was the body and work of composers working in Venice from about 1550 to around 1610, many working in the Venetian polychoral style. The Venetian polychoral compositions of the late sixteenth century were among the most famous musical works in Europe, and their influence on musical practice in other countries was enormous. The innovations introduced by the Venetian school, along with the contemporary development of monody and opera in Florence, together define the end of the musical Renaissance and the beginning of the musical Baroque. History Several major factors came together to create the Venetian School. The first was political: after the death of Pope Leo X in 1521 and the Sack of Rome in 1527, the long dominant musical establishment in Rome was eclipsed: many musicians either moved elsewhere or chose not to go to Rome, and Venice was one of several places to have an environment conducive to creativity.Gangwere, p. 246. Another fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Willaert
Adrian Willaert ( – 7 December 1562) was a Flemish composer of High Renaissance music. Mainly active in Italy, he was the founder of the Venetian School. He was one of the most representative members of the generation of northern composers who moved to Italy and transplanted the polyphonic Franco-Flemish style there. Life He was born at Rumbeke near Roeselare. According to his student, the renowned 16th century music theorist Gioseffo Zarlino, Willaert went to Paris first to study law, but instead decided to study music. In Paris he met Jean Mouton, the principal composer of the French royal chapel and stylistic compatriot of Josquin des Prez, and studied with him. Sometime around 1515 Willaert first went to Rome. An anecdote survives that indicates the musical ability of the young composer: Willaert was surprised to discover the choir of the papal chapel singing one of his own compositions, most likely the six-part motet ''Verbum bonum et suave'', and even more sur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Croce
Giovanni Croce (; also Ioanne a Cruce Clodiensis, Zuanne Chiozotto; 1557 – 15 May 1609) was an Italian composer of the late Renaissance, of the Venetian School. He was particularly prominent as a madrigalist, one of the few among the Venetians other than Monteverdi and Andrea Gabrieli. Life He was born in Chioggia, a fishing town on the Adriatic coast south of Venice, the same town as Gioseffo Zarlino, and he came to Venice early, becoming a member of the boy's choir at St. Mark's under Zarlino's direction by the time he was eight years old. Zarlino evidently found him in a choir in Chioggia Cathedral, and recruited him for St. Mark's.Arnold, p. 35 Croce may have been a parish priest at the church of Santa Maria Formosa, and he took holy orders in 1585; during this period he also served as a singer at St. Mark's. He evidently maintained some connection, probably as a director of music, with Santa Maria Formosa alongside his duties at St. Mark's. After the death of Zarl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Merulo
Claudio Merulo (; 8 April 1533 – 4 May 1604) was an Italian composer, publisher and organist of the late Renaissance period, most famous for his innovative keyboard music and his ensemble music composed in the Venetian polychoral style. He was born in Correggio and died in Parma. Born Claudio Merlotti, he Latinised his surname (meaning little blackbird) when he became famous in Venetian cultural clubs. Life Little is known about his early life except that he studied in Correggio with Tuttovale Menon, a famous madrigalist who also worked in the Ferrara court; he also studied with Girolamo Diruta, an organist. It is likely that he studied with Zarlino at St. Mark's in Venice. While in Venice he became close friends with Costanzo Porta, a friendship which was to endure for his entire life. On 21 October 1556, he was appointed organist at Old Cathedral of Brescia ( Duomo Vecchio), and his skill as an organist must have been impressive, because he became organist at St. Mark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ptolemy's Intense Diatonic Scale
Ptolemy's intense diatonic scale, also known as the Ptolemaic sequence, justly tuned major scale, Ptolemy's tense diatonic scale, or the syntonous (or syntonic) diatonic scale, is a tuning for the diatonic scale proposed by Ptolemy, and corresponding with modern 5-limit just intonation.Chisholm, Hugh (1911). The Encyclopædia Britannica', Vol.28, p. 961. The Encyclopædia Britannica Company. This tuning was declared by Zarlino to be the only tuning that could be reasonably sung, it was also supported by Giuseppe Tartini, and is equivalent to Indian Gandhar tuning which features exactly the same intervals. It is produced through a tetrachord consisting of a greater tone (9:8), lesser tone (10:9), and just diatonic semitone (16:15). This is called Ptolemy's intense diatonic tetrachord (or "tense"), as opposed to Ptolemy's soft diatonic tetrachord (or "relaxed"), which is formed by 21:20, 10:9 and 8:7 intervals. Structure The structure of the intense diatonic scale is shown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pythagoreanism
Pythagoreanism originated in the 6th century BC, based on and around the teachings and beliefs held by Pythagoras and his followers, the Pythagoreans. Pythagoras established the first Pythagorean community in the Ancient Greece, ancient Greek colony of Crotone, Kroton, in modern Calabria (Italy). Early Pythagorean communities spread throughout Magna Graecia. Pythagoras' death and disputes about his teachings led to the development of two philosophical traditions within Pythagoreanism. The ''akousmatikoi'' were superseded in the 4th century BC as a significant mendicant school of philosophy by the Cynicism (philosophy), Cynics. The ''mathēmatikoi'' philosophers were absorbed into the Platonic Academy, Platonic school in the 4th century BC. Following political instability in Magna Graecia, some Pythagorean philosophers fled to mainland Greece while others regrouped in Rhegium. By about 400 BC the majority of Pythagorean philosophers had left Italy. Pythagorean ideas exercised a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meantone Temperament
Meantone temperament is a musical temperament, that is a tuning system, obtained by narrowing the fifths so that their ratio is slightly less than 3:2 (making them ''narrower'' than a perfect fifth), in order to push the thirds closer to pure. Meantone temperaments are constructed the same way as Pythagorean tuning, as a stack of equal fifths, but it is a ''temperament'' in that the fifths are not pure. Notable meantone temperaments Equal temperament, obtained by making all semitones the same size, each equal to one-twelfth of an octave (with ratio the 12th root of 2 to one (:1), narrows the fifths by about 2 cents or 1/12 of a Pythagorean comma, and produces thirds that are only slightly better than in Pythagorean tuning. Equal temperament is roughly the same as 1/11 comma meantone tuning. Quarter-comma meantone, which tempers the fifths by 1/4 of a syntonic comma, is the best known type of meantone temperament, and the term ''meantone temperament'' is often used to refer to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Artusi
Giovanni Maria Artusi (c. 154018 August 1613) was an Italian music theory, theorist, composer, and writer. Artusi fiercely condemned the new musical innovations that defined the early Baroque music, Baroque style developing around 1600 in his treatise ''L'Artusi, overo Delle imperfettioni della moderna musica'' [Artusi, or On the Imperfections of Modern Music]. He was also a scholar and cleric at the Congregation Santissimo Salvatore, Bologna, and remained throughout his life devoted to his teacher Gioseffo Zarlino (the principal music theorist of the late sixteenth century). When Vincenzo Galilei first attacked Zarlino in the ''Dialogo'' of 1581, it provoked Artusi to defend his teacher and the style he represented. In 1600 and 1603, Artusi attacked the "crudities" and "license" shown in the works of a composer he initially refused to name (it was Claudio Monteverdi). Monteverdi replied in the introduction to his fifth book of madrigals (1605) with his discussion of the division ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Franceschi
Francesco Franceschi (died c. 1599) was a printer in the Italian Renaissance. His roots were in Siena, though the bulk of his work was done in Venice. Franceschi was known for the high quality of his engravings, which were done using metal plates rather than wooden, a common inexpensive alternative in the period. Evelyn Tribble describes in detail his 1565 edition of Ludovico Ariosto's '' Orlando Furioso'', which was influential for some English publishers, and which is heavily and ornately illustrated, including an engraving before every canto and an engraved frame surrounding the argument (Tribble 88). Franceschi was also known for printing music. According to the ''New Grove'', he printed the works of Gioseffo Zarlino Gioseffo Zarlino (31 January or 22 March 1517 – 4 February 1590) was an Italian music theorist and composer of the Renaissance. He made a large contribution to the theory of counterpoint as well as to musical tuning. Life and career Zarlin ... and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chioggia
Chioggia (; vec, Cióxa , locally ; la, Clodia) is a coastal town and ''comune'' of the Metropolitan City of Venice in the Veneto region of northern Italy. Geography The town is situated on a small island at the southern entrance to the Lagoon of Venice about south of Venice ( by road); causeways connect it to the mainland and to its ''frazione'', nowadays a quarter, of Sottomarina. The population of the ''comune'' is around 50,000, with the town proper accounting for about half of that and Sottomarina for most of the rest. The municipality, located in south of the province, close to the provinces of Padua and Rovigo, borders with Campagna Lupia, Cavarzere, Codevigo, Cona, Correzzola, Loreo, Rosolina and Venice. History Chioggia and Sottomarina were not prominent in antiquity, although they are first mentioned in Pliny as the ''fossa Clodia''. Local legend attributes this name to its founding by a ''Clodius'', but the origin of this belief is not known. The name of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
