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Zé Pilintra
Zé Pilintra is a phalanx of entities of light originating from the syncretic belief called Catimbó, which arose in the Northeast of Brazil. Zé Pilintra is also commonly "incorporated" in Umbanda temples, with his cult spread throughout Brazil. In this religion, it can be considered part of the line of work of right or left (each one with its own characteristics). Zé Pilintra is one of the most important entities in Afro-Brazilian cults, especially among Umbandistas. It is considered the patron spirit of bars, gambling venues and gutters, although not aligned with entities of a negative nature, it can be considered a kind of archetypal transcription of the "rascal" that make transitions between both worlds. According to tradition, he was born in the state of Pernambuco in his human form. Origins In Umbanda, Zé Pilintra is widely believed to be an Eshu, Exu. In Catimbó, Zé Pilintra is seen as a wandering human spirit leading a phalanx of ''Malandragem, malandros''. Di ...
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Umbanda
Umbanda () is a syncretic Afro-Brazilian religion that blends traditional African religions with Roman Catholicism, Spiritism, and Indigenous American beliefs. Although some of its beliefs and most of its practices existed in the late 19th century in almost all Brazil, it is assumed that Umbanda originated in Niterói and surrounding areas in the early 20th century, mainly due to the work of Zélio Fernandino de Moraes, a psychic ("medium") who practiced Umbanda among the poor Brazilian of African descent. Since then, Umbanda has spread across mainly southern Brazil and neighboring countries like Argentina and Uruguay. Umbanda has many branches, each one with a different set of beliefs and practices. Some common beliefs are the existence of a Supreme Being and creator of the universe known as Olodumare. Other common beliefs are the existence of deities called Orixás, most of them syncretized with Catholic saints that act as divine energy and forces of nature; spirits of d ...
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Eshu
Èṣù is an Òrìṣà/Irúnmọlẹ̀ in the ìṣẹ̀ṣe religion of the Yoruba people. Èṣù is a prominent primordial Divinity (a delegated Irúnmọlẹ̀ sent by the Olódùmarè) who descended from Ìkọ̀lé Ọ̀run, and the Chief Enforcer of natural and divine laws - he is the Deity in charge of law enforcement and orderliness. As the religion has spread around the world, the name of this Orisha has varied in different locations, but the beliefs remain similar. Brief The other names of the Irúnmọlẹ̀ called Èṣù includes ''Ẹlẹ́jẹ̀lú'', ''Olúlànà'', ''Ọbasìn'', ''Láarúmọ̀'', ''Ajọ́ńgọ́lọ̀'', ''Ọba Ọ̀dàrà,'' ''Onílé Oríta'', ''Ẹlẹ́gbára Ọ̀gọ'', ''Olóògùn Àjíṣà'', ''Láàlú Ògiri Òkò'', ''Láàlù Bara Ẹlẹ́jọ́'', ''Láaróyè Ẹbọra tí jẹ́ Látọpa''. Èṣù is powerful, relevant, and ubiquitous to the extent of having every day of the four-day (ancient/traditional) Yorùbá ...
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Malandragem
Malandragem () is a Portuguese term for a lifestyle of idleness, fast living and petty crime – traditionally celebrated in samba lyrics, especially those of Noel Rosa and Bezerra da Silva. The exponent of this lifestyle, the ''malandro'' (masculine adjective), or " bad boy" (rogue, hustler, rascal, scoundrel, gangster), has become significant to Brazilian national identity as a folk hero or, rather, an anti-hero. The concept is common in Brazilian literature, Brazilian cinema and Brazilian music."Popular cinema in Brazil, 1930–2001", by Stephanie Dennison, Lisa Shaw, 2004, section "Malandragem and jeitinho"/ref> Definition ''Malandragem'' is defined as any combination of strategies used in order to gain the advantage in a determined situation, typically of an illicit nature. It is characterized by savoir faire and subtlety. Its execution demands aptitude, charisma, cunning and whatever other characteristics (knacks) assist the ''malandro'' in the manipulation of people or ...
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Rio De Janeiro
Rio de Janeiro ( , , ; literally 'River of January'), or simply Rio, is the capital of the state of the same name, Brazil's third-most populous state, and the second-most populous city in Brazil, after São Paulo. Listed by the GaWC as a beta global city, Rio de Janeiro is the sixth-most populous city in the Americas. Part of the city has been designated as a World Heritage Site, named "Rio de Janeiro: Carioca Landscapes between the Mountain and the Sea", on 1 July 2012 as a Cultural Landscape. Founded in 1565 by the Portuguese, the city was initially the seat of the Captaincy of Rio de Janeiro, a domain of the Portuguese Empire. In 1763, it became the capital of the State of Brazil, a state of the Portuguese Empire. In 1808, when the Portuguese Royal Court moved to Brazil, Rio de Janeiro became the seat of the court of Queen Maria I of Portugal. She subsequently, under the leadership of her son the prince regent João VI of Portugal, raised Brazil to the dignity of a k ...
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São Paulo
São Paulo (, ; Portuguese for 'Saint Paul') is the most populous city in Brazil, and is the capital of the state of São Paulo, the most populous and wealthiest Brazilian state, located in the country's Southeast Region. Listed by the GaWC as an alpha global city, São Paulo is the most populous city proper in the Americas, the Western Hemisphere and the Southern Hemisphere, as well as the world's 4th largest city proper by population. Additionally, São Paulo is the largest Portuguese-speaking city in the world. It exerts strong international influences in commerce, finance, arts and entertainment. The city's name honors the Apostle, Saint Paul of Tarsus. The city's metropolitan area, the Greater São Paulo, ranks as the most populous in Brazil and the 12th most populous on Earth. The process of conurbation between the metropolitan areas around the Greater São Paulo (Campinas, Santos, Jundiaí, Sorocaba and São José dos Campos) created the São Paulo Macrometr ...
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Chico Buarque
Francisco Buarque de Hollanda (born 19 June 1944), popularly known simply as Chico Buarque, is a Brazilian singer-songwriter, guitarist, composer, playwright, writer, and poet. He is best known for his music, which often includes social, economic, and cultural reflections on Brazil. The firstborn son of Sérgio Buarque de Hollanda, Buarque lived at several locations throughout his childhood, though mostly in Rio de Janeiro, São Paulo, and Rome. He wrote and studied literature as a child and found music through the bossa nova compositions of Tom Jobim and João Gilberto. He performed as a singer and guitarist in the 1960s as well as writing a play that was deemed dangerous by the Brazilian military dictatorship of the time. Buarque, along with several Tropicalist and MPB musicians, was threatened by the Brazilian military government and eventually left Brazil for Italy in 1969. However, he came back to Brazil in 1970, and continued to record, perform, and write, though much of hi ...
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Ópera Do Malandro
''Ópera do Malandro'' (), from 1979, is a Brazilian musical play, written by Chico Buarque and directed by Luiz Antônio Martinez Corrêa. The play is inspired by the classic ''Beggar's Opera'' of John Gay and the ''Threepenny Opera'', of Bertolt Brecht and Kurt Weill. It is also a posthumous tribute to Paulo Pontes (1940–1976) ( pt). Synopsis and analysis The ''Ópera do Malandro'' reveals past features of Brazilian culture that still persist. A pimp called Duran disguises himself as a successful salesman. Vitória was a madam who also lived by selling her own body. Her daughter, Teresinha, had fallen in love with an upper-class citizen, Max Overseas, a man that lived off corruption in complicity with the chief Police officer, ''Chaves''. The other characters are prostitutes, presented as saleswomen in a clothes store, and the promiscuous transvestite Geni, who was frequently attacked with rocks; people used to say she was "useful" because of this. The play's action takes p ...
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Itamar Assumpção
Itamar Assumpção (September 13, 1949 – June 12, 2003) was a Brazilian songwriter and composer who was born in Tietê, a city in the Brazilian state of São Paulo. Assumpção built a strong reputation in the Brazilian independent and alternative music scenes during the 1980s and 1990s, particularly in his home state of São Paulo. Biography Itamar Assumpção was one of the biggest names and contributors in the " Vanguarda Paulista" ("São Paulo Vanguard" in English), an alternative scene that dominated São Paulo in the very late 70s and the first half of the 80s. This movement united artists who operated involuntarily outside of the established commercial music industry during an era that pre-dated the Internet, the politics of downloading and the contemporary indie music scene. The "Vanguarda" was responsible for launching many new talents and establishing a foundation for autonomous, self-sufficient music production (and subsequent release) by artists such as Arrigo Barnab ...
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Wally Salomão
Wally may refer to: Music * Wally (band), British prog rock band ** ''Wally'' (album), a 1974 album by Wally * ''La Wally'', an opera by Alfredo Catalani Other uses *Wally (given name), a list of people and fictional characters * WALLY, a proposed service in southeast Michigan * Wally (anonymous), a name often called out at British rock venues in the 1970s and early '80s * The Wallies of Wessex, a group of people who squatted on ground close to Stonehenge in 1974 * Wally the Green Monster, mascot of the Boston Red Sox * Wally Yachts, a maritime design and manufacture company *The Wally, trophy given to NHRA national event race winners *Wally, a Cockney dialect name for a large gherkin or pickled cucumber *Wally, an episode of the American TV series ''Highway to Heaven'' See also * *Walley Walley is a surname and given name. It may refer to: Surname * Augustus Walley (1856–1938), a Buffalo Soldier in the United States Army and recipient of the Medal of Honor * Byron Walley, ...
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Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ...
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