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Zorrilla Theatre
The Zorrilla Theatre or Teatro Zorrilla, also known as the ''Duláang Zorrilla sa Maynila'' ("Zorrilla Theater in Manila") in Tagalog, was a prominent theater in the Philippines. Once located along Calle Iris (now a part of C.M. Recto Avenue), Manila, the theater was named after José Zorrilla (1817–1893), a Spanish poet and playwright. The building, which had a seating capacity of 900 people, was officially opened on 17 August 1893, and it was the venue for Spanish-language and Tagalog-language stage performances. Former Site The former Zorilla Theatre is now currently occupied by a new commercialized buildings mostly now occupied by a various hotels and also a food restaurant establishments as well in the mid 60's up to the present in C.M. Recto Avenue in Manila. See also *Manila Grand Opera House The Manila Grand Opera House ( Filipino: ''Marangal na Bahay-Opera ng Maynila'', abbreviated MGOH) was a theater and opera house located in the district of Santa Cruz in Manila o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Zorrilla
José Zorrilla y Moral () was a Spanish poet and dramatist, who became National Laureate. Biography Zorrilla was born in Valladolid to a magistrate in whom Ferdinand VII placed special confidence. He was educated by the Jesuits at the Real Seminario de Nobles in Madrid, wrote verses when he was twelve, became an enthusiastic admirer of Walter Scott and Chateaubriand, and took part in the school performances of plays by Lope de Vega and Calderón de la Barca. In 1833, he was sent to study law at the university of Toledo, but after a year of idleness, he fled to Madrid, where he horrified the friends of his absolutist father by making violent speeches and by founding a newspaper which was promptly suppressed by the government. He narrowly escaped transportation to the Philippines, and passed the next few years in poverty. The death of the satirist Mariano José de Larra brought Zorrilla into notice. His elegiac poem, read at Larra's funeral in February 1837, introduced him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manila Grand Opera House
The Manila Grand Opera House (Filipino: ''Marangal na Bahay-Opera ng Maynila'', abbreviated MGOH) was a theater and opera house located in the district of Santa Cruz in Manila on the intersection of Rizal Avenue and Doroteo Jose Street. It was the Philippines' premiere entertainment venue during the Spanish and American colonial periods and the most popular theater in the 1900s. It was also the site of historically significant political meetings. It could entertain crowds of more than 200 people. It hosted performances by musicians Katy de la Cruz, Bobby Gonzales, Diomedes Maturan, Sylvia La Torre, Pilita Corrales, Elizabeth Ramsey, Bayani Casimiro, the Reycards Duet, and comedy acts Bentot, Chiquito, Lupito, and Pugo and Tugo and Tugak. Plays directed by Lamberto Avellana and Wilfrido Ma. Guerrero were also performed here. First built in the mid-19th century as a circular wooden structure with a nipa roof known as the H.T. Hashim's National Cycle Track, the complex served ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Former Buildings And Structures In Manila
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theaters In Manila
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In Sampaloc, Manila
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
