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Zoolookologie
''Zoolook'' is the seventh studio album by French electronic music, electronic musician and composer Jean-Michel Jarre, released in November 1984 by Dreyfus Records, Disques Dreyfus. Much of the music is built up from singing and speech in 25 different languages recorded and edited in the Fairlight CMI digital Sampler (musical instrument), sampling synthesizer. The album spawned two singles: the title track and "Zoolookologie". Composition and recording ''Zoolook'' was greatly influenced by his former mentor Pierre Schaeffer and his musique concrète, taking samples from everyday life and voice human in 25 different languages from all over the world. In this album was expanded the Sampling (music), sample-based approach which had been initiated on ''Les Chants Magnétiques'' (1981) and continued on ''Musique pour Supermarché, Music for Supermarkets'' (1983). Some fragments were recorded digitally by Jarre and then played back and edited on the Fairlight CMI. This process was done ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Michel Jarre
Jean-Michel André Jarre (; born 24 August 1948) is a French composer, performer and record producer. He is a pioneer in the electronic, ambient and new-age genres, and is known for organising outdoor spectacles featuring his music, accompanied by vast laser displays, large projections and fireworks. Jarre was raised in Lyon by his mother and grandparents and trained on the piano. From an early age, he was introduced to a variety of art forms, including street performers, jazz musicians and the artist Pierre Soulages. But his musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales. His first mainstream success was the 1976 album ''Oxygène''. Recorded in a makeshift studio at his home, the album sold an estimated 18 million copies. ''Oxygène'' was followed in 1978 by ''Équinoxe'', and in 1979, Jarre performed to a record-breaking audience of more than a million people at the Place de l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Aboriginal Languages
The Indigenous languages of Australia number in the hundreds, the precise number being quite uncertain, although there is a range of estimates from a minimum of around 250 (using the technical definition of 'language' as non-mutually intelligible varieties) up to possibly 363. The Indigenous languages of Australia comprise numerous language families and isolates, perhaps as many as 13, spoken by the Indigenous peoples of mainland Australia and a few nearby islands. The relationships between the language families are not clear at present although there are proposals to link some into larger groupings. Despite this uncertainty, the Indigenous Australian languages are collectively covered by the technical term "Australian languages", or the "Australian family". The term can include both Tasmanian languages and the Western Torres Strait language, but the genetic relationship to the mainland Australian languages of the former is unknown, while the latter is Pama–Nyungan, thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu Emulator
The Emulator is a series of digital sampling synthesizers using floppy disk storage, manufactured by E-mu Systems from 1981 until 2002. Though not the first commercial sampler, the Emulator was among the first to find wide use among ordinary musicians, due to its relatively low price and fairly contained size, which allowed for its use in live performances. It was also innovative in its integration of computer technology. The samplers were discontinued in 2002. Impetus E-mu Systems was founded in 1971 and began business as a manufacturer of microprocessor chips, digital scanning keyboards and components for electronic instruments. Licensing this technology gave E-mu ample funds to invest in research and development, and it began to develop boutique synthesizers for niche markets, including a series of modular synthesizers and the high-end Audity system. In 1979, founders Scott Wedge and Dave Rossum saw the Fairlight CMI and the Linn LM-1 at a convention, inspiring them to de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Équinoxe
''Équinoxe'' (, en, Equinox) is the fourth studio album by French electronic musician and composer Jean-Michel Jarre, released in December 1978 on the Dreyfus record label, licensed to Polydor Records for its worldwide distribution. The album featured two singles: "Équinoxe Part 4" and "Équinoxe Part 5", the latter having more success reaching No. 45 on the UK Singles Chart. It reached number 11 on the UK Album Chart and number 126 on the US ''Billboard'' 200 chart. Composition and recording The album was recorded from January to August 1978 in the makeshift recording studio set up in his apartment in Paris. The making of the album was done with a 16-track MCI tape. Jarre stated that although his previous album ''Oxygène'' was created without a concept in mind, ''Équinoxe'' was intended to represent a day in the life of a person, from waking up in the morning to sleeping at night. The aquatic, rain, storm and thunder sounds that play on various tracks were designed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Geiss
Michel Geiss is a French sound engineer, instrument designer and musician who was a long-time collaborator of Jean Michel Jarre. He has also collaborated with other famous French artists such as Marc Lavoine, Patrick Bruel or Laurent Voulzy. In 1978 during the recording of ''Équinoxe ''Équinoxe'' (, en, Equinox) is the fourth studio album by French electronic musician and composer Jean-Michel Jarre, released in December 1978 on the Dreyfus record label, licensed to Polydor Records for its worldwide distribution. The albu ...'' he designed the ''Matrisequencer 250'', an instrument that later was used in '' Rendez-Vous'' (1986). The instrument was succeeded by the ''Geiss Digisequencer''. Notes and references Year of birth missing (living people) Living people French musicians French audio engineers {{France-music-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha DX7
The Yamaha DX7 is a synthesizer manufactured by the Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units. In the early 1980s, the synthesizer market was dominated by analog synthesizers. Frequency modulation synthesis, FM synthesis, a means of generating sounds via frequency modulation, was developed by John Chowning at Stanford University, California. FM synthesis created brighter, "glassier" sounds, and could better imitate acoustic sounds such as brass. Yamaha licensed the technology to create the DX7, combining it with very-large-scale integration chips to lower manufacturing costs. With its complex menus and lack of conventional controls, few learned to program the DX7 in depth. However, its preset sounds became staples of 1980s pop music, used by artists including A-ha, Kenny Loggins, Kool & the Gang, Whitney Houston, Chicago (band), Chicago, Phil Collin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LinnDrum
The LinnDrum, also referred to as the LM-2, is a drum machine manufactured by Linn Electronics between 1982 and 1985. About 5,000 units were sold. Its high-quality samples, flexibility and affordability made the LinnDrum popular; it sold far more units than its predecessor (the LM-1) and its successor (the Linn 9000) combined. Roger Linn re-used the moniker on the LinnDrum Midistudio and the Roger Linn Designs' LinnDrum II. The LinnDrum was used on many recordings throughout the 1980s, including international hits such as Frankie Goes to Hollywood's "Relax", a-Ha's "Take On Me", Harold Faltermeyer's "Axel F", Billy Idol's " Eyes Without a Face", Deniece Williams's "Let's Hear It for the Boy" and Madonna's " Lucky Star". When Linn Electronics closed in 1986, Forat Electronics purchased its assets and offered service, sounds and modifications for the LinnDrum. The LinnDrum was pre-MIDI, using a DIN sync interface, but MIDI Retrofit Kits were offered by JL Cooper and are curre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music Studios
Electronic Music Studios (EMS) is a synthesizer company formed in Putney, London in 1969 by Peter Zinovieff, Tristram Cary and David Cockerell. It is now based in Ladock, Cornwall. Founders The founding partners had wide experience in both electronics and music. Cockerell, who was EMS' main equipment designer in its early years, was an electronics engineer and computer programmer. In the mid-1960s Zinovieff had formed the electronic music group Unit Delta Plus with Delia Derbyshire and Brian Hodgson of the BBC Radiophonic Workshop. Cary was a noted composer and a pioneer in electronic music—he was one of the first people in the UK to work in the musique concrete field and built one of the country's first electronic music studios; he also worked widely in film and TV, composing scores for numerous Ealing Studios and Hammer Films productions, and he is well known for his work on the BBC's ''Doctor Who'', notably on the classic serial ''The Daleks''. VCS 3 The company's firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARP 2600
The ARP 2600 is a semi-modular analog subtractive audio synthesizer produced by ARP Instruments, Inc. History Developed by a design team headed by ARP namesake Allen R. Pearlman and engineer Dennis Colin, the ARP 2600 was introduced in 1971 as the successor to ARP's first instrument, the ARP 2500, at a retail price of US$2600. Unlike other modular systems of the time, which required modules to be purchased individually and wired by the user, the 2600 was semi-modular with a fixed selection of basic synthesizer components internally pre-wired, with clear text labels and front panel screen printed graphics indicating the function of different sections of controls, and the signal flow between them. The 2600 was thus ideal for musicians new to synthesis, due to its ability to be operated either with or without patch cords. On its initial release it was heavily marketed to high schools and universities. Features and architecture The ARP 2600 features three VCOs, a 4-pole (24 dB ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EMS Synthi AKS
The EMS Synthi A and the EMS Synthi AKS, is a portable modular analog synthesiser made by EMS of England. The Synthi A model debuted in May 1971, and then Sythni AKS model appeared in March 1972 a with a built-in keyboard and sequencer. The EMS Sythi models are notable for its patch pin matrix, its functions and internal design are similar to the VCS 3 synthesiser, also made by EMS. EMS is still run by Robin Wood in Cornwall, and in addition to continuing to build and sell new units, the company repairs and refurbishes EMS equipment. When launched in 1972, the Synthi AKS retailed for around £450. There was an optional three octave (37 note) DK1 monophonic keyboard available for it, later the DK2 (Dynamic Keyboard 2) was available, this allowed independent control of two Oscillators, thus enabling the player to play two notes together. The Synthi instruments were used widely in progressive rock and electronic music. As with the VCS3, a Synthi AKS was worth considerably more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moog Synthesizer
The Moog synthesizer is a modular synthesizer developed by the American engineer Robert Moog. Moog debuted it in 1964, and Moog's company R. A. Moog Co. (later known as Moog Music) produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer, and is credited with creating the analog synthesizer as it is known today. The Moog synthesizer consists of separate modules which create and shape sounds, which are connected via patch cords. Modules include voltage-controlled oscillators, amplifiers, filters, envelope generators, noise generators, ring modulators, triggers, and mixers. The synthesizer can be played using controllers including keyboards, joysticks, pedals, and ribbon controllers, or controlled with sequencers. Its oscillators can produce waveforms of different timbres, which can be modulated and filtered to shape their sounds (subtractive synthesis). By 1963, Robert Moog had been designing and selling theremins for several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
