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Zohrabai
Zohrabai Agrewali (1868–1913), also known mononymously as Zohrabai, was one of the most noted and influential singers of Hindustani Classical Music from the early 1900s. Along with Gauhar Jan, she marks the dying phase of the courtesan singing tradition in Indian classical music. Known for her masculine style of singing, she recorded several songs for the Gramophone Company of India. Early life and background Zohrabai was born in 1868 in Agra, North-Western Provinces, British India. An exponent of the Agra gharana of the Hindustani Classical Music, she took on the surname ''Agrewali'' that translates to "from Agra". During the early years of her life, Zihrabai received training from Ustad Sher Khan, Ustad Kallan Khan and the noted composer Mehboob Khan (''Daras Piya''). Performing career Zohrabai performed and recorded tracks from such forms of the Hindustani classical music as khayal as well as lighter varieties including thumri and ghazals which she learned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zohrabai Ambalewali
Zohrabai Ambalewali (1918 – 21 February 1990) was an Indian classical singer and playback singer in Hindi cinema in the 1930s and 1940s. She was considered one of the most popular female playback singers of early and mid 1940s. She is best known for her contralto or low voice range singing in the film songs, "Ankhiyan Milake Jiyaa Bharmaake" and "Aai Diwali, Aai Diwali" in 1944 hit ''Rattan'' (1944), with music by Naushad, and "Uran Khatole Pe Ud Jaoon", duet with Shamshad Begum in ''Anmol Ghadi'' (1946), also under Naushad's music direction. She, along with Rajkumari, Shamshad Begum and Amirbai Karnataki, were amongst the leading first generation of playback singers in the Hindi film industry. However, by the late 1940s, the arrival of new voices like Geeta Dutt and Lata Mangeshkar, meant Zohrabai Ambalewali's career faded away. Early life and background Born and brought up in Ambala in present-day Haryana, to family of professional singers, which lend to her surname, 'Am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agra Gharana
The Agra gharana is a tradition of Hindustani classical vocal music descended from the Nauhar Bani. So far, Nauhar Bani has been traced back to around 1300 AD, during the reign of Emperor Allauddin Khilji of Delhi. The first known musician of this tradition is Nayak Gopal. The style prevalent then in the Gharana was "Dhrupad- Dhamar". Ghagghe Khudabuksh (1790–1880 AD) introduced the "Khayal" style of Gwalior Gharana into Agra gharana which Khudabaksh learnt from Natthan Paribaksh of Gwalior. Pedagogical genealogy The following maps are based on recorded accounts by Vilayat Hussain Khan and Yunus Hussain Khan. Ancestral Lineage Distinguishing characteristics The gayaki (style of singing) of the Agra Gharana is a blend of khayal gayaki and dhrupad-dhamar. In training, both the khayal and dhrupad components run hand in hand and are not taught in an isolated fashion. This is obvious from the method of singing notes of the Agra Gharana which dema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mehboob Khan
Mehboob Khan (born Mehboob Khan Ramzan Khan; 9 September 1907 at filmreference.com. – 28 May 1964) was a pioneer producer-director of , best known for directing the social epic '''' (1957), which won the for and |
Hindustani Singers
Hindustani may refer to: * something of, from, or related to Hindustan (another name of India) * Hindustani language, an Indo-Aryan language, whose two official norms are Hindi and Urdu * Fiji Hindi, a variety of Eastern Hindi spoken in Fiji, and is known locally as Hindustani * Caribbean Hindustani, a variety of Eastern Hindi spoken in the Caribbean * Hindustani classical music, a major style of Indian classical music * ''Hindustani'' (film) or ''Indian'', a 1996 film starring Kamal Haasan and Manisha Koirala * Muhammadjan Hindustani, Islamist teacher of Uzbekistan See also * South Asian ethnic groups * Hindustani Lal Sena or Indian Red Army, formed 1939 * Communist Ghadar Party of India, a political group founded in 1970 * ''Raja Hindustani ''Raja Hindustani/Prema Bandham''(/ప్రేమ బంధం) is a 1996 Indian Hindi-language romantic drama film directed by Dharmesh Darshan. It tells the story of a cab driver from a small town who falls in love with a rich young ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Agra
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sohini
Sohini is a raga in Hindustani classical music in the Marwa thaat. Alternate transliterations include Sohani and Sohni. Like Bahar, it is a small raga, with not much space for elaboration. It emotes the feel of longing, of passive sensuousness. Technical Description The raga is of audav-shadav nature, i.e., it has five swaras (notes) in the arohana (ascent) and six in the avarohana. Rishabh (Re) is and Madhyam (Ma) is , while all other swaras are shuddha. Pancham (Pa) is not used. The vadi swara is Dha, and samvadi is Ga. The rishabh is weak, but Gandhar (Ga) is strong, unlike Marwa. It is an Uttaranga pradhan raga, with the higher notes on the saptak (octave) being used more frequently. Samay (Time) Raga Sohini is associated with very late night / pre-dawn, the last or eighth period of day, roughly from 3-6AM. (3 AM - 6 AM) : 4th Prahar of the Night : Sandhi-Prakash Raag Film Songs Language:Tamil Note that these are composed in the Carnatic ragam Hamsanandi, which So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaunpuri (raga)
Raga Jaunpuri is a rāga in Hindustani classical music in the Asavari thaat. Some musicians like Omkarnath Thakur consider it indistinguishable from the shuddha rishabh Asavari.Rajan ParrikarAsavari and Associates Its attractive swaras also make it a popular raga in the Carnatic circles with a number of compositions in South India being tuned to Jaunpuri. The name of the rāga may associate it with places of this name, such as Javanpur in Gujarat, close to Saurasthra region and Jaunpur in northern Uttar Pradesh. History Jaunpuri was created by Sultan Hussain Sharqi of Jaunpur. Structure The Pakad is "m P n d P, m P g, R m P" It is usually performed in morning (9-12pm). In Carnatic music Structure and Lakshana * : * : (the notes used in this scale are ''shadjam, chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, panchamam, kaishika nishadham and shuddh dhaivatam'') In the Carnatic circles, ''Jonpuri'' is considered a ''janya'' rāga of '' Natab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
78 Rpm
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog signal, analog sound Recording medium, storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital audio, digital media, in the form of the compact disc, had gained a larger market share, and the record left the main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patiala Gharana
The Patiala ''gharana'' (, ) is one of the vocal (tradition, school, or style of music) of Hindustani classical music, named after the city of Patiala in Punjab, India where it was established. The ''gharana'' was founded in the mid to late 19th century by Mian Kallu (also known as Kalu-miya Khan), a sārangi player of the Jaipur durbar. He received his musical training from the last Mughal king Bahadur Shah Zafar’s court musician Qutub Bakhsh ‘Tanras’ Khan ( Delhi ''gharana'') and went on to become the court musician to the Maharaja of Patiala. Eventually, the mantle was passed on to his son, ‘General’ Ali Baksh Khan and his close friend ‘Colonel’ Fateh Ali Khan, both of whom became court musicians in the court of Maharaja Rajinder Singh. The titles of 'general' and 'colonel' of music were bestowed upon them by the Victor Alexander Bruce, the 9th Earl of Elgin, after the duo had enthralled him with their performance. Their pairing was popularly referred to as 'A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bade Ghulam Ali Khan
Ustad Bade Ghulam Ali Khan (2 April 1902 – 23 April 1968) was an Indian Hindustani classical vocalist, from the Patiala gharana.Ustad Bade Ghulam Ali Khan India Today (newspaper), Retrieved 19 October 2020(Papri Paul Bade Ghulam Ali Khan: Remembering the legend The Times of India (newspaper), Published 4 April 2017, Retrieved 19 October 2020 Early life and background Bade Ghulam Ali Khan wa ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faiyaz Khan
Ustad Faiyaz Khan (8 February 1886 5 November 1950) was an Indian classical vocalist, an exponent of the Agra gharana of Hindustani classical music. According to SwarGanga Music Foundation website, "By the time he died at Baroda, he had earned the reputation of being one of the greatest and most influential vocalists of the century." Early life Born at Sikandara in the North-Western Provinces in 1886, he was the son of Safdar Hussain, who died four months before his birth. He was brought up by his maternal grandfather, Ghulam Abbas (1825-1934), who taught him music up to the age of 25. He was also a student of Ustad Mehboob Khan "Daraspiya", his father-in-law, Natyan Khan and his uncle Fida Hussain Khan. According to an article on a music website titled, 'Great Masters of Hindustani Music', "Faiyaz Khan's musical lineage goes back to Tansen himself. His family is traced back to Alakhdas, Malukdas and then to Haji Sujan Khan (son of Alakhdas who became a Muslim)." Singing caree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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