Ziggy Stardust - The Motion Picture
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Ziggy Stardust - The Motion Picture
''Ziggy Stardust: The Motion Picture'' is a live album by English musician David Bowie, released in October 1983 in conjunction with the film of the same name. The music was recorded during the Ziggy Stardust Tour at the Hammersmith Odeon in London on , although the album was not issued by RCA Records until 1983. Prior to that it had existed in bootleg form, notably ''His Masters Voice – Bowie and the Spiders From Mars' Last Stand''. The album documents the final show which Bowie performed in his Ziggy Stardust persona. Just before the final track, he announces, "Of all the shows on this tour, this particular show will remain with us the longest, because not only is it the last show of the tour, but it's the last show that we'll ever do. Thank you." Many in the audience believed that Bowie himself was retiring. Production and release D. A. Pennebaker filmed the concert and RCA recorded it with the intention of releasing a live album. However the project was shelved for ...
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David Bowie
David Robert Jones (8 January 194710 January 2016), known professionally as David Bowie ( ), was an English singer-songwriter and actor. A leading figure in the music industry, he is regarded as one of the most influential musicians of the 20th century. Bowie was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust (character), Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman (song), Starma ...
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Omnibus Press
Omnibus Press is a publisher of music-related books. It publishes around 30 new titles a year to add to a backlist of over 250 titles currently in print. History Omnibus Press was launched in 1972 as a general non-fiction publisher to complement the sheet music published and distributed by its parent company Music Sales Group. Music Sales had launched a separate company called Book Sales Ltd and the earliest Book Sales catalogue, issued in the early 70s, included compilations of underground comic strips, art and photography titles and one of the earliest books on the then newly discovered art of video. After former ''Melody Maker'' music journalist Chris Charlesworth joined as Omnibus editor in 1983, it was decided to concentrate exclusively on music books, and among its earliest acquisitions was Rock Family Trees by music archivist Pete Frame which remains in print and have been the basis of two BBC TV series. Over the succeeding decades Omnibus has published many biographies ...
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Copy Control
Copy Control was the generic name of a copy prevention system, used from 2001 until 2006 on several digital audio disc releases by EMI Group and Sony BMG Music Entertainment in several regions (Europe, Canada, United States, and Australia). It should not be confused with the CopyControl computer software copy protection system introduced by Microcosm Ltd in 1989. Several types of protection existed. While basically intended as a means of copy-protecting compact discs, Copy Control discs cannot properly be referred to as CDs because the system introduces incompatible data, making the discs non-compliant with the Red Book standard for audio CDs. The system is intended to prevent digital audio extraction ("ripping") from the protected discs, and thus limit the file sharing of ripped music. The techniques used are: * Multisession (Blue Book) information is included which effectively hides the audio tracks from most CD-ROM drives; * Error-correction codes for the audio data are co ...
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Virgin Records
Virgin Records is a record label owned by Universal Music Group. It originally founded as a British independent record label in 1972 by entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman. It grew to be a worldwide success over time, with the success of platinum performers Paula Abdul, Janet Jackson, Devo, Tangerine Dream, Genesis, Phil Collins, OMD, the Human League, Culture Club, Simple Minds, Lenny Kravitz, the Sex Pistols, and Mike Oldfield among others, meaning that by the time it was sold, it was regarded as a major label, alongside other large international independents such as A&M and Island Records. Virgin Records was sold to EMI in 1992. EMI was in turn taken over by Universal Music Group (UMG) in 2012 with UMG creating the Virgin EMI Records division. The Virgin Records name continues to be used by UMG in certain markets such as Germany and Japan. Virgin Records America Virgin Records America, Inc. was the company's North American ...
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Rykodisc
Rykodisc is an American record label owned by Warner Music Group, operating as a unit of WMG's Independent Label Group and is distributed through Alternative Distribution Alliance. History Claiming to be the first Compact Disc, CD-only independent record label in the United States, Rykodisc was founded in 1983 in music, 1983 in Salem, Massachusetts, by Arthur Mann, Rob Simonds, Doug Lexa and Don Rose. The name "Ryko," which the label claimed was a Japanese word meaning "sound from a flash of light," was chosen to reflect the company's CD-only policy. In the late 1980s, however, the label also began to issue high-quality Compact Cassette, cassette / Gramophone record, vinyl and MiniDisc versions of many releases under the name Ryko Analogue. Rykodisc had some notable successes in the CD-reissue industry, as artists such as Elvis Costello, David Bowie, Yoko Ono, Frank Zappa, the estate of Nick Drake, Nine Inch Nails, Sugar (American band), Sugar, Robert Wyatt, and Mission of Burma ...
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White Light/White Heat
''White Light/White Heat'' is the second studio album by American rock band the Velvet Underground. Released on January 30, 1968, on Verve Records, it was the band's last studio recording with multi-instrumentalist and founding member John Cale. Recorded after Reed fired Andy Warhol, who had produced their debut album ''The Velvet Underground & Nico'', they hired Steve Sesnick as a manager and hired producer Tom Wilson who had worked on the band's debut. ''White Light/White Heat'' was engineered by Gary Kellgren. The album includes lyrically transgressive themes like their debut, exploring topics such as sex, amphetamines, and drag queens. Reed was inspired by a variety of authors, including William S. Burroughs and Alice Bailey, and the lyrics create a cast of characters, such as in " The Gift" and those named in "Sister Ray". Musically, he took influence from jazz music and players such as saxophonist Ornette Coleman. Warhol conceived the album's cover art, although he is off ...
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Gramaphone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records contin ...
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Charles Shaar Murray
Charles Shaar Murray (born Charles Maximillian Murray; 27 June 1951) is an English music journalist and broadcaster. He has worked on the '' New Musical Express'' and many other magazines and newspapers, and has been interviewed for a number of television documentaries and reports on music. Biography Murray grew up in Reading, Berkshire, England, where he attended Reading Grammar School and learnt to play the harmonica and guitar. His first experience in journalism came in 1970, when he was one of a number of schoolchildren who responded to an invitation to edit the April issue of the satirical magazine '' Oz''. He thus contributed to the notorious Schoolkids OZ issue and was involved in the consequent obscenity trial. He then wrote for '' IT (International Times)'', before moving to the ''New Musical Express'' in 1972 for which he wrote until around 1986. He subsequently worked for a number of publications including ''Q magazine'', ''Mojo'', ''MacUser'', ''New Statesman'', ' ...
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Roy Carr
Roy Carr (1945 – 1 July 2018) was an English music journalist, covering pop, rock and jazz. He joined the ''New Musical Express (NME)'' in the late 1960s, and edited ''NME'', '' Vox'' and ''Melody Maker'' magazines. Biography Born in Blackpool, Lancashire, after his family moved there from London during the Second World War, Allan Jones, "Roy Carr: NME/Uncut Legend", ''Uncut'', #256, September 2018, p.112 he was the son of jazz musician and composer Tony Carr, a member of Joe Loss's band and writer of "March of the Mods". Roy Carr started his music career as a member of Blackpool-based band The Executives, who also featured Glenn Cornick. The band supported many leading acts in the mid-1960s, including the Beatles, the Rolling Stones and The Who, and had several unsuccessful singles issued on the Columbia and CBS labels.
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Bootleg Recording
A bootleg recording is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as ''bootlegging''. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases. The practice of releasing unauthorised performances had been established before the 20th century, but reached new popularity with Bob Dylan's ''Great White Wonder'', a compilation of studio outtakes and demos released in 1969 using low-priority pressing plants. The following year, the Rolling Stones' ''Live'r Than You'll Ever Be'', an audience recording of a late 1969 show, received a positive review in ''Rolling Ston ...
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Ziggy Stardust Tour
The Ziggy Stardust Tour was a concert tour by David Bowie during 1972–73, to promote the studio albums ''Hunky Dory'', ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' and '' Aladdin Sane''. Bowie was accompanied by his backing group, the Spiders from Mars, and integrated choreography, costumes and make-up into the live shows to make them a wider entertainment package. The tour generated significant press coverage, drawing positive reviews and launching Bowie to stardom. The tour covered the UK, the US and Japan. It moved from small pub and club gigs at the beginning, to highly publicised sold-out shows at the end. At the tour's last gig at the Hammersmith Odeon on 3 July 1973, Bowie shocked fans by announcing that it was the last show he would do with the Spiders from Mars. Itinerary The tour lasted a year and a half and included three legs in the UK, two in the US and one in Japan. 1972 The first show was on 29 January 1972 at the Borough Assembly Hall, Ay ...
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Ziggy Stardust And The Spiders From Mars (film)
''Ziggy Stardust and the Spiders from Mars'' (sometimes called ''Bowie 1973'') is a 1979 documentary and concert film by D. A. Pennebaker. It features English singer-songwriter David Bowie and his backing group the Spiders from Mars performing at the Hammersmith Odeon in London on 3 July 1973. At this show, Bowie made the sudden surprise announcement that the show would be "the last show that we'll ever do", later understood to mean that he was retiring his Ziggy Stardust persona. The full-length 90-minute film spent years in post-production before finally having its theatrical premiere at the Edinburgh Film Festival on 31 August 1979. Prior to the premiere, the 35 mm film had been shown in 16 mm format a few times, mostly in United States college towns. A shortened 60-minute version was broadcast once in the USA on ABC-TV in October 1974. In 1983, the film was finally released to theatres worldwide, corresponding with the release of its soundtrack album entitled '' ...
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