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Zhong Kui The Demon Queller With Five Bats
''Zhong Kui the Demon Queller with Five Bats'' is a popular Chinese painting featuring the Chinese mythological spirit Zhong Kui. It originates from the Ming dynasty (1368–1644). A possible painter for this artwork is Wu Wei. The painting is held in the Ashmolean Museum in England. Description The picture features Zhong Kui, accompanied by two of his demon followers. The demons are holding a vase and Zhong Kui holds a scepter A sceptre is a staff or wand held in the hand by a ruling monarch as an item of royal or imperial insignia. Figuratively, it means royal or imperial authority or sovereignty. Antiquity Ancient Egypt and Mesopotamia The ''Was'' and other ... while looking up at five bats flying in the sky. In Chinese symbolism, the five bats represent five blessings: health, longevity, virtue, wealth, and a graceful death. In the background is a forested mountain surrounded by a heavy mist. {{Authority control Bats in culture Paintings in the collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhong Kui The Demon Queller With Five Bats
''Zhong Kui the Demon Queller with Five Bats'' is a popular Chinese painting featuring the Chinese mythological spirit Zhong Kui. It originates from the Ming dynasty (1368–1644). A possible painter for this artwork is Wu Wei. The painting is held in the Ashmolean Museum in England. Description The picture features Zhong Kui, accompanied by two of his demon followers. The demons are holding a vase and Zhong Kui holds a scepter A sceptre is a staff or wand held in the hand by a ruling monarch as an item of royal or imperial insignia. Figuratively, it means royal or imperial authority or sovereignty. Antiquity Ancient Egypt and Mesopotamia The ''Was'' and other ... while looking up at five bats flying in the sky. In Chinese symbolism, the five bats represent five blessings: health, longevity, virtue, wealth, and a graceful death. In the background is a forested mountain surrounded by a heavy mist. {{Authority control Bats in culture Paintings in the collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhong Kui
Zhong Kui (; ko, 종규, Jonggyu; ja, 鍾馗, Shōki; vi, Chung Quỳ) is a deity in Chinese mythology, traditionally regarded as a vanquisher of ghosts and evil beings. He is depicted as a large man with a big black beard, bulging eyes, and a wrathful expression. Zhong Kui is able to command 80,000 demons to do his bidding and is often associated with the five bats of fortune. Worship and iconography of Zhong Kui later spread to other East Asian countries, and he can also be found in the folklores and mythologies of Korea, Japan, and Vietnam. In art, Zhong Kui is a frequent subject in paintings and crafts, and his image is often painted on household gates as a guardian spirit as well as in places of business where high-value goods are involved. He is also commonly portrayed in popular media. Becoming the king of ghosts According to folklore, Zhong Kui travelled with Du Ping (杜平), a friend from his hometown, to take part in the state-wide imperial examinations held in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ming Dynasty
The Ming dynasty (), officially the Great Ming, was an Dynasties in Chinese history, imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol Empire, Mongol-led Yuan dynasty. The Ming dynasty was the last orthodox dynasty of China ruled by the Han Chinese, Han people, the majority ethnic group in China. Although the primary capital of Beijing fell in 1644 to a rebellion led by Li Zicheng (who established the short-lived Shun dynasty), numerous rump state, rump regimes ruled by remnants of the House of Zhu, Ming imperial family—collectively called the Southern Ming—survived until 1662. The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the naval history of China, navy's dockyards in Nanjin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wu Wei (painter)
Wu Wei (; ca. 1459–1508) was a painter of Ming dynasty (1368–1644) China famous for his landscapes. Wu was born in Wuchang in Hubei province. His style names were Shiying and Ciweng, and his sobriquets were Lufu and Xiaoxian. Although he was born into a family of scholar-officials and might have pursued a career in the bureaucracy, Wu Wei instead chose to support himself as a painter. He worked as a professional painter in the city of Nanjing, and three emperors summoned him to work as a court painter in Beijing: the Chenghua emperor (r. 1465–87), the Hongzhi emperor (r. 1488–1505), and the Zhengde emperor (r. 1506–21). Wu Wei is known as a landscape painter, and, at least early in his career, he was inspired by the work of Dai Jin (1388–1462). He also painted figures. Wu painted in a strong, fluent, and uninhibited style, and took on many students to teach. He also painted many famous art for taoism References External links Lady wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashmolean Museum
The Ashmolean Museum of Art and Archaeology () on Beaumont Street, Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677. It is also the world's second university museum, after the establishment of the Kunstmuseum Basel in 1661 by the University of Basel. The present building was built between 1841 and 1845. The museum reopened in 2009 after a major redevelopment, and in November 2011, new galleries focusing on Egypt and Nubia were unveiled. In May 2016, the museum also opened redisplayed galleries of 19th-century art. History Broad Street The museum opened on 24 May 1683, with naturalist Robert Plot as the first keeper. The building on Broad Street (later known as the Old Ashmolean) is sometimes attributed to Sir Christopher Wren or Thomas Wood. Elias Ashmole had acquired the collection from the gardeners, travellers, and collectors Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demon
A demon is a malevolent supernatural entity. Historically, belief in demons, or stories about demons, occurs in religion, occultism, literature, fiction, mythology, and folklore; as well as in media such as comics, video games, movies, anime, and television series. Belief in demons probably goes back to the Paleolithic age, stemming from humanity's fear of the unknown, the strange and the horrific. ''A Dictionary of Comparative Religion'' edited by S.G.F. Brandon 1970 In ancient Near Eastern religions and in the Abrahamic religions, including early Judaism and ancient-medieval Christian demonology, a demon is considered a harmful spiritual entity which may cause demonic possession, calling for an exorcism. Large portions of Jewish demonology, a key influence on Christianity and Islam, originated from a later form of Zoroastrianism, and was transferred to Judaism during the Persian era. Demons may or may not also be considered to be devils: minions of the Devil. In ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scepter
A sceptre is a staff or wand held in the hand by a ruling monarch as an item of royal or imperial insignia. Figuratively, it means royal or imperial authority or sovereignty. Antiquity Ancient Egypt and Mesopotamia The ''Was'' and other types of staves were signs of authority in Ancient Egypt. For this reason they are often described as "sceptres", even if they are full-length staffs. One of the earliest royal sceptres was discovered in the 2nd Dynasty tomb of Khasekhemwy in Abydos. Kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called ''mks''-staff. The staff with the longest history seems to be the ''heqa''-sceptre (the "shepherd's crook"). The sceptre also assumed a central role in the Mesopotamian world, and was in most cases part of the royal insignia of sovereigns and gods. This is valid throughout the whole Mesopotamian history, as illustrated by both literary and administrative texts and iconography. The Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bats In Culture
Human uses of bats include economic uses such as bushmeat or in traditional medicine. Bats are also used symbolically in religion, mythology, superstition, and the arts. Perceived medical uses of bats include treating epilepsy in South America, night blindness in China, rheumatism, asthma, chest pain, and fever in South Asia. Bat meat is consumed in Oceania, Australia, Asia, and Africa, with about 13% of all species hunted for food. Other economic uses of bats include using their teeth as currency on the island of Makira. Bats are widely represented in the arts, with inclusion in epic poems, plays, fables, and comic books. Though frequently associated with malevolence in Western art, bats are symbols of happiness in China. Economic uses Traditional medicine Live bats are sold in Bolivia for purported medicinal uses. Specifically, consuming the bats' blood is believed to treat epilepsy. A 2010 study documented that per month, 3,000 bats were sold in markets in four Bolivian citi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Collection Of The Ashmolean Museum
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Paintings
Chinese painting () is one of the oldest continuous artistic traditions in the world. Painting in the traditional style is known today in Chinese as ''guó huà'' (), meaning "national painting" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century. It is also called ''danqing'' (). Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black ink or coloured pigments; oils are not used. As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media. The two main techniques in Chinese painting are: * Gongbi (工筆), meaning "meticulous", uses highly detailed brushstrokes that delimit details very precisely. It is often highly colored and usual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
