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Zhang Zeduan
Zhang Zeduan (; 1085–1145), courtesy name Zhengdao (), was a Chinese painter of the Song dynasty. He lived during the transitional period from the Northern Song to the Southern Song, and was instrumental in the early history of the Chinese landscape art style known as shan shui. He is known for painting ''Along the River During the Qingming Festival''. See also *Chinese art *Chinese painting *Shan shui *Lin Tinggui *Zhou Jichang *Culture of the Song Dynasty Notes References *Needham, Joseph (1971). ''Science and Civilisation in China ''Science and Civilisation in China'' (1954–present) is an ongoing series of books about the history of science and technology in China published by Cambridge University Press. It was initiated and edited by British historian Joseph Needham (1 ...'': Volume 4, Physics and Physical Technology, Part 3, Civil Engineering and Nautics. Cambridge: Cambridge University Press. External links Zhang Zeduan and his Painting Galleryat China Online ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhang (surname)
Zhang () is the third most common surname in China and Taiwan (commonly spelled as "Chang" in Taiwan), and it is one of the most common surnames in the world. Zhang is the pinyin romanization of the very common Chinese surname written in simplified characters and in traditional characters. It is spoken in the first tone: ''Zhāng''. It is a surname that exists in many languages and cultures, corresponding to the surname 'Archer' in English for example. In the Wade-Giles system of romanization, it is romanized as "Chang", which is commonly used in Taiwan; "Cheung" is commonly used in Hong Kong as romanization. It is also the pinyin romanization of the less-common surnames (''Zhāng''), which is the 40th name on the ''Hundred Family Surnames'' poem. There is the even-less common (''Zhǎng''). was listed 24th in the famous Song-era ''Hundred Family Surnames'', contained in the verse 何呂施張 (He Lü Shi Zhang). Today, it is one of the most common surnames in the world a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shan Shui
''Shan shui'' (; pronounced ) refers to a style of traditional Chinese painting that involves or depicts scenery or natural landscapes, using a brush and ink rather than more conventional paints. Mountains, rivers and waterfalls are common subjects of ''shan shui'' paintings. History ''Shan shui'' painting first began to develop in the 5th century, in the Liu Song dynasty.''Textual Evidence for the Secular Arts of China in the Period from Liu Sung through Sui'' (1967) by Alexander Soper It was later characterized by a group of landscape painters such as Zhang Zeduan, most of them already famous, who produced large-scale landscape paintings. These landscape paintings usually centered on mountains. Mountains had long been seen as sacred places in China, which were viewed as the homes of immortals and thus, close to the heavens. Philosophical interest in nature, or in mystical connotations of naturalism, could also have contributed to the rise of landscape painting. The art o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Shandong
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Court Painters
A court is any person or institution, often as a government institution, with the authority to adjudicate legal disputes between parties and carry out the administration of justice in civil, criminal, and administrative matters in accordance with the rule of law. In both common law and civil law legal systems, courts are the central means for dispute resolution, and it is generally understood that all people have an ability to bring their claims before a court. Similarly, the rights of those accused of a crime include the right to present a defense before a court. The system of courts that interprets and applies the law is collectively known as the judiciary. The place where a court sits is known as a venue. The room where court proceedings occur is known as a courtroom, and the building as a courthouse; court facilities range from simple and very small facilities in rural communities to large complex facilities in urban communities. The practical authority given to the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Chinese Painters
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1145 Deaths
Year 1145 ( MCXLV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. Events By place Levant * Spring – Seljuk forces led by Imad al-Din Zengi capture Saruj, the second great Crusader fortress east of the Euphrates. They advance to Birejik and besiege the city, but the garrison puts up a stiff resistance. Meanwhile, Queen-Regent Melisende of Jerusalem joins forces with Joscelin II, count of Edessa and approaches the city. Zengi raises the siege after hearing rumours of trouble in Mosul. He rushes back with his army to take control. There, Zengi is praised throughout Islam as "defender of the faith" and ''al-Malik al-Mansur'', the "victorious king". * Raymond of Poitiers, prince of Antioch, travels to Constantinople to ask Emperor Manuel I (Komnenos) for help to support his campaign against the Seljuks. When he arrives, Raymond is forced to accept the suzerainty of the Byzantine Empire. Manuel treats him graciously ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1085 Births
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Science And Civilisation In China
''Science and Civilisation in China'' (1954–present) is an ongoing series of books about the history of science and technology in China published by Cambridge University Press. It was initiated and edited by British historian Joseph Needham (1900–1995). Needham was a well-respected scientist before undertaking this encyclopedia and was even responsible for the "S" in UNESCO. To date there have been seven volumes in twenty-seven books. The series was on the Modern Library Board's 100 Best Nonfiction books of the 20th century. Needham's work was the first of its kind to praise Chinese scientific contributions and provide their history and connection to global knowledge in contrast to eurocentric historiography. By asking his grand questions: why did modern science not develop in China, and why China was technologically superior to the West prior to the 16th century, Needham’s ''Science and Civilisation in China'' is also recognized as one of most influential works in stimula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of The Song Dynasty
The Song dynasty (960–1279 AD) was a culturally rich and sophisticated age for China. It saw great advancements in the visual arts, music, literature, and philosophy. Officials of the ruling bureaucracy, who underwent a strict and extensive examination process, reached new heights of education in Chinese society, while general Chinese culture was enhanced by widespread printing, growing literacy, and various arts. Appreciation of art among the gentry class flourished during the Song dynasty, especially in regard to paintings, which is an art practiced by many. Trends in painting styles amongst the gentry notably shifted from the Northern (960–1127) to Southern Song (1127–1279) periods, influenced in part by the gradual embrace of the Neo-Confucian political ideology at court. People in urban areas enjoyed theatrical drama on stage, restaurants that catered to a variety of regional cooking, lavish clothing and apparel sold in the markets, while both urban and rural people ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhou Jichang
Zhou Jichang (), Japanese: Shuu Kijou) (active late twelfth century) was a Chinese painter of the Song Dynasty (960 - 1279 AD). His artwork featured many central themes of Chinese Buddhism and Buddhist folklore. His contemporary and associate was Lin Tinggui (see article for more details), as they were both responsible for the completion of the artistic project known as the ''Five Hundred Luohan'' in 1178 AD. In the United States, his artwork is housed in the Smithsonian Freer Gallery of Art, Washington D.C., as well as the Museum of Fine Arts, Boston. Many of his other works of art are also located at the Daitoku-ji Temple in Kyoto, Japan. His most famous painting is ''Rock Bridge at Tiantai Mountain''. See also *Chinese painting *List of Chinese painters *Mahayana *Guoqing Temple *Song Dynasty *Tiantai *Lin Tinggui *Zhiyi Zhiyi (; 538–597 CE) also Chen De'an (陳德安), is the fourth patriarch of the Tiantai tradition of Buddhism in China. His standard title was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lin Tinggui
Lin Tinggui (; fl. circa 1174–1189) (Japanese: Rin Teikei) was a Chinese painter of the Southern Song Dynasty (1127–1279 AD). His artwork was greatly influenced by themes of Chinese Buddhism. The Five Hundred Luohan Lin Tinggui is best known for taking part alongside Zhou Jichang (Japanese: Shuu Kijou) in the completion of the ''Five Hundred Luohan'' (Chinese: ''Wubai Luohan''), a set of 100 paintings commissioned as a gift to a Buddhist temple in 1175 by a Chinese Buddhist abbot. This artistic project in honor of the luohan was completed three years later in 1178. In Chinese Buddhist folklore, it was said that five hundred luohan (Buddhist saints) inhabited a peak beyond the stone bridge of Mount Tiantai located at Jiuhuashan, modern-day Qingyang County, Anhui province, China. This belief was either formed from an older Daoist belief that the site was home to immortals, or from knowledge of Buddhist legend from India, specifically the belief of five hundred arhats li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Painting
Chinese painting () is one of the oldest continuous artistic traditions in the world. Painting in the traditional style is known today in Chinese as ''guó huà'' (), meaning "national painting" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century. It is also called ''danqing'' (). Traditional painting involves essentially the same techniques as calligraphy and is done with a brush dipped in black ink or coloured pigments; oils are not used. As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media. The two main techniques in Chinese painting are: * Gongbi (工筆), meaning "meticulous", uses highly detailed brushstrokes that delimit details very precisely. It is often highly colored and usual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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