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Zenobia E Radamisto
''Zenobia e Radamisto'' is an opera in 3 acts and nine scenes by composer Giovanni Legrenzi. The opera uses an Italian language libretto by Ippolito Bentivoglio (1611–1685). The third opera written by Legrenzi, the work premiered on 1 June 1665 at the Teatro Bonacossi in Ferrara in celebration of the marriage of Nicolò Santini and Maria Luisa Bonvisi. The opera was subsequently mounted in Brescia (1666), Verona (1667), and Macerata (1669). Legrenzi revised the work for the Venice premiere of the opera at the Teatro San Salvatore on 26 December 1667. The revised opera also utilized an altered version of Bentivoglio's libretto by Nicolò Minato. In 2013 the Italian Academy of Musical Research published the original 1665 version of the libretto and the first critical edition of the score. Roles * Tiridate, ''King of Assyria'' * Radamisto, ''disguised under the name of Creonte, King of Iberia and defeated King of Armenia'' *Zenobia Septimia Zenobia ( Palmyrene Aramaic: ...
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Macerata
Macerata () is a city and ''comune'' in central Italy, the county seat of the province of Macerata in the Marche region. It has a population of about 41,564. History The historical city centre is on a hill between the Chienti and Potenza rivers. It first consisted of the Picenes city named Ricina (''Helvia Recina''), then, after its romanization, Recina and Helvia Recina. After the destruction of Helvia Recina by the barbarians, the inhabitants took shelter in the hills and eventually began to rebuild the city, first on the top of the hills, before descending again later and expanding. The newly rebuilt town was Macerata. It became a municipality (or comune in Italian) in August 1138. 20th century The ''comune'' of Urbisaglia was the location of an internment camp for Jews and refugees, and a prisoner-of-war camp (PG53, at Sforzacosta) during World War II. 21st century According to Jason Horowitz of ''The New York Times'', Macerata was initially welcoming to migrants co ...
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Giovanni Legrenzi
Giovanni Legrenzi (baptized August 12, 1626 – May 27, 1690) was an Italian composer of opera, vocal and instrumental music, and organist, of the Baroque era. He was one of the most prominent composers in Venice in the late 17th century, and extremely influential in the development of late Baroque idioms across northern Italy. Life Legrenzi was born at Clusone, near Bergamo, then part of the Republic of Venice. His father, Giovanni Maria Legrenzi, was a professional violinist and, to some extent, a composer. We know Legrenzi had two brothers and two sisters, though one of the brothers, Marco, apparently a talented musician who performed with his father and brother in the 1660s, is not mentioned in Legrenzi's will: it is presumed that he died young. His remaining brother and sisters are both mentioned in his will. Legrenzi was probably taught largely at home, and his performance skills developed at the local church, and it can also be assumed there was music-making in the house. ...
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Ippolito Bentivoglio
Marchese Ippolito Bentivoglio d'Aragone (... - 4 February 1685), son of Marchese Cornelio Bentivoglio, was an Italian nobleman from the House of Bentivoglio in Ferrara, who is known as a libretto writer. His texts were turned into operas premiered in Ferrara at the Accademia dello Spirito Santo (established in 1597 by the Bentivoglios) with music by Giovanni Legrenzi for '' Nino il giusto'' (1662), '' Achille in Sciro'' (1663, again performed in 1664 and 1665 in Venice) and ''Zenobia e Radamisto'' (1665). His oratorium '' Oratorio del giuditio'', also with music by Legrenzi, premiered in Austria in 1665. In 1664 he wrote '' La Filli di Tracia'' which was set to music by Andrea Mattioli. Bentivoglio was married to Lucrezia Pio di Savoia. They had a daughter Mattilda, who married Marchese Mario Calcagnini, and three sons: Marchese Luigi Bentivoglio (1666–1744); Cornelio Bentivoglio (27 March 1668 - 30 December 1732)), who later became a cardinal; and Ascanio Bentivoglio (1673-17 ...
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Ferrara
Ferrara (, ; egl, Fràra ) is a city and ''comune'' in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located north. The town has broad streets and numerous palaces dating from the Renaissance, when it hosted the court of the House of Este. For its beauty and cultural importance, it has been designated by UNESCO as a World Heritage Site. History Antiquity and Middle Ages The first documented settlements in the area of the present-day Province of Ferrara date from the 6th century BC. The ruins of the Etruscan town of Spina, established along the lagoons at the ancient mouth of Po river, were lost until modern times, when drainage schemes in the Valli di Comacchio marshes in 1922 first officially revealed a necropolis with over 4,000 tombs, evidence of a population centre that in Antiquity must have played a majo ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word '' libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by ...
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Teatro San Salvatore
The Teatro Goldoni (formerly Teatro San Luca, Teatro Vendramin di San Salvatore) is one of the opera houses and theatres of Venice. Today it is the home of the Teatro Stabile del Veneto. The modern theatre is located near the Rialto Bridge in the historic center of Venice. History All the main Venetian theatres were owned by important patrician families; combining business with pleasure in the Italian city with the most crowded and competitive theatrical culture. When most opera in Europe was still being put on by courts, "economic prospects and a desire for exhibitionistic display", as well a decline in their traditional overseas trading, attracted the best Venetian families to invest in the theatre during the 17th century. Europe's first dedicated public and commercial opera house was the Teatro Tron from 1637. The Grimani, with whom the Vendramin often inter-married, were dominant, owning what is now called the Teatro Malibran, then called the Teatro San Giovanni Grisostomo, ...
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Nicolò Minato
Count Nicolò Minato (b. Bergamo, ca. 1627; d. Vienna, 28 February 1698) was an Italian poet, librettist and impresario. His career can be divided into two parts: the years he spent at Venice, from 1650 to 1669, and the years at Vienna, from 1669 until his death. Minato is best remembered for his vast output as a librettist for opera. In total, he wrote over 200 librettos. His career began with '' Orimonte'', written in 1650 for Francesco Cavalli. At this time he worked primarily as a lawyer, and it was only over a decade later that he abandoned this, his first profession, and turned fully to the composition of librettos and theatre management (as did his contemporary, Giovanni Faustini. Minato was also a member of several literary academies, including, along with Busenello, the ''Accademia degli Imperfetti'', a group that devoted itself to studying the classics and contemporary jurisprudence. He wrote 11 librettos for Venice, most of them for Cavalli, though a few were first set by ...
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Tiridates I Of Armenia
Tiridates I ( xpr, 𐭕𐭉𐭓𐭉𐭃𐭕, ''Tīridāt''; el, Τιριδάτης, ''Tiridátes'') was King of Armenia beginning in 53 AD and the founder of the Arsacid dynasty of Armenia. The dates of his birth and death are unknown. His early reign was marked by a brief interruption towards the end of the year 54 and a much longer one from 58 to 63. In an agreement to resolve the Roman–Parthian conflict in and over Armenia, Tiridates I (one of the brothers of Vologases I of Parthia) was crowned king of Armenia by the Roman emperor Nero in 66; in the future, the king of Armenia was to be a Parthian prince, but his appointment required approval from the Romans. Even though this made Armenia a client kingdom, various contemporary Roman sources thought that Nero had ''de facto'' ceded Armenia to the Parthian Empire. In addition to being a king, Tiridates I was also a Zoroastrian priest and was accompanied by other magi on his journey to Rome in 66. In the early 20th century, ...
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Rhadamistus
Rhadamistus ( ka, რადამისტი, radamist'i, hy, Հռադամիզդ, Hřadamizd) (died 58) was a royal prince of the Pharnavazid dynasty of the Kingdom of Iberia who reigned over the Kingdom of Armenia from 51 to 53 and 54 to 55. He was considered a usurper and tyrant, who was overthrown in a rebellion supported by the Parthian Empire. Life Rhadamistus was the eldest son of King Pharasmanes I of Iberia. His mother was an unknown Armenian princess of the Artaxiad dynasty, who was the daughter of the Artaxiad Armenian monarchs Tigranes IV and his sister-wife Erato. Rhadamistus was known for his ambition, extraordinary strength, size of body, good looks and valor. Rhadamistus suffered impatiently an aged father's keeping him so long out of possession of the Kingdom of Iberia, which even if he had it, still seemed too small for satisfaction of his desires. Rhadamistus, by publicly talking about it in his audacious manner scared Pharasmanes as with his own declining y ...
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Zenobia Of Armenia
Zenobia of Armenia ( ka, ზენობია, hy, Զենոբիա; fl. 1st century) was a royal Iberian princess of the Pharnavazid dynasty who was a Queen of Armenia from 51 to 53 and 54 to 55 during the reign of her husband, King Rhadamistus. Life Zenobia was a daughter of King Mithridates of Armenia by his wife, a daughter of King Pharasmanes I of Iberia, who was Mithridates' own brother. At the same time, she was a wife of Rhadamistus who was Pharasmanes' son. Zenobia's father Mithridates reigned in Armenia until her husband and Mithridates' nephew and son-in-law Rhadamistus usurped the Armenian throne by the sudden invasion. Her husband destroyed her entire family. Rhadamistus killed both of Zenobia's parents, her mother being Rhadamistus' own sister. Zenobia's brothers were also killed by Rhadamistus just because they were crying over their parents' death. After execution of her entire family Rhadamistus became king in 51 and she became his queen. Armenians revolte ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sin ...
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