Zeiss Vario-Sonnar
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Zeiss Vario-Sonnar
The Zeiss Sonnar is a photographic lens originally designed by Ludwig Bertele, Dr. Ludwig Bertele in 1929 and patented by Carl Zeiss AG, Zeiss Ikon.Deutsche Patent 530843, 1929-08-14 It was notable for its relatively light weight, simple design and lens speed, fast aperture. The name "Sonnar" is derived from the German word "wikt:Sonne, Sonne", meaning sun. It was originally a tradename owned by in for a Tessar-like lens. Sontheim's coat of arms includes a symbol of the sun. Nettel merged with August Nagel's in 1919. The resulting AG in Stuttgart was one of the companies that merged to form the Zeiss Ikon AG in 1926. When the modern Zeiss lens had been designed by Bertele, Zeiss re-used the old Nettel tradename in order to build on the sun association to emphasize on the lens' large aperture (), which was much greater than many other lenses available at the time. The first Zeiss production Sonnar was a 1:2.0 50 mm lens with six elements in three groups created for the ...
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Photographic Lens
A camera lens (also known as photographic lens or photographic objective) is an optical lens or assembly of lenses used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically. There is no major difference in principle between a lens used for a still camera, a video camera, a telescope, a microscope, or other apparatus, but the details of design and construction are different. A lens might be permanently fixed to a camera, or it might be interchangeable with lenses of different focal lengths, apertures, and other properties. While in principle a simple convex lens will suffice, in practice a compound lens made up of a number of optical lens elements is required to correct (as much as possible) the many optical aberrations that arise. Some aberrations will be present in any lens system. It is the job of the lens designer to balance these and produce a desi ...
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Rangefinder Camera
A rangefinder camera is a camera fitted with a rangefinder, typically a split-image rangefinder: a range-finding focusing mechanism allowing the photographer to measure the subject distance and take photographs that are in sharp focus. Most varieties of rangefinder show two images of the same subject, one of which moves when a calibrated wheel is turned; when the two images coincide and fuse into one, the distance can be read off the wheel. Older, non-coupled rangefinder cameras display the focusing distance and require the photographer to transfer the value to the lens focus ring; cameras without built-in rangefinders could have an external rangefinder fitted into the accessory shoe. Earlier cameras of this type had separate viewfinder and rangefinder windows; later the rangefinder was incorporated into the viewfinder. More modern designs have rangefinders coupled to the focusing mechanism so that the lens is focused correctly when the rangefinder images fuse; compare with the ...
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Photographic Lens Design
The design of photographic lenses for use in still or cine cameras is intended to produce a lens that yields the most acceptable rendition of the subject being photographed within a range of constraints that include cost, weight and materials. For many other optical devices such as telescopes, microscopes and theodolites where the visual image is observed but often not recorded the design can often be significantly simpler than is the case in a camera where every image is captured on film or image sensor and can be subject to detailed scrutiny at a later stage. Photographic lenses also include those used in enlargers and projectors. Design Design requirements From the perspective of the photographer, the ability of a lens to capture sufficient light so that the camera can operate over a wide range of lighting conditions is important. Designing a lens that reproduces colour accurately is also important as is the production of an evenly lit and sharp image over the whole of the f ...
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Hologon
The Zeiss Hologon is an ultra wide-angle f=15mm 8 triplet lens, providing a 110° angle of view for 35mm format cameras. The Hologon was originally fitted to a dedicated camera, the Zeiss Ikon Contarex Hologon in the late 1960s; as sales of that camera were poor and the Zeiss Ikon company itself was going bankrupt, an additional 225 lenses were made in Leica M mount and released for sale in 1972 as the only Zeiss-branded lenses for Leica rangefinders until the ZM line was released in 2005. The Hologon name was revived in 1994 for a recomputed f=16mm 8 lens fitted to the Contax G series of rangefinder cameras. Design The Hologon was designed by and others at Zeiss in 1966 and patented in 1972. It is a largely symmetric triplet with a fixed aperture; the original German patent application describes a lens with 120° angle of coverage and a 8 maximum aperture, while the US patent expands this to three related designs with different coverage angles and apertures (120° 8, 110° 5.6, ...
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Biogon
Biogon is the brand name of Carl Zeiss for a series of photographic camera lenses, first introduced in 1934. Biogons are typically wide-angle lenses. History The first lens branded Biogon (2.8 / 3.5 cm, unbalanced) was designed in 1934 by Ludwig Bertele, then assigned to Zeiss Ikon Dresden, the Contax created as a modification of the then Sonnar. It was developed by Carl Zeiss in approximately 1937 and manufactured in Jena, then a redesign in Oberkochen. In 1951, a new Biogon with a 90° angle of view (Super Wide Angle) was designed, also by Ludwig Bertele. The advent of the Biogon opened the way to extreme wide-angle lenses. The first examples were produced from 1954 as the 4.5 / 21 mm for Contax, in 1954, 4.5 / 38 mm for Hasselblad Super Wide, and from 1955 to 1956 as the 4.5 / 53 mm and 4.5 / 75 mm for the Linhof. The original patent spanned three different variants, each with a different maximum aperture: 6.3, 4.5, and 3.4 lenses. Examples Since t ...
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Focal Length
The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power. A positive focal length indicates that a system converges light, while a negative focal length indicates that the system diverges light. A system with a shorter focal length bends the rays more sharply, bringing them to a focus in a shorter distance or diverging them more quickly. For the special case of a thin lens in air, a positive focal length is the distance over which initially collimated (parallel) rays are brought to a focus, or alternatively a negative focal length indicates how far in front of the lens a point source must be located to form a collimated beam. For more general optical systems, the focal length has no intuitive meaning; it is simply the inverse of the system's optical power. In most photography and all telescopy, where the subject is essentially infinitely far away, longer focal length (lower opti ...
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Vario-Sonnar
The Zeiss Sonnar is a photographic lens originally designed by Dr. Ludwig Bertele in 1929 and patented by Zeiss Ikon.Deutsche Patent 530843, 1929-08-14 It was notable for its relatively light weight, simple design and fast aperture. The name "Sonnar" is derived from the German word " Sonne", meaning sun. It was originally a tradename owned by in for a Tessar-like lens. Sontheim's coat of arms includes a symbol of the sun. Nettel merged with August Nagel's in 1919. The resulting AG in Stuttgart was one of the companies that merged to form the Zeiss Ikon AG in 1926. When the modern Zeiss lens had been designed by Bertele, Zeiss re-used the old Nettel tradename in order to build on the sun association to emphasize on the lens' large aperture (), which was much greater than many other lenses available at the time. The first Zeiss production Sonnar was a 1:2.0 50 mm lens with six elements in three groups created for the Zeiss Contax I rangefinder camera in 1932. In 1931 ...
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Zoom Lens
A zoom lens is a mechanical assembly of lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens (see prime lens). A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. Most consumer zoom lenses do not maintain perfect focus, but are still parfocal designs. Most camera phones that are advertised as having optical zoom actually use a few cameras of different but fixed focal length, combined with digital zoom to make a hybrid system. The convenience of variable focal length comes at the cost of complexity – and some compromises on image quality, weight, dimensions, aperture, autofocus performance, and cost. For example, all zoom lenses suffer from at least slight, if not considerable, loss of image resolution at their maximum aperture, especially at the extremes of their focal length range. This effect is evident in the corners of the image, when displa ...
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Jupiter-8 (lens)
The Jupiter (Russian: Юпитер, "Jupiter") series of lenses are Russian camera lenses made by various manufacturers in the former Soviet Union. They were made to fit many camera types of the time, from pre-WWII rangefinders to almost modern SLRs. They are copied from Zeiss pre-WWII designs with incremental improvements, such as coatings, introduced during production. The majority of them are based on Zeiss Sonnar optical scheme, but that's not a rule. Jupiter-3 The Jupiter-3 lens is derived from Zeiss Sonnar optical design. It has seven elements in three groups. This lens is the fastest Jupiter lens, having a maximum aperture of f/1.5. The focal length of this lens is 50mm, sometimes also expressed as 5cm. It was made for two different camera mounts, the Leica thread mount used on Zorki, FED, and some other Soviet rangefinders, and the Contax mount used on Kiev rangefinders. The latter one can be used on all Contax rangefinders, with the former ''usually'' needing to be ...
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Krasnogorskiy Zavod
Krasnogorsky zavod (russian: Красногорский завод им. С. А. Зверева, , Krasnogorsk Works named after S. A. Zverev) is a Russian factory in Krasnogorsk near Moscow which specializes in optical technology. Part of Shvabe Holding (Rostec state corporation). During the Soviet period it was called Krasnogorsk Mechanical Works (, ). The abbreviation KMZ () is still in common use. Products KMZ is known largely for its photographic and movie cameras of the Zorki, Zenit and Krasnogorsk series, several million of which were produced. It also has a large military optics and mechanical engineering division. Image:Zorki4.jpg, Zorki 4 rangefinder camera Image:Zenit12.jpg, Zenit 12 SLR camera File:Kinokamera Krasnogorsk-2.jpg, Krasnogorsk-2 movie camera Image:Krasnogorsk-3_camera.jpg, Krasnogorsk-3 movie camera Image:Horizon202.jpg, Horizon 202 panoramic camera Image:%D0%A4%D0%BE%D1%82%D0%BE%D0%B0%D0%BF%D0%BF%D0%B0%D1%80%D0%B0%D1%82_%D0%9C%D0%BE%D1%81%D0%BA%D ...
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Press Camera
A press camera is a medium or large format view camera that was predominantly used by press photographers in the early to mid-20th century. It was largely replaced for press photography by 35mm film cameras in the 1960s, and subsequently, by digital cameras. The quintessential press camera was the Speed Graphic. Press cameras are still used as portable and rugged view cameras. Details Press cameras were widely used from the 1900s through the early 1960s and commonly have the following features: * collapsible into strong, compact boxes * flexible bellows, attached to a flatbed track * easily interchangeable lenses, mounted on a solid support * ability to accept sheet film, film packs, and roll film, through the use of interchangeable film backs and holders * ground glass focusing screen * optical viewfinder * handheld operation * reduced number, reduced range or absence of movements, in contrast to field cameras or other view camera formats * optical rangefinder focusing in so ...
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