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Zanne Stapelberg
Zanne Stapelberg (12 August 1977) is a South African musician. Biography Zanne Stapelberg was born in Bellville, in 1977, and grew up in the suburb of Durbanville. She matriculated on Durbanville High School. Education Stapelberg began her operatic training at the Conservatoire of Stellenbosch University (with Magdalena Oosthuizen) and graduated in 1998 with a degree in Music and English Literature. The university also awarded her with various academic achievement and singing bursaries. In 1999 she obtained her Higher Licentiate in Musical Performance Cum Laude. Professional life In 2000, Stapelberg became a member of the Cape Town Opera Studio. In 2001 she received the Best Young Opera Singer Award from the Cape Town Friends of the Opera. Operatic roles include Angelica in ''Suor Angelica'', Mimì in Puccini's ''La bohème'', Nella in ''Gianni Schicchi'', Ilia in Mozart's, ''Idomeneo'', Marguerite in Gounod's, ''Faust'', Handel's ''Alcina'', and Pamina in Mozart's ''Die ...
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Bellville, Western Cape
Bellville is a town in the Western Cape province of South Africa. It is situated adjacent to the Koelberg Mountains and also the University of Western Cape where it has its own campus. Established It was founded as "12 Mile Post" (Afrikaans: "12-Myl-Pos") because it is located 12 miles (20 km) from Cape Town city centre. It was first known as "Hardekraaltjie". Founded as a railway station on the line from Cape Town to Stellenbosch and Strand, it was renamed Bellville in 1861 after the surveyor-general Charles Bell. The motor registration number bears the number CY. Hospitals and educational institutes The Karl Bremer Hospital functioned as the Academic Hospital for the University of Stellenbosch Medical School, but now the adjacent Tygerberg Hospital houses the medical school. Other hospitals in Bellville are: Mediclinic International Louis Leipoldt and Melomed. The Cape Peninsula University of Technology, University of the Western Cape, University of Stellenbosch B ...
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Alcina
''Alcina'' ( HWV 34) is a 1735 opera seria by George Frideric Handel. Handel used the libretto of ''L'isola di Alcina'', an opera that was set in 1728 in Rome by Riccardo Broschi, which he acquired the year after during his travels in Italy. Partly altered for better conformity, the story was originally taken from Ludovico Ariosto's ''Orlando furioso'' (like those of the Handel operas ''Orlando'' and ''Ariodante''), an epic poem. The opera contains several musical sequences with opportunity for dance: these were composed for dancer Marie Sallé. Performance history ''Alcina'' was composed for Handel's first season at the Theatre Royal, Covent Garden in London. It premiered on 16 April 1735. Like the composer's other works in the opera seria genre, ''Alcina'' fell into obscurity; after a revival in Brunswick in 1738 it was not performed again until a production in Leipzig in 1928. The Australian soprano Joan Sutherland sang the role in a production by Franco Zeffirelli in wh ...
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William Kentridge
William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films, especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The latter are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds' screen time. A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art. Kentridge has created art work as part of design of theatrical productions, both plays and operas. He has served as art director and overall director of numerous productions, collaborating with other artists, puppeteers and others in creating productions that combine drawings and multi-media combinations. Early life and career Kentridge was born in Johannesburg in 1955 to ...
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Requiem (Dvořák)
Antonín Dvořák's Requiem in B minor, Op. 89, B. 165, is a funeral Mass scored for soloists, choir and orchestra. It was composed in 1890 and performed for the first time on 9 October 1891, in Birmingham, England, with the composer conducting.Composition details
antonin-dvorak.cz


Structure


Part I


Part II

The approximate duration of the work is 95 minutes.Score, summary


Orchestration

The work is scored for:Score, summary Voices: :
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Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ...
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A German Requiem (Brahms)
''A German Requiem, to Words of the Holy Scriptures'', Op. 45 (german: Ein deutsches Requiem, nach Worten der heiligen Schrift, links=no) by Johannes Brahms, is a large-scale work for chorus, orchestra, a soprano and a baritone soloist, composed between 1865 and 1868. It comprises seven movements, which together last 65 to 80 minutes, making this work Brahms's longest composition. ''A German Requiem'' is sacred but non-liturgical, and unlike a long tradition of the Latin Requiem, ''A German Requiem'', as its title states, is a ''Requiem'' in the German language. History Brahms's mother died in February 1865, a loss that caused him much grief and may well have inspired ''Ein deutsches Requiem''. Brahms's lingering feelings over Robert Schumann's death in July 1856 may also have been a motivation, though his reticence about such matters makes this uncertain. His original conception was for a work of six movements; according to their eventual places in the final version, th ...
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Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ...
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Requiem (Mozart)
The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. The autograph manuscript shows the finished and orchestrated Introit in Mozart's hand, and detailed drafts of the Kyrie and the sequence Dies irae as far as the first eight bars of the Lacrymosa movement, and the Offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Benedictus and the Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is know ...
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Vesperae De Dominica (Mozart)
''Vesperae solennes de Dominica'', K. 321, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1779. It is scored for SATB choir and soloists, violin I and II, 2 trumpets, 3 trombones ''colla parte'', 2 timpani, and basso continuo (bassoon and organ). It was composed in Salzburg at the request of the Archbishop Colloredo for liturgical use in the city's cathedral. The title "de Dominica" signifies its use in Sunday services. In 1780, Mozart composed another setting of Solemn Vespers, the ''Vesperae solennes de confessore'', which shares many musical similarities with this work. Structure The setting is divided into six movements, including five psalms and a setting of the Magnificat. A setting of the Minor Doxology (Gloria Patri) concludes all movements, each recapitulating the opening theme. The first three psalms are scored in a vigorous, exuberant manner, contrasting with the strict counterpoint of the ''a cappella'' Laudate pueri. The Laudate Dominu ...
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The Creation (Haydn)
''The Creation'' (german: Die Schöpfung) is an oratorio written between 1797 and 1798 by Joseph Haydn ( Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis. The libretto was written by Gottfried van Swieten. The work is structured in three parts and scored for soprano, tenor and bass soloists, chorus and a symphonic orchestra. In parts I and II, depicting the creation, the soloists represent the archangels Raphael (bass), Uriel (tenor) and Gabriel (soprano). In part III, the bass and soprano represent Adam and Eve. The first public performance was held in Vienna at the old Burgtheater on 19 March 1799. The oratorio was published with the text in German and English in 1800. Inspiration Haydn was inspired to write a large oratorio during his visits to England in 1791–1792 and 1794–1795 when, alongside his close friend English music historian Charles Burney, he ...
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Joseph Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet, String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was Haydn and Mozart, a friend and mentor of Mozart, Beethoven and his contemporaries#Joseph Haydn, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, Rohrau, Habsburg ...
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Gloria (Vivaldi)
Antonio Vivaldi wrote at least three Gloria compositions, settings of the hymn Gloria in excelsis Deo, with words probably dating back to the 4th century, and an integral part of the mass ordinary. Two of them have survived: RV 588 and RV 589. A third, RV 590, is mentioned only in the Kreuzherren catalogue and presumed lost. The RV 589 Gloria is a familiar and popular piece among sacred works by Vivaldi. It was probably written at about the same time as the RV 588, possibly in 1715. ''Introduction '' As with other choral pieces the composer, Vivaldi, wrote many ''introduzioni'' (introductory motets) that were to be performed before the Gloria itself. Four ''introduzioni'' exist for these Glorias: ''Cur Sagittas'' (RV 637), ''Jubilate, o amoeni cori'' (RV 639) (the last movement of which is compositionally tied with the first movement of RV 588), ''Longe Mala, Umbrae, Terrores'' (RV 640), and ''Ostro Picta'' (RV 642). Settings RV 588 The lesser known of the two surviving ...
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