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Zampa (rapper)
''Zampa'','' ou La fiancée de marbre'' (''Zampa, or the Marble Bride'') is an opéra comique in three acts by French composer Ferdinand Hérold, with a libretto by Mélesville. The overture to the opera is one of Hérold's most famous works and is a staple of orchestral repertoire. Performance history ''Zampa'' was first performed in Paris on 3 May 1831 at the Opéra-Comique (Salle Ventadour), where it became popular, achieving 500 performances by 1877. In the 20th century however, it faded from the repertoire. It was also popular in Germany and Italy; in the latter the spoken dialogue was replaced by recitatives. It was first performed in the United States on 16 February 1833 at the Théâtre d'Orléans in New Orleans, and in the United Kingdom on 19 April 1833 at the King's Theatre in London. The opera was revived at the Opéra-Comique in March 2008 under William Christie in a production by Macha Makeïeff and Jérôme Deschamps. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Hérold - Zampa - Quadrille
Ferdinand is a Germanic name composed of the elements "protection", "peace" (PIE "to love, to make peace") or alternatively "journey, travel", Proto-Germanic , abstract noun from root "to fare, travel" (PIE , "to lead, pass over"), and "courage" or "ready, prepared" related to Old High German "to risk, venture." The name was adopted in Romance languages from its use in the Visigothic Kingdom. It is reconstructed as either Gothic or . It became popular in German-speaking Europe only from the 16th century, with Habsburg rule over Spain. Variants of the name include , , , and in Spanish, in Catalan, and and in Portuguese. The French forms are , '' Fernand'', and , and it is '' Ferdinando'' and in Italian. In Hungarian both and are used equally. The Dutch forms are and ''Ferry''. There are numerous short forms in many languages, such as the Finnish . There is a feminine Spanish, Portuguese and Italian form, . Royalty Aragón/León/Castile/Spain *Ferdinan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Julie Halligner
Marie-Julie Boulanger, née Marie-Julie Halligner (29 January 1786 – 23 July 1850), was a French mezzo-soprano. She performed her entire career under the stage name Mme Boulanger, appearing in the world premieres of '' Le maître de chapelle'', '' L'ambassadrice'', ''Le domino noir'', and ''La fille du régiment''. Biography Born in Paris, her parents were middle-class shopkeepers. She was the older sister of Sophie Halligner, an actress at the Odéon-Théâtre de l'Europe and the Théâtre de l'Ambigu-Comique who had married the actor Frédérick Lemaître in 1826. Halligner entered the Paris Conservatory in 1806 to study ''solfeggio''; she was a pupil of Charles-Henri Plantade and Pierre-Jean Garat. Halligner's debut at the Opéra-Comique in 1811 was considered "an immense success". A notable soubrette at the Opéra-Comique between 1811 and 1835, she continued performing until 1845, though her voice had started to fail her in the later years. She performed in the wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Bonynge
Richard Alan Bonynge ( ) (born 29 September 1930) is an Australian conductor and pianist. He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland. Bonynge conducted virtually all of Sutherland's operatic performances from 1962 until her retirement in 1990. Biography Bonynge was born in Epping, a suburb of Sydney, and educated at Sydney Boys' High School before studying piano at the Sydney Conservatorium of Music and gaining a scholarship to the Royal College of Music in London, where his piano teacher was Herbert Fryer. He gave up his music scholarship, continuing his private piano studies, and became a coach for singers. One of these was Joan Sutherland, whom he had accompanied in Australia. They married in 1954 and became a duo, performing operatic recitals until 1962. When the scheduled conductor for a recital of operatic arias became ill and the replacement conductor was involved in a car accident, Bonynge stepped in and, from that time on, he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Warrack
John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy Warrack. He was educated at Winchester College (1941-6) and then at the Royal College of Music (1949–52). In the early 1950s he was a freelance oboist, playing mostly with the Boyd Neel Orchestra and Sadler's Wells Orchestra. From 1954 until 1961 he was music critic for ''The Daily Telegraph'', and from 1961 until 1972 he was music critic for ''The Sunday Telegraph''. From 1978 until 1983 he served as the Artistic Director of the Leeds Festival. From 1984 until 1993 he taught on the music faculty at the University of Oxford. He is the author of ''Six Great Composers'' (1955); ''Carl Maria von Weber'' ( Hamish Hamilton, 1968, 2nd ed. Cambridge UP, 1976), the standard study of Weber in English; ''German Opera: From the Beginnings to Wagner'' (2001) and the co-author of ''The Concise Oxford Dictionary of Opera'' (1964, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pougin, Arthur
Arthur Pougin ( 6 August 1834 – 8 August 1921) was a French musical and dramatic critic and writer. He was born at Châteauroux (Indre) and studied music at the Conservatoire de Paris under Jean Delphin Alard, Alard (violin) and Napoléon Henri Reber, Reber (harmony). In 1855 he became Conducting, conductor at the Théâtre Beaumarchais, and afterward leader at Musard's concerts, subconductor at the Folies-Nouvelles, and from 1860 to 1863 he was first violin at the Opéra-Comique. He was in turn ''feuilletoniste'' to ''Le Soir'', ''La Tribune'', ''L'Événement-Journal, L'Événement'' and ''Le Journal Officiel'', besides being a frequent contributor to all the important French musical periodicals. His work in connection with François-Joseph Fétis, Fétis's ''Biographie universelle des musiciens, Biographie universelle'', for which he prepared a supplement (two volumes, 1878–80), has, however, been found to be lacking in thoroughness. He edited the new edition of Clément and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Walsh (writer)
Stephen Walsh (born 6 June 1942) is a British journalist, broadcaster, musicologist, and classical music biographer. He is the author of biographies of Stravinsky, Mussorgsky, and Debussy, as well as books on Schumann, Bartók, and the music of Stravinsky. As of 2021, he is an emeritus professor of Cardiff University. Biography Walsh was born in Chipping Norton, Oxfordshire in 1942. He was educated at Kingston Grammar School, St. Paul's School, London, and Gonville and Caius College, Cambridge where he read English. He worked as a music critic for ''The Times'', ''Financial Times'', and the ''Daily Telegraph'', and as a frequent broadcaster for the BBC on classical music topics. From 1966 to 1985, he was deputy music critic of ''The Observer'', overlapping with a senior lectureship at Cardiff University from 1976. He later held a chair at the university. He retired from Cardiff in 2013, since when he has continued his career as a freelance author and biographer. Walsh is best k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Kenyon
Sir Nicholas Roger Kenyon CBE (born 23 February 1951, in Cheshire) is an English music administrator, editor and writer on music. He was responsible for the BBC Proms in 1996–2007, after which he was appointed Managing Director of the Barbican Centre. In September 2021 he left to become opera critic of the Telegraph and a visiting scholar in the Faculty of Music at the University of Cambridge. Education and career Having attended St Bede's College, Manchester and played bassoon with Stockport Youth Orchestra, Kenyon studied history at Balliol College, Oxford. After graduating, he worked for the English Bach Festival, and as a freelance writer on music. From 1979 to 1982 he was a music critic for ''The New Yorker''. He then returned to the UK as the music critic for ''The Times'', then chief music critic of ''The Observer''. He was also music editor of '' The Listener'' and editor of the journal ''Early Music''. In 1992 he was appointed Controller, BBC Radio 3 and director of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amanda Holden (writer)
Amanda Juliet Holden (; 19 January 1948 – 7 September 2021) was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the ''New Penguin Opera Guide''. Life and career Amanda Juliet Warren was born in London, the daughter of Sir Brian Warren and Dame Josephine Barnes. She was educated at Benenden School, and studied at Lady Margaret Hall, Oxford, with Egon Wellesz where she gained a Master of Arts (MA), at Guildhall School of Music and Drama and a MA at the American University, Washington, DC. She also had degrees from the Royal Academy of Music (ARCM and LRAM).Holden /Amanda, ''Who's Who'' (UK), 2012 She first worked as a freelance pianist and accompanist, teacher at the Guildhall School, and therapist from 1973 to 1986. Libret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chouquet, Gustave
Gustave Chouquet (16 April 1819 – 30 January 1886)Grove & Charlton 2001. was a French music historian, music critic, and teacher of French. Early life and career Born Adolphe-Gustave Chouquet in Le Havre, he spent six years in Paris studying at the Massin Institute, but devoted almost all his spare time to studying voice and piano and attending concerts at the Paris Conservatory. In 1836, after receiving his degree ('' bachelier ès lettres''), he returned to Le Havre, where his father was a banker. The latter lost his fortune in creating a railroad company (from Paris to the sea), and in 1840 the family moved to the United States. Gustave produced his first essays of music criticism in New York.Fétis, "Chouquet (Adolphe-Gustave)", 1978vol. 1, pp. 181–182 He was also a professor of French literature and history and published several textbooks of French language instruction. After sixteen years devoted to education, a respiratory ailment caused him to move back to France, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Vénus D'Ille
''La Vénus d'Ille'' (, "The Venus of Ille") is a short story by Prosper Mérimée. It was written in 1835 and published in 1837. It tells the story of a statue of Venus that comes to life and kills the son of its owner, whom it believes to be its husband. Plot summary The narrator, an archeologist, is visiting the town of Ille in the Languedoc-Roussillon region of France. A friend of his recommends him to M. de Peyrehorade, who is familiar with the Roman ruins in the area. When he arrives, he discovers that M. de Peyrehorade's son, Alphonse, is to be married to a certain Mademoiselle de Puygarrig, and the narrator is invited to the wedding. Meanwhile, M. de Peyrehorade shows the narrator his new discovery: a bronze statue of Venus Pudica. The narrator judges the statue to be very old and deciphers the inscription. Both men marvel at her fierce gaze; she is as frightening as she is beautiful. She also seems to be cursed: the man who found her had his leg broken, and anot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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