Z-movie
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Z-movie
Z movies (or grade-Z movies) are low-budget films with production qualities lower than B movies. History and terminology The term "Z movie" arose in the mid-1960s as an informal description of certain unequivocally non-A films. It was soon adopted to characterize low-budget motion pictures with quality standards well below those of most B movies and even so-called C movies. While B movies may have mediocre scripts and actors who are relatively unknown, modestly skilled, or past their prime, they are for the most part competently lit, shot and edited. Z movies, by contrast, would be considered by most watchers and critics to be complete objective failures. Sometimes Z movies are so incompetent they gain cult status due to the hilarity of their shortcomings. The economizing shortcuts of films identified as C movies tend to be evident throughout; nonetheless, films to which the C label is applied are generally the products of relatively stable entities within the commercial film i ...
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Low-budget Film
A low-budget film or low-budget movie is a motion picture shot with little to no funding from a major film studio or private investor. Many independent films are made on low budgets, but films made on the mainstream circuit with inexperienced or unknown filmmakers can also have low budgets. Many young or first time filmmakers shoot low-budget films to prove their talent before doing bigger productions. Most low-budget films that do not gain some form of attention or acclaim are never released in theatres and are often sent straight to retail because of their lack of marketability, look, narrative story, or premise. There is no precise number to define a low budget production, and it is relative to both genre and country. What might be a low-budget film in one country may be a big budget in another. Modern-day young filmmakers rely on film festivals for pre-promotion. They use this to gain acclaim and attention for their films, which often leads to a limited release in theatres. F ...
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Boom Operator (media)
A boom operator (or First Assistant Sound) is a core role in the sound department of a film production, who works with the production sound mixer and utility sound technician. The principal responsibility of the boom operator is microphone placement, usually using a boom pole (or "fishpole") with a microphone attached to the end (called a boom mic), their aim being to hold the microphone as close to the actors or action as possible without allowing the microphone or boom pole to enter the camera's frame. Invention of the boom mic The first noted instance of a prototype boom mike was on '' The Wild Party'' (1929). To allow Clara Bow to move freely on the set, director Dorothy Arzner had technicians rig a microphone onto a fishing rod. Another instance of a boom mic was on the set of ''Beggars of Life'' (1928) when director William A. Wellman wanted a tracking shot of two actors walking down a street, and the sound man refused, telling the director that the actors had to be s ...
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Bikini Cavegirl
''Bikini Cavegirl'' (also known as ''Teenage Cavegirl'') is a softcore pornographic film made by Fred Olen Ray under the pseudonyms "Nicholas Medina" and "Sherman Scott". It has been described as "a sexy makeover", but not a remake, of Ray's earlier film '' Dinosaur Island''. It was released directly to video in 2004 under the title ''Teenage Cavegirl'', and is shown on cable as ''Bikini Cavegirl''. Plot A prehistoric cavegirl named Tahra (Jezebelle Bond) with a penchant for passion finds pleasure in the company of archeologists when she is accidentally transported to the future. There she encounters two archaeologists named Richard (Voodoo) and Sharon (Kennedy Johnston). After several adventures, many of them sexual, Tahra's lover Tiko (Evan Stone) also finds his way to the future. Eventually, all of them are transported back to the time of Tahra. This story also has an unexpected science fiction twist ending. Cast * Jezebelle Bond as Tahra * Evan Stone as Tiko * Voodoo as Richa ...
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Attack Of The 60 Foot Centerfold
''Attack of the 60 Foot Centerfold'' (also known as ''Attack of the 60 Foot Centerfolds'') is a 1995 satirical science fiction film directed by Fred Olen Ray and starring J.J. North, Ted Monte, Tammy Parks, Raelyn Saalman, Nikki Fritz, John LaZar, Tim Abell, Jay Richardson as well as cameos by Russ Tamblyn, Michelle Bauer and a "running man" credit for science fiction author Brad Linaweaver. The film is a parody of ''Attack of the 50 Foot Woman'' (1958), but contains much nudity. The film was loosely remade as ''Attack of the 50 Foot Cheerleader'' (2012). Plot The three finalists for ''Plaything'' Magazine's "Centerfold of the Year" are Inga (Raelyn Saalman), Betty (Tammy Parks) and Angel Grace ( J. J. North). During a photoshoot, Betty makes some rather scathing remarks regarding Angel's appearance. Angel goes to Dr. Lindstrom (John LaZar) at his clinic. Angel had taken beauty enhancing treatments previously, but now wants to get back on the program. Though Lindstrom warns her t ...
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Mystery Science Theater 3000
''Mystery Science Theater 3000'' (abbreviated as ''MST3K'') is an American science fiction comedy film review television series created by Joel Hodgson. The show premiered on KTMA-TV (now WUCW) in Minneapolis, Minnesota, on November 24, 1988. It then moved to nationwide broadcast, first on The Comedy Channel/Comedy Central for seven seasons until its cancellation in 1996. Thereafter, it was picked up by The Sci-Fi Channel and aired for three more seasons until another cancellation in August 1999. A 60-episode syndication package titled ''The Mystery Science Theater Hour'' was produced in 1993 and broadcast on Comedy Central and syndicated to TV stations in 1995. In 2015, Hodgson led a crowdfunded revival of the series with 14 episodes in its eleventh season, first released on Netflix on April 14, 2017, with another six-episode season following on November 22, 2018. A second successful crowdfunding effort in 2021 will bring at least 13 additional episodes to be shown through the ...
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Clapperboard
A clapperboard (also known by various other names including dumb slate) is a device used in filmmaking and video production to assist in synchronizing of picture and sound, and to designate and mark the various scenes and takes as they are filmed and audio-recorded. It is operated by the clapper loader. When sound and picture are out of synchronization, there is a lip flap occurring. History In the silent era the principal requirement of film stock identification during a day's shoot was the slate. The clapper as two sticks hinged together was invented by F. W. Thring (father of actor Frank Thring), who later became head of Efftee Studios in Melbourne, Australia. The clapboard with both the sticks and slate together was a refinement of Leon M. Leon (1903–1998) a pioneer sound engineer. Description The clapperboard combines a chalkboard slate or acrylic board with a set of clapper sticks across the top. The slate displays the name of the production, the scene and "take" a ...
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Satyr
In Greek mythology, a satyr ( grc-gre, :wikt:σάτυρος, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, :wikt:Σειληνός, σειληνός ), is a male List of nature deities, nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. I ...
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The Hands Of Fate
''Manos: The Hands of Fate'' is a 1966 American no-budget horror film with Harold P. Warren as writer, director, producer, and star. The plot has a family lost on a vacation road trip through the Texas desert. They become stranded at the lodge of a polygynous pagan cult led by the Master who decides their fate. Warren was an insurance and fertilizer salesman from El Paso, Texas, who made the film as a result of a bet with screenwriter Stirling Silliphant. Most of the remaining cast and crew had little or no background in filmmaking. The theatrical debut was poorly received, playing only at the Capri Theater in El Paso and some drive-ins around West Texas and New Mexico. ''Manos'' remained obscure until featured in a 1993 episode of ''Mystery Science Theater 3000'', a television series based on mocking B movies. This developed its cult reputation as one of the worst films ever made. The film has been criticized for continuous deficiencies in editing, continuity, audiovisual syn ...
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Automated Dialogue Replacement
Dubbing (re-recording and mixing) is a post-production process used in filmmaking and video production, often in concert with sound design, in which additional or supplementary recordings are lip-synced and "mixed" with original production sound to create the finished soundtrack. The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks—dialogue, automated dialogue replacement (ADR), effects, Foley, and music—the dubbing mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADR, also known as "additional dialogue replacement", "automated dialogue recording" and "looping", in which the original actors re-record and synchronize audio segments. Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry. The te ...
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Voiceover
Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice—that is not part of the narrative (non-diegetic)—is used in a radio, television production, filmmaking, theatre, or other presentations. The voice-over is read from a script and may be spoken by someone who appears elsewhere in the production or by a specialist voice actor. Synchronous dialogue, where the voice-over is narrating the action that is taking place at the same time, remains the most common technique in voice-overs. Asynchronous, however, is also used in cinema. It is usually prerecorded and placed over the top of a film or video and commonly used in documentaries or news reports to explain information. Voice-overs are used in video games and on-hold messages, as well as for announcements and information at events and tourist destinations. It may also be read live for events such as award presentations. Voice-over is added in addition to any existing dialogue and ...
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The Creeping Terror
''The Creeping Terror'' (a.k.a. ''The Crawling Monster'') is a 1964 horror–science fiction film directed and produced by, and starring, Vic Savage. The plot is centered upon an extraterrestrial, slug-like creature that attacks and eats people whole in a small American town. Widely considered to be one of the worst films of all time, ''The Creeping Terror'' has become a cult film. Plot While driving along a highway in fictional Angel County in California, a sheriff's deputy, Martin Gordon (Vic Savage) and his wife Brett (Shannon O'Neil) meet Martin's uncle, sheriff Ben (Byrd Holland), and together they investigate a reported plane crash site. At the site, the group encounters the abandoned truck of a forest ranger, the ranger's hat, and an alien spacecraft that resembles a camping trailer; a large, slow-moving, slug-like creature had earlier emerged from the craft and departed prior to the group's arrival. Believing the absent ranger might be inside, Ben enters the craft ...
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Bela Lugosi
Béla Ferenc Dezső Blaskó (; October 20, 1882 – August 16, 1956), known professionally as Bela Lugosi (; ), was a Hungarian and American actor best remembered for portraying Count Dracula in the 1931 horror classic ''Dracula'', Ygor in ''Son of Frankenstein'' (1939) and his roles in many other horror films from 1931 through 1956. Lugosi began acting on the Hungarian stage in 1902. After playing in 172 different productions in his native Hungary, Lugosi moved on to appearing in Hungarian silent films in 1917. He had to suddenly emigrate to Germany after the failed Hungarian Communist Revolution of 1919 because of his former socialist activities (organizing a stage actors' union), leaving his first wife in the process. He acted in several films in Weimar Germany, before arriving in New Orleans as a seaman on a merchant ship, then making his way north to New York City and Ellis Island. In 1927, he starred as Count Dracula in a Broadway adaptation of Bram Stoker's novel, mo ...
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