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Yūji Takahashi
is a composer, pianist, critic, conductor, and author. Biography Yuji Takahashi studied under Roh Ogura and Minao Shibata at the Toho Gakuen School of Music. In 1960, he made his debut as a pianist by performing Bo Nilsson's ''Quantitäten''. He received a grant from The Ford Foundation to study in West Berlin under Iannis Xenakis in 1962 and stayed in Europe until 1966, also stayed in New York under Rockefeller Foundation scholarship until 1972. He founded ' Suigyu Gakudan' (Water Buffalo band) in 1978 as introducing international protest songs, starting from Thailand, mainly performing Asian songs, also published monthly journal ' Suigyu Tsushin'. Selected works * ''Time'' (tape) * ''Chromamorphe I'' (fl, hrn in F, trp in C, trb, vib, vn, cb) * ''Chromamorphe II'' (pf) * ''6 Stoicheia'' (4vn) * ''Rosace I'' (amplified vn) * ''Rosace II'' (pf) * ''Operation Euler'' (2 or 3ob) * ''Metathesis I'' (pf) * ''Manangali'' (didactic piece for women's chorus) * ''Three Poems of Mao ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokyo
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 million residents ; the city proper has a population of 13.99 million people. Located at the head of Tokyo Bay, the prefecture forms part of the Kantō region on the central coast of Honshu, Japan's largest island. Tokyo serves as Japan's economic center and is the seat of both the Japanese government and the Emperor of Japan. Originally a fishing village named Edo, the city became politically prominent in 1603, when it became the seat of the Tokugawa shogunate. By the mid-18th century, Edo was one of the most populous cities in the world with a population of over one million people. Following the Meiji Restoration of 1868, the imperial capital in Kyoto was moved to Edo, which was renamed "Tokyo" (). Tokyo was devastate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visions De L'Amen
''Visions de l'Amen'' ("Visions of the Amen") is a suite of seven pieces for two pianos by the French composer Olivier Messiaen (1908–1992), commissioned for the Concerts de la PléiadeLiner notes by Nigel Simeone on the recording of Steven Osborne and Martin Roscoe for Hyperion, CDA67366. that were held during the German occupation of Paris. It was composed in 1943 for the composer and Yvonne Loriod, and its performance requires about 40–45 minutes. Overview According to Messiaen's "author's note" attached to the original score,Stephen Schloesser, Visions of Amen: The Early Life and Music of Olivier Messiaen, Wm. B. Eerdmans Publishing, page 353. the work takes its inspiration from a quote of Ernest Hello Ernest Hello (4 November 182814 July 1885) was a French Roman Catholic writer, who produced books and articles on philosophy, theology, and literature. Life Born at Lorient, in Brittany, he was the son of a lawyer who held posts of great impor ...: "Amen, word of Gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Friedemann Bach
Wilhelm Friedemann Bach (22 November 17101 July 1784), the second child and eldest son of Johann Sebastian Bach and Maria Barbara Bach, was a German composer and performer. Despite his acknowledged genius as an organist, improviser and composer, his income and employment were unstable and he died in poverty. Life Wilhelm Friedemann (hereafter Friedemann) was born in Weimar, where his father was employed as organist and chamber musician to the Duke of Saxe-Weimar. In July 1720, when Friedemann was nine, his mother Maria Barbara Bach died suddenly; Johann Sebastian Bach remarried in December 1721. J. S. Bach supervised Friedemann's musical education and career with great attention. The graded course of keyboard studies and composition that J. S. Bach provided is documented in the ''Clavier-Büchlein vor Wilhelm Friedemann Bach'' (modern spelling: '' Klavierbüchlein für Wilhelm Friedemann Bach''), with entries by both father and son. This education also included (parts of) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and ''Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet ''Parade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inventions And Sinfonias (Bach)
The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 '' inventions'', which are two-part contrapuntal pieces, and 15 ''sinfonias'', which are three-part contrapuntal pieces. They were originally written as "''Praeambula''" and "''Fantasiae''" in the Klavierbüchlein für Wilhelm Friedemann Bach, a ''Clavier-booklet'' for his eldest son, and later rewritten as musical exercises for his students. Bach titled the collection: Forthright instruction, wherewith lovers of the clavier, especially those desirous of learning, are shown in a clear way not only 1) to learn to play two voices clearly, but also after further progress 2) to deal correctly and well with three obbligato parts, moreover at the same time to obtain not only good ideas, but also to carry them out well, but most of all to achieve a ''cantabile'' style of playing, and thereby to acqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera ''L'Orfeo'' being a notable example). History Renaissance The form first appeared in the late Renaissance period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as Claudio Merulo, Andrea and Giovanni Gabrieli, Adriano Banchieri, and Luzzasco Luzzaschi. These are keyboard compositions in which one hand, and then the other, performs virtuosic runs and brilliant cascading passages against a chordal accompaniment in the other hand. Among the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of The Fugue
''The Art of Fugue'', or ''The Art of the Fugue'' (german: Die Kunst der Fuge, links=no), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach. Written in the last decade of his life, ''The Art of Fugue'' is the culmination of Bach's experimentation with monothematic instrumental works. This work consists of fourteen fugues and four canons in D minor, each using some variation of a single principal subject, and generally ordered to increase in complexity. "The governing idea of the work", as put by Bach specialist Christoph Wolff, "was an exploration in depth of the contrapuntal possibilities inherent in a single musical subject." The word "contrapunctus" is often used for each fugue. Sources Mus. ms. autogr. P 200 The earliest extant source of the work is an autograph manuscript possibly written from 1740 to 1746, usually referred by its call number as Mus. ms. autogr. P 200 in the Berlin State Library. Bearing the title ''Die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Reynolds
Roger Lee Reynolds (born July 18, 1934) is a Pulitzer prize-winning American composer. He is known for his capacity to integrate diverse ideas and resources, and for the seamless blending of traditional musical sounds with those newly enabled by technology. Beyond composition, his contributions to musical life include mentorship, algorithmic design, engagement with psychoacoustics, writing books and articles, and festival organization. During his early career, Reynolds worked in Europe and Asia, returning to the US in 1969 to accept an appointment in the music department at the University of California, San Diego. His leadership there established it as a state of the art facility – in parallel with Stanford, IRCAM, and MIT – a center for composition and computer music exploration. Reynolds won early recognition with Fulbright, Guggenheim, National Endowment for the Arts, and National Institute of Arts and Letters awards. In 1989, he was awarded the Pulitzer Prize for a string ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earle Brown
Earle Brown (December 26, 1926 – July 2, 2002) was an American composer who established his own formal and notational systems. Brown was the creator of "open form," a style of musical construction that has influenced many composers since—notably the downtown New York scene of the 1980s (see John Zorn) and generations of younger composers. Among his most famous works are ''December 1952'', an entirely graphic score, and the open form pieces ''Available Forms I & II'', ''Centering'', and ''Cross Sections and Color Fields''. He was awarded a Foundation for Contemporary Arts John Cage Award (1998). Life Brown was born in Lunenburg, Massachusetts, and first devoted himself to playing jazz. He initially considered a career in engineering, and enrolled for engineering and mathematics at Northeastern University (1944–45). He enlisted in the U.S. Air Force in 1945. However, the war ended while he was still in basic training, and he was assigned to the base band at Randolph Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slamet Abdul Sjukur
Slamet A. Sjukur (30 June 1935 – 24 March 2015) was the founding father of contemporary Indonesian music. He studied and worked in Paris under Olivier Messiaen and Henri Dutilleux. He was a lecturer at IKJ (Institut Kesenian Jakarta) but because of his unconventional ideas, he finally had to leave. He had been living in Jakarta and Surabaya as a freelance composer, teacher and music critic. Developing the idea of minimax in music, his compositions are "notable for their minimal constellation of sounds and for their numerological basis which indicate the composer’s interest in a new ‘ecology of music’". This idea views limitation not as obstructions but as a challenge to work with a simple material, maximally. His honors include the Bronze Medal from the Festival de Jeux d’Automne in Dijon (1974), the Golden Record from the Académie Charles Cros in France (1975, for Angklung) and the Zoltán Kodály Commemorative Medal in Hungary (1983). More recently, '' Gatra'' named ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornelius Cardew
Cornelius Cardew (7 May 193613 December 1981) was an English experimental music composer, and founder (with Howard Skempton and Michael Parsons) of the Scratch Orchestra, an experimental performing ensemble. He later rejected experimental music, explaining why he had "discontinued composing in an avantgarde idiom" in his own programme notes to his Piano Album 1973. Biography Cardew was born in Winchcombe, Gloucestershire. He was the second of three sons whose parents were both artists—his father was the potter Michael Cardew. The family moved to Wenford Bridge Pottery Cornwall a few years after his birth where he was first nurtured as a chorister at Canterbury Cathedral, and later at The King's School, Canterbury which had evacuated to the Carlyon Bay Hotel for the war. His musical career thus began as a chorister. From 1953 to 1957, Cardew studied piano, cello, and composition at the Royal Academy of Music in London. Career Having won a scholarship to study at the recently es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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