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Yvaral
Jean-Pierre Vasarely (1934–2002), professionally known as Yvaral, was a French artist working in the fields of op-art and kinetic art from 1954 onwards. He was the son of Victor Vasarely, who was a pioneer of op-art. Life and work Yvaral studied graphic art and publicity at the École des Arts Appliqués in Paris between 1950 and 1953. In 1960, Yvaral co-founded the Groupe de Recherche d’Art Visual (GRAV) with Julio Le Parc, François Morellet, Francisco Sobrino, Horacio Garcia Rossi and Joel Stein, seeking to develop a coherent abstract visual language composed of simple geometric elements. In 1975 he coined the phrase 'Numerical Art' to describe artwork composed (or programmed) according to numerical rules or algorithms. From this time onwards he used computers to digitally process and manipulate images, although the final images were always hand painted. He used this technique to produce several series of portraits starting from instantly recognisable images, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Nationale Supérieure Des Arts Appliqués Et Des Métiers D'art
The École nationale supérieure des arts appliqués et des métiers d'art, also called the École des Arts Appliqués or Olivier de Serres and abbreviated to ENSAAMA, is a post- baccalauréat teaching establishment for the decorative arts in the 15th arrondissement of Paris, France. History ENSAAMA's ancestry can be traced back to the ''École des Arts Appliqués à l’Industrie'', which in 1856 was the first professional women's school. This became merged with the schools of Germain Pilon and Bernad Palissy in 1925 and with the ''Cours Supérieur d'Esthétique Industrielle'' founded in 1958 by Jacques Viénot, occupying the site of the now École supérieure des arts appliqués Duperré, and of the ''École Nationale Supérieure des Métiers d’Art'' founded at the start of the 1950s, which occupied the site of the old Hôtel Salé, now the Musée Picasso. The life of the school is organised around various disciplines (sculpture, wall decoration, ceramics, textile printin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Vasarely
Victor Vasarely (; born Győző Vásárhelyi, ; 9 April 1906 – 15 March 1997) was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the Op art movement. His work entitled ''Zebra'', created in 1937, is considered by some to be one of the earliest examples of Op art. Life and work Vasarely was born in Pécs and grew up in Pöstény and Budapest, where, in 1925, he took up medical studies at Eötvös Loránd University. In 1927, he abandoned medicine to learn traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at Sándor Bortnyik's private art school called ''Műhely'' (lit. "Workshop", in existence until 1938), then widely recognized as Budapest's centre of Bauhaus studies. Cash-strapped, the ''műhely'' could not offer all that the Bauhaus offered. Instead it concentrated on applied graphic art and typographical design. In 1929, he painted his ''Blue Study'' and ''Green Study''. In 1930, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Op Art
Op art, short for optical art, is a style of visual art that uses optical illusions. Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping. History The antecedents of op art, in terms of graphic and color effects, can be traced back to Neo-impressionism, Cubism, Futurism, Constructivism and Dada. László Moholy-Nagy produced photographic op art and taught the subject in the Bauhaus. One of his lessons consisted of making his students produce holes in cards and then photographing them. ''Time'' magazine coined the term ''op art'' in 1964, in response to Julian Stanczak's show ''Optical Paintings at the Martha Jackson Gallery'', to mean a form of abstract art (specifically non-objective art) that uses optical illusions. Works now described as "op art" had been produced for several years before ''Time's'' 1964 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Art
Op art, short for optical art, is a style of visual art that uses optical illusions. Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or swelling or warping. History The antecedents of op art, in terms of graphic and color effects, can be traced back to Neo-impressionism, Cubism, Futurism, Constructivism and Dada. László Moholy-Nagy produced photographic op art and taught the subject in the Bauhaus. One of his lessons consisted of making his students produce holes in cards and then photographing them. ''Time'' magazine coined the term ''op art'' in 1964, in response to Julian Stanczak's show ''Optical Paintings at the Martha Jackson Gallery'', to mean a form of abstract art (specifically non-objective art) that uses optical illusions. Works now described as "op art" had been produced for several years before ''Time's'' 1964 arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Groupe De Recherche D’Art Visual
Groupe de Recherche d'Art Visuel (GRAV) (Research Group for Visual Art) was a collaborative artists group in Paris that consisted of eleven opto-kinetic artists, like François Morellet, Julio Le Parc, Francisco Sobrino, , Yvaral, and Vera Molnár, who picked up on Victor Vasarely's concept that the sole artist was outdated and which, according to its 1963 manifesto, appealed to the direct participation of the public with an influence on its behavior, notably through the use of interactive labyrinths. GRAV was active in Paris from 1960 to 1968. Their main aim was to merge the individual identities of the members into a collective and individually anonymous activity linked to the scientific and technological disciplines based around collective events called Labyrinths. Their ideals enticed them to investigate a wide spectrum of kinetic art and op art optical effects by using various types of artificial light and mechanical movement. In their first ''Labyrinth'', held in 1963 at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julio Le Parc
Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. Le Parc attended the School of Fine Arts in Argentina. A founding member of Groupe de Recherche d’Art Visuel (GRAV) and award-winning artworks, he is a significant figure in Argentinean modern art.López, S. (2005).'' Le Parc Lumiere: Cinetic Works.'' Ostfildern-Ruit: Hatje Cantz, p.184-185. He was bestowed the Konex Award from Argentina in 1982 and 2022. Life Julio Le Parc was inconnnn into a family of limited economic means. At age thirteen he moved with his mother and brothers to Buenos Aires.Katzenstein, I. (2004).''Listen, Here, Now!: Argentine art of the 1960s: writings of the Avant-Garde''. New York: Museum of Modern Art, p. 341. While there he attended the School of Fine Arts and showed growing interest in artistic avant-garde movement in Argentina. The School of Fine Arts is where Le Parc, along with fellow artists Hugo Demarco, F. GarcÃa Miranda, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Morellet
François Morellet (30 April 1926 – 10 May 2016) was a French contemporary abstract painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art and he played a prominent role in the development of geometrical abstract art and post-conceptual art. Career Morellet began to make still-life paintings at the age of 14 as he studied Russian literature in Paris. After completing his studies, he returned to Cholet in 1948, where he continued to paint, now in the spirit of the COBRA movement. After this short period of figurative/representational work, Morellet turned to abstraction in 1950 after encountering the Concrete art of Max Bill. Morellet then adopted a pictorial language of simple geometric forms: lines, squares and triangles assembled into two-dimensional compositions. In 1960, he was one of the founders of the Groupe de Recherche d’Art Visuel (GRAV), with fellow artists Francisco Sobrino, Horatio Garcia-Rossi, Hugo DeMarco, Julio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taschen
Taschen is a luxury art book publisher founded in 1980 by Benedikt Taschen in Cologne, Germany. As of January 2017, Taschen is co-managed by Benedikt and his eldest daughter, Marlene Taschen. History The company began as Taschen Comics, publishing Benedikt's comic collection. Taschen focuses on making lesser-seen art available to mainstream bookstores, including fetishistic imagery, queer art, historical erotica, pornography, and adult magazines (including multiple books with ''Playboy'' magazine). The firm has brought potentially controversial art into broader public view, publishing it alongside its more mainstream books of comics reprints, art photography, painting, design, fashion, advertising history, film, and architecture.Degen Pener''Taschen Books Chief Reveals New Projects, Talks 'Fifty Shades' and $12M Books'' published in The Hollywood Reporter, 25 November 2014 Taschen publications are available in a various sizes, from oversized tomes to small pocket-sized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Painters
''Modern Painters'' (1843–1860) is a five-volume work by the Victorian art critic, John Ruskin, begun when he was 24 years old based on material collected in Switzerland in 1842. Ruskin argues that recent painters emerging from the tradition of the picturesque are superior in the art of landscape to the old masters. The book was primarily written as a defense of the later work of J. M. W. Turner. Ruskin used the book to argue that art should devote itself to the accurate documentation of nature. In Ruskin's view, Turner had developed from early detailed documentation of nature to a later more profound insight into natural forces and atmospheric effects. In this way, ''Modern Painters'' reflects "Landscape and Portrait-Painting" (1829) in ''The Yankee ''The Yankee'' (later retitled ''The Yankee and Boston Literary Gazette'') was one of the first cultural publications in the United States, founded and edited by John Neal (1793–1876), and published in Portland, Maine as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Male Painters
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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