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Groupe De Recherche D’Art Visual
Groupe de Recherche d'Art Visuel (GRAV) (Research Group for Visual Art) was a collaborative artists group in Paris that consisted of eleven opto-kinetic artists, like François Morellet, Julio Le Parc, Francisco Sobrino, , Yvaral, and Vera Molnár, who picked up on Victor Vasarely's concept that the sole artist was outdated and which, according to its 1963 manifesto, appealed to the direct participation of the public with an influence on its behavior, notably through the use of interactive labyrinths. GRAV was active in Paris from 1960 to 1968. Their main aim was to merge the individual identities of the members into a collective and individually anonymous activity linked to the scientific and technological disciplines based around collective events called Labyrinths. Their ideals enticed them to investigate a wide spectrum of kinetic art and op art optical effects by using various types of artificial light and mechanical movement. In their first ''Labyrinth'', held in 1963 at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Morellet
François Morellet (30 April 1926 – 10 May 2016) was a French contemporary abstract painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art and he played a prominent role in the development of geometrical abstract art and post-conceptual art. Career Morellet began to make still-life paintings at the age of 14 as he studied Russian literature in Paris. After completing his studies, he returned to Cholet in 1948, where he continued to paint, now in the spirit of the COBRA movement. After this short period of figurative/representational work, Morellet turned to abstraction in 1950 after encountering the Concrete art of Max Bill. Morellet then adopted a pictorial language of simple geometric forms: lines, squares and triangles assembled into two-dimensional compositions. In 1960, he was one of the founders of the Groupe de Recherche d’Art Visuel (GRAV), with fellow artists Francisco Sobrino, Horatio Garcia-Rossi, Hugo DeMarco, Julio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Champs-Élysées
The Avenue des Champs-Élysées (, ; ) is an avenue in the 8th arrondissement of Paris, France, long and wide, running between the Place de la Concorde in the east and the Place Charles de Gaulle in the west, where the Arc de Triomphe is located. It is known for its theatres, cafés and luxury shops, as the finish of the Tour de France cycling race, as well as for its annual Bastille Day military parade. The name is French for the Elysian Fields, the place for dead heroes in Greek mythology. It is commonly regarded as the "most beautiful avenue in the whole world". Description The avenue runs for through the 8th arrondissement in northwestern Paris, from the Place de la Concorde in the east, with the Obelisk of Luxor, to the Place Charles de Gaulle (formerly the ''Place de l'Étoile'') in the west, location of the Arc de Triomphe. The Champs-Élysées forms part of the ''Axe historique''. The lower part of the Champs-Élysées, from the Place de la Concorde to the Ron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts Organizations Established In The 1960s
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space. Prominent examples of the arts include: * visual arts (including architecture, ceramics, drawing, filmmaking, painting, photography, and sculpting), * literary arts (includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Artist Groups And Collectives
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Art Movements
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Popper
Frank Popper (17 April 1918 – 12 July 2020) was a Czech-born French-British historian of art and technology and Professor Emeritus of Aesthetics and the Science of Art at the University of Paris VIII. He was decorated with the medal of the Légion d'honneur by the French Government. He is author of the books ''Origins and Development of Kinetic Art'', ''Art, Action, and Participation'', ''Art of the Electronic Age'' and ''From Technological to Virtual Art''. Popper documented the historical record of the relationship between technology and participatory forms of art, especially between the late 1960s and the early 1990s. Kinetic Art and Op Art In his books ''Origins and Development of Kinetic Art'' and ''Art, Action and Participation'', Popper showed how Kinetic Art played an important part in pioneering the unambiguous use of optical movement and in fashioning links between science, technology, art and the environment. Popper was a champion of the humanizing effects of such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consumerism
Consumerism is a social and economic order that encourages the acquisition of goods and services in ever-increasing amounts. With the Industrial Revolution, but particularly in the 20th century, mass production led to overproduction—the supply of goods would grow beyond consumer demand, and so manufacturers turned to planned obsolescence and advertising to manipulate consumer spending. In 1899, a book on consumerism published by Thorstein Veblen, called ''The Theory of the Leisure Class'', examined the widespread values and economic institutions emerging along with the widespread "leisure time" at the beginning of the 20th century. In it, Veblen "views the activities and spending habits of this leisure class in terms of conspicuous and vicarious consumption and waste. Both relate to the display of status and not to functionality or usefulness." In economics, consumerism may refer to economic policies that emphasise consumption. In an abstract sense, it is the consideration th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Situationist International
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism. Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through objects. The situationists believed that the shift from individual expression through directly li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montparnasse
Montparnasse () is an area in the south of Paris, France, on the left bank of the river Seine, centred at the crossroads of the Boulevard du Montparnasse and the Rue de Rennes, between the Rue de Rennes and boulevard Raspail. Montparnasse has been part of Paris The area also gives its name to: * Gare Montparnasse: trains to Brittany, TGV to Rennes, Tours, Bordeaux, Le Mans; rebuilt as a modern TGV station; * The large Montparnasse – Bienvenüe métro station; * Cimetière du Montparnasse: the Montparnasse Cemetery, where, among other celebrities, Charles Baudelaire, Constantin Brâncuși, Jean-Paul Sartre, Simone de Beauvoir, Man Ray, Samuel Beckett, Serge Gainsbourg and Susan Sontag are buried; * Tour Montparnasse, a lone skyscraper. The Pasteur Institute is located in the area. Beneath the ground are tunnels of the Catacombs of Paris. Students in the 17th century who came to recite poetry in the hilly neighbourhood nicknamed it after "Mount Parnassus", home to the nin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaleidoscope
A kaleidoscope () is an optical instrument with two or more reflecting surfaces (or mirrors) tilted to each other at an angle, so that one or more (parts of) objects on one end of these mirrors are shown as a regular symmetrical pattern when viewed from the other end, due to repeated reflection. These reflectors are usually enclosed in a tube, often containing on one end a cell with loose, colored pieces of glass or other transparent (and/or opaque) materials to be reflected into the viewed pattern. Rotation of the cell causes motion of the materials, resulting in an ever-changing view being presented. Etymology Coined by its Scottish inventor David Brewster, "kaleidoscope" is derived from the Ancient Greek word καλός (''kalos''), "beautiful, beauty", εἶδος (''eidos''), "that which is seen: form, shape" and σκοπέω (''skopeō''), "to look to, to examine", hence "observation of beautiful forms." It was first published in the patent that was granted on July 10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Participatory Art
Participatory art is an approach to making art which engages public participation in the creative process, letting them become co-authors, editors, and observers of the work. This type of art is incomplete without viewers' physical interaction. It intends to challenge the dominant form of making art in the West, in which a small class of professional artists make the art while the public takes on the role of passive observer or consumer, i.e., buying the work of the professionals in the marketplace. Commended works by advocates who popularized participatory art include Augusto Boal in his Theater of the Oppressed, as well as Allan Kaprow in happenings. One of the earliest usages of the term appears in photographer Richard Ross's review for the Los Angeles Institute of Contemporary Art journal of the exhibition "Downtown Los Angeles Artists," organized by the Santa Barbara Contemporary Arts Forum in 1980. Describing ''in situ'' works by Jon Peterson, Maura Sheehan and Judith Simon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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