Yupiit Piciryarait Cultural Center
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Yupiit Piciryarait Cultural Center
The Yupiit Piciryarait Cultural Center (YPCC), also known as ''Yupiit Piciryarait Cultural Center and Museum'', formerly known as the ''Yup'ik Museum, Library, and Multipurpose Cultural Center'' (or ''Facility''), is a non-profit cultural center of the Yup'ik (and sometimes Alaskan Athabaskan of the region) culture centrally located in Bethel, Alaska near the University of Alaska Fairbanks' Kuskokwim Campus and city offices. The center is a unique facility that combines a museum, a library, and multi-purpose cultural activity center including performing arts space, for cultural gatherings, feasts, celebrations, meetings and classes. and that celebrates the Yup'ik culture and serves as a regional cultural center for Southwest Alaska. The name of ''Yupiit Piciryarait'' means "Yup'iks' customs" in Yup'ik language and derived from ''piciryaraq'' meaning "manner; custom; habit; tradition; way of life" Construction of this cultural facility was completed in 1995, funded through a State ...
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Cultural Center
A cultural center or cultural centre is an organization, building or complex that promotes culture and arts. Cultural centers can be neighborhood community arts organizations, private facilities, government-sponsored, or activist-run. Asia * Central Cultural Center (CCC), Bangladesh * Bahman Cultural Center, Tehran, Iran * Bangkok Art and Culture Centre, Bangkok, Thailand * Beigang Cultural Center, Yunlin, Taiwan * Bentara Budaya Jakarta, Jakarta, Indonesia * Bentara Budaya Yogyakarta, Yogyakarta, Indonesia * Cultural Center of the Philippines, Philippines * Hong Kong Cultural Centre, Hong Kong, China * Japanese Cultural Center, Taipei, Taiwan * Kaohsiung Cultural Center, Kaohsiung, Taiwan * Keelung Cultural Center, Keelung, Taiwan * Ketagalan Culture Center, Taipei, Taiwan * King Abdulaziz Center for World Culture, Dhahran, Saudi Arabia * Kohima Capital Cultural Center, Kohima, Nagaland * Korean Cultural Center, Seoul, Korea * Sheikh Abdullah Al-Salem Cultural Centre, Kuwa ...
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Exhibit (educational)
An exhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within a cultural or educational setting such as a museum, art gallery, park, library, exhibition hall, or World's fairs. Exhibitions can include many things such as art in both major museums and smaller galleries, interpretive exhibitions, natural history museums and history museums, and also varieties such as more commercially focused exhibitions and trade fairs. In British English the word "exhibition" is used for a collection of items placed on display and the event as a whole, which in American English is usually an "exhibit". In both varieties of English each object being shown within an exhibition is an "exhibit". In common usage, "exhibitions" are considered temporary and usually scheduled to open and close on specific dates. While many exhibitions are shown in just one venue, some exhibitions are shown in multiple locations ...
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Alaska Native Corporation
The Alaska Native Regional Corporations were established in 1971 when the United States Congress passed the Alaska Native Claims Settlement Act (ANCSA) which settled land and financial claims made by the Alaska Natives and provided for the establishment of 13 regional corporations to administer those claims. Associations, regional and village corporations Under ANCSA the state was originally divided into twelve regions, each represented by a "Native association" responsible for the enrollment of past and present residents of the region. Individual Alaska Natives enrolled in these associations, and their village level equivalents, were made shareholder in the Regional and Village Corporations created by the Act. The twelve for-profit regional corporations, and a thirteenth region representing those Alaska Natives who were no longer residents of Alaska in 1971, were awarded the monetary and property compensation created by ANCSA. Village corporations and their shareholders received ...
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Ann Fienup-Riordan
Ann Fienup-Riordan (born 1948) is an American cultural anthropologist known for her work with the Yup'ik of western Alaska, particularly on Nelson Island and the Yukon–Kuskokwim Delta. She lives in Anchorage, Alaska. She received her Ph.D. in anthropology in 1980 from the University of Chicago, where she was influenced by David M. Schneider. Her dissertation was based on 1976-77 fieldwork on Nelson Island, Alaska. Awards * Historian of the Year, Alaska Historical Society, 1991, 2001 * Distinguished Humanities Educator (Alaska), 2001 * Denali Award, 2000, Alaska Federation of Natives, for the greatest contribution by a non-Native Works * Fienup-Riordan, Ann. (1983). ''The Nelson Island Eskimo: Social Structure and Ritual Distribution''. Anchorage, AK: Alaska Pacific University Press. * Fienup-Riordan, Ann. (1986). ''When Our Bad Season Comes: A Cultural Account of Subsistence Harvesting & Harvest Disruption on the Yukon Delta''. Alaska Anthropological Assn. * Ann Fienup-Rior ...
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Smithsonian Institution
The Smithsonian Institution ( ), or simply the Smithsonian, is a group of museums and education and research centers, the largest such complex in the world, created by the U.S. government "for the increase and diffusion of knowledge". Founded on August 10, 1846, it operates as a trust instrumentality and is not formally a part of any of the three branches of the federal government. The institution is named after its founding donor, British scientist James Smithson. It was originally organized as the United States National Museum, but that name ceased to exist administratively in 1967. Called "the nation's attic" for its eclectic holdings of 154 million items, the institution's 19 museums, 21 libraries, nine research centers, and zoo include historical and architectural landmarks, mostly located in the District of Columbia. Additional facilities are located in Maryland, New York, and Virginia. More than 200 institutions and museums in 45 states,States without Smithsonian ...
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Alaskan Athabaskans
The Alaskan Athabascans, Alaskan Athabascans, Alaskan AthapascansWilliam Simeone, ''A History of Alaskan Athapaskans'', 1982, Alaska Historical Commission or Dena (russian: атабаски Аляски, атапаски Аляски) are Alaska Native peoples of the Athabaskan-speaking ethnolinguistic group. They are the original inhabitants of the interior of Alaska. In Alaska, where they are the oldest, there are eleven groups identified by the languages they speak. These are the Dena’ina or Tanaina (''Ht’ana''), Ahtna or Copper River Athabascan (''Hwt’aene''), Deg Hit’an or Ingalik (''Hitʼan''), Holikachuk (''Hitʼan''), Koyukon (''Hut’aane''), Upper Kuskokwim or Kolchan (''Hwt’ana''), Tanana or Lower Tanana (''Kokht’ana''), Tanacross or Tanana Crossing (''Koxt’een''), Upper Tanana (''Kohtʼiin''), Gwich'in or Kutchin (''Gwich’in''), and Hän (''Hwëch’in''). The Alaskan Athabascan culture is an inland creek and river fishing (also coastal fishing ...
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Alaska Purchase
The Alaska Purchase (russian: Продажа Аляски, Prodazha Alyaski, Sale of Alaska) was the United States' acquisition of Alaska from the Russian Empire. Alaska was formally transferred to the United States on October 18, 1867, through a treaty ratified by the United States Senate. Russia had established a presence in North America during the first half of the 18th century, but few Russians ever settled in Alaska. In the aftermath of the Crimean War, Russian Tsar Alexander II began exploring the possibility of selling Alaska, which would be difficult to defend in any future war from being conquered by Russia's archrival, the United Kingdom of Great Britain and Ireland. Following the end of the American Civil War, U.S. Secretary of State William Seward entered into negotiations with Russian minister Eduard de Stoeckl for the purchase of Alaska. Seward and Stoeckl agreed to a treaty on March 30, 1867, and the treaty was ratified by the United States Senate by a wide margin. ...
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Curator
A curator (from la, cura, meaning "to take care") is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the particular institution and its mission. In recent years the role of curator has evolved alongside the changing role of museums, and the term "curator" may designate the head of any given division. More recently, new kinds of curators have started to emerge: "community curators", "literary curators", " digital curators" and " biocurators". Collections curator A "collections curator", a "museum curator" or a "keeper" of a cultural heritage institution (e.g., gallery, museum, library or archive) is a content specialist charged with an institution's collections and involved with the interpretation of heritage material including historical artifacts. A collections curator's concern necessarily involves tangible objects of some sort—artwork, c ...
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Board Of Directors
A board of directors (commonly referred simply as the board) is an executive committee that jointly supervises the activities of an organization, which can be either a for-profit or a nonprofit organization such as a business, nonprofit organization, or a government agency. The powers, duties, and responsibilities of a board of directors are determined by government regulations (including the jurisdiction's corporate law) and the organization's own constitution and by-laws. These authorities may specify the number of members of the board, how they are to be chosen, and how often they are to meet. In an organization with voting members, the board is accountable to, and may be subordinate to, the organization's full membership, which usually elect the members of the board. In a stock corporation, non-executive directors are elected by the shareholders, and the board has ultimate responsibility for the management of the corporation. In nations with codetermination (such as Germ ...
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Kuspuk
A kuspuk () ( esu, qaspeq; ik, atikłuk) is a hooded overshirt with a large front pocket commonly worn among Alaska Natives. Kuspuks are tunic-length, falling anywhere from below the hips to below the knees. The bottom portion of kuspuks worn by women may be gathered and akin to a skirt. Kuspuks tend to be pullover garments, though some have zippers. Though kuspuks are traditionally a Yup'ik garment, they are now worn by both men and women of many Native groups, as well as by non-Natives. The garment was originally made of animal skin or gut and was worn over a fur parka to keep the parka clean. As stores became more common in Bush villages, kuspuks began to be made of calico grain sacks. Kuspuks are now generally made from brightly printed cotton calico, velvet, or corduroy trimmed with rickrack. Today, kuspuks are often worn as a blouse with pants. Many Alaska legislators and their staff members wear kuspuks on Fridays. The tradition was started by Representative Mary Kapsn ...
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Traditional Ecological Knowledge
Traditional ecological knowledge (TEK) describes indigenous and other traditional knowledge of local resources. As a field of study in Northern American anthropology, TEK refers to "a cumulative body of knowledge, belief, and practice, evolving by accumulation of TEK and handed down through generations through traditional songs, stories and beliefs. It is concerned with the relationship of living beings (including human) with their traditional groups and with their environment." It is important to note that indigenous knowledge is not a universal concept among various societies, but is referred to a system of knowledge traditions or practices that are heavily dependent on "place". Such knowledge is used in natural resource management as a substitute for baseline environmental data in cases where there is little recorded scientific data, or may complement Western scientific methods of ecological management. The application of TEK in the field of ecological management and science is s ...
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