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Ballad
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. While ballads have no prescribed structure and may vary in their number of lines and stanzas, many ballads employ quatrains with ABCB or ABAB rhyme schemes, the key being a rhymed second and fourth line. Contrary to a popular conception, it is rare if not unheard-of for a ballad to contain exactly 13 lines. Additionally, couplets rarely appear in ballads. Many ballads were written and sold as single-sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballade (forme Fixe)
The ''ballade'' (; ; not to be confused with the ballad) is a form of medieval and Renaissance French poetry as well as the corresponding musical chanson form. It was one of the three ''formes fixes'' (the other two were the rondeau and the virelai) and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. The formes fixes were standard forms in French-texted song of the fourteenth and fifteenth centuries. The ballade is usually in three stanzas, each ending with a refrain (a repeated segment of text and music). The ballade as a verse form typically consists of three eight-line stanzas, each with a consistent metre and a particular rhyme scheme. The last line in the stanza is a refrain. The stanzas are often followed by a four-line concluding stanza (an ''envoi'') usually addressed to a prince. The rhyme scheme is therefore usually , where the capital "C" is a refrain. The many different rhyming words that are needed (the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Wiik - Ballad
Maria may refer to: People * Mary, mother of Jesus * Maria (given name), a popular given name in many languages Place names Extraterrestrial *170 Maria, a Main belt S-type asteroid discovered in 1877 *Lunar maria (plural of ''mare''), large, dark basaltic plains on Earth's Moon Terrestrial *Maria, Maevatanana, Madagascar *Maria, Quebec, Canada *Maria, Siquijor, the Philippines *María, Spain, in Andalusia *Îles Maria, French Polynesia *María de Huerva, Aragon, Spain *Villa Maria (other) Arts, entertainment, and media Films *Maria (1947 film), ''Maria'' (1947 film), Swedish film *Maria (1975 film), ''Maria'' (1975 film), Swedish film *Maria (2003 film), ''Maria'' (2003 film), Romanian film *Maria (2019 film), ''Maria'' (2019 film), Filipino film *Maria (2021 film), ''Maria'' (2021 film), Canadian film directed by Alec Pronovost *Maria (Sinhala film), ''Maria'' (Sinhala film), Sri Lankan upcoming film Literature *María (novel), ''María'' (novel), an 1867 novel by Jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octosyllabic
The octosyllable or octosyllabic verse is a line of verse with eight syllables. It is equivalent to tetrameter verse in trochees in languages with a stress accent. Its first occurrence is in a 10th-century Old French saint's legend, the '' Vie de Saint Leger''; another early use is in the early 12th-century Anglo-Norman '' Voyage de saint Brendan''. It is often used in French, Italian, Spanish and Portuguese poetry. While commonly used in couplets, typical stanzas using octosyllables are: décima, some quatrains, redondilla. In Spanish verse, an octosyllable is a line that has its seventh syllable stressed, on the principle that this would normally be the penultimate syllable of a word (''Lengua Castellana y Literatura'', ed. Grazalema Santillana. El Verso y su Medida, p. 46). If the final word of a line does not fit this pattern, the line could have eight or seven or nine syllables (as normally counted), thus – :1 / 2 / 3 / 4 / 5 / Gra/NA/da :1 / 2 / 3 / 4 / 5 / Ma/DR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lord Thomas And Fair Annet
Lord Thomas and Fair Annet (), also known as Lord Thomas and Fair Eleanor, is an English folk ballad. Synopsis Lord Thomas (or Sweet Willie) is in love with Fair Annet, or Annie, or Elinor, but she has little property. He asks for advice. His father, mother, and brother (or some of them) advise that he should marry the nut-brown maid with a rich dowry. His mother promises to curse him if he marries Annet and bless him if he marries the nut-brown maid. His sister warns her that her dowry may be lost and then he will be stuck with nothing but a hideous bride. Nevertheless, he takes his mother's advice. Fair Annet dresses as splendidly as she can and goes to the wedding. The nut-brown maid is so jealous that she stabs Annet to death. Lord Thomas stabs both the nut-brown maid and himself to death. A rose grows from Fair Annet's grave, a brier from Lord Thomas's, and they grow together. Texts The oldest known text, entitled "A tragical Story of Lord Thomas and Fair Ellinor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Metre
Common metre or common measure—abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the syllable count of each line, i.e. 8.6.8.6, 86.86, or 86 86, depending on style, or by its shorthand abbreviation "CM". Common metre has been used for ballads such as "Tam Lin" and hymns such as "Amazing Grace" and the Christmas carol "O Little Town of Bethlehem". The upshot of this commonality is that lyrics of one song can be sung to the tune of another; for example, "Advance Australia Fair", "House of the Rising Sun", Pokémon Theme and "Amazing Grace" can have their lyrics set to the tune of any of the others. Historically, lyrics were not always wedded to tunes and would therefore be sung to any fitting melody; "Amazing Grace", for instance, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trimeter
In poetry, a trimeter (Greek for "three measure") is a metre of three metrical feet per line. Examples: : When here // the spring // we see, : Fresh green // upon // the tree. See also * Anapaest * Dactyl * Tristich * Triadic-line poetry Triadic-line poetry or stepped line is a long line which "unfolds into three descending and indented parts". Created by William Carlos Williams, it was his "solution to the problem of modern verse" and later was also taken up by poets Charles Tomlin ... References Types of verses {{Poetry-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetrameter
In poetry, a tetrameter is a line of four metrical feet. The particular foot can vary, as follows: * ''Anapestic tetrameter:'' ** "And the ''sheen'' of their ''spears'' was like ''stars'' on the ''sea''" (Lord Byron, "The Destruction of Sennacherib") ** "Twas the ''night'' before ''Christ''mas when ''all'' through the ''house''" ("A Visit from St. Nicholas") * ''Iambic tetrameter:'' ** "Be''cause'' I ''could'' not ''stop'' for ''Death''" (Emily Dickinson, eponymous lyric) * ''Trochaic tetrameter:'' ** "''Pet''er, ''Pet''er, ''pump''kin-''eat''er" ( English nursery rhyme) * ''Dactylic tetrameter:'' ** ''Pic''ture your ''self'' in a ''boat'' on a ''riv''er with ..(The Beatles, "Lucy in the Sky with Diamonds") * ''Spondaic tetrameter:'' ** ''Long sounds move slow'' * ''Pyrrhic tetrameter'' (with spondees white breast" and "dim sea": ** And the ''white breast'' of the ''dim sea'' * '' Amphibracic tetrameter:'' ** And, ''speak''ing of ''birds'', there's the ''Russ''ian Pa''loo''ski, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iamb (foot)
An iamb () or iambus is a metrical foot used in various types of poetry. Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in () "beautiful (f.)"). This terminology was adopted in the description of accentual-syllabic verse in English, where it refers to a foot comprising an unstressed syllable followed by a stressed syllable (as in ''abóve''). Thus a Latin word like , because of its short-long rhythm, is considered by Latin scholars to be an iamb, but because it has a stress on the first syllable, in modern linguistics it is considered to be a trochee. Etymology R. S. P. Beekes has suggested that the grc, ἴαμβος ''iambos'' has a Pre-Greek origin. An old hypothesis is that the word is borrowed from Phrygian or Pelasgian, and literally means "Einschritt", i. e., "one-step", compare ''dithyramb'' and ''thriambus'', but H. S. Versnel rejects this etymology and sugg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanzas
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragraph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatrains
A quatrain is a type of stanza, or a complete poem, consisting of four lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous prophecies in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are ABAA, AAAA, ABAB, and ABBA. Forms *The heroic stanza or elegiac stanza consists of the iambic pentameter, with the rhyme scheme of ABAB or AABB. An e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad Stanza
In poetry, a ballad stanza is a type of a four- line stanza, known as a quatrain, most often found in the folk ballad. The ballad stanza consists of a total of four lines, with the first and third lines written in the iambic tetrameter and the second and fourth lines written in the iambic trimeter with a rhyme scheme of ABCB. Assonance in place of rhyme is common. Samuel Taylor Coleridge adopted the ballad stanza in ''The Rime of the Ancient Mariner''. :All in a hot and copper sky! :The bloody Sun, at noon, :Right up above the mast did stand, :No bigger than the Moon. :::Coleridge, ''The Rime of the Ancient Mariner','' lines 111 – 114 The longer first and third lines are rarely rhymed, although at times poets may use internal rhyme In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplets
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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