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Yotsuya Kaidan
, the story of Oiwa and Tamiya Iemon, is a tale of betrayal, murder and ghostly revenge. Arguably the most famous Japanese ghost story of all time, it has been adapted for film over 30 times and continues to be an influence on Japanese horror today. Written in 1825 by Tsuruya Nanboku IV as a kabuki play, the original title was . It is now generally shortened, and loosely translates as ''Ghost Story of Yotsuya.'' History First staged in July 1825, ''Yotsuya Kaidan'' appeared at the Nakamuraza Theater in Edo (the former name of present-day Tokyo) as a double-feature with the immensely popular '' Kanadehon Chushingura.'' Normally, with a Kabuki double-feature, the first play is staged in its entirety, followed by the second play. However, in the case of ''Yotsuya Kaidan'' it was decided to interweave the two dramas, with a full staging on two days: the first day started with ''Kanadehon Chushingura'' from Act I to Act VI, followed by ''Tōkaidō Yotsuya Kaidan'' from Act I to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuniyoshi Oiwa
Kuniyoshi (written: 国吉 or 國吉) is a Japanese surname. Notable people with the surname include: * Fumio Kuniyoshi (国吉 史生, born 1985), Japanese-German rapper *, Japanese footballer *, American painter and photographer *, Japanese baseball player Kuniyoshi (written: 邦嘉, 邦佳, 邦栄, 國義 or 國芳) is also a masculine Japanese given name. Notable people with the name include: *, Japanese mixed martial artist *, Japanese painter, illustrator and photographer *, Japanese educational theorist and publisher *, Japanese scientist *, Japanese ''daimyō'' *, Japanese artist in woodblock printing and painting * Prince Kuni Kuniyoshi was a member of the Japanese imperial family and a field marshal in the Imperial Japanese Army during the Meiji and Taishō periods. He was the father of Empress Kōjun (who in turn was the consort of the Emperor Shōwa), and therefore, the mate ... (1873–1929), member of the Japanese imperial family and field marshal in the Imperia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki Actor Arashi Rikan II As Iemon Confronted By An Image Of His Murdered Wife, Oiwa
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ''Kabuki'' is therefore sometimes translate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Hundred Ghost Stories
''One Hundred Ghost Stories'' (, ''Hyaku monogatari'') is a series of ukiyo-e woodblock prints made by Katsushika Hokusai (1760-1849) in the Yūrei-zu genre circa 1830. He created this series around the same time he was creating his most famous works, the '' Thirty-six Views of Mount Fuji'' series. There are only five prints in this series, though as its title suggests, the publisher, Tsuruya Kiemon, and Hokusai wanted to make a series of one hundred prints. Material was copied from this source, which is available under Creative Commons Attribution-ShareAlike 3.0/ref> Hokusai was in his seventies when he worked on this series, and though his most famous impressions are landscape and wild-life works, he was attuned to the superstitions of the Edo period. This culminated in him creating these yokai prints of popular ghost stories being told at the time. The prints show scenes from such stories, that could be recited during the game of Hyakumonogatari Kaidankai. ''The One Hundred Gh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katsushika Hokusai
, known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best known for the woodblock print series '' Thirty-Six Views of Mount Fuji'', which includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and ''Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued working and improving his style u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsukioka Yoshitoshi
Tsukioka Yoshitoshi ( ja, 月岡 芳年; also named Taiso Yoshitoshi ; 30 April 1839 – 9 June 1892) was a Japanese printmaker. Nussbaum, Louis Frédéric. (2005)"Tsukoka Kōgyō"in ''Japan Encyclopedia,'' p. 1000. Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of woodblock printing and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing. By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
