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Yoshiiku
, also known as or , was a Japanese artist of the Utagawa school. Life and career Born the son of teahouse proprietor Asakusa Tamichi in 1833, Yoshiiku became a student of ukiyo-e artist Utagawa Kuniyoshi toward the end of the 1840s. His earliest known work dates to 1852 when he provided the backgrounds to some actor prints by his master. Yoshiiku's earliest works were portraits of actors ( yakusha-e), beauties ( bijin-ga), and warriors (musha-e). He later followed Kuniyoshi into making satirical and humorous pieces, and became the leading name in the field after Kuniyosh's death in 1861. He illustrated the '' Tokyo Nichi Nichi Shimbun'' ("Tokyo Daily News") from 1874 to 1876, and then co-founded the ''Tokyo E-iri Shinbun'' ("Tokyo Illustrated News"). The latter folded in 1889, and Yoshiiku returned to making prints. He struggled during his last years, and his last known print appeared in 1903. His three known students, Ikumura, Ikuei, and Ikumasa, failed to achieve recogniti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e Artists
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term translates as "picture of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts; the term ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the ''chōnin'' class, who had become wealthy enough to afford to decorate their homes with them. The earliest ukiyo-e works eme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schools Of Ukiyo-e Artists
Ukiyo-e artists may be organized into schools, which consist of a founding artist and those artists who were taught by or strongly influenced by him. Artists of the Osaka school are united both stylistically and geographically.Assignment of artists into schools is derived from ''Hotei Encyclopedia of Japanese Woodblock Prints,'' 2005 Not all of these artists designed woodblock prints, and some ukiyo-e artists had more than one teacher, and others are not known to be associated with any particular school. Asayama school (in Osaka) :Asayama Ashikuni (founder) :Ashisato :Ashifune :Ashihiro :Ashikiyo :Asayama Ashitaka :Asayama Ashitomo : Gigadō Ashiyuki (Nagakuni) :Jukōdō Yoshilkuni Eishi school (also known as Hosoda school) :Chōbunsai Eishi (founder) :Ichirakute Eisui :Chōkōsai Eishō :Chōkyōsai Eiri :Gessai Gabimaru :Chōensai Eishin :Rekisentei Eiri :Harukawa Eizan Furuyama school : Furuyama Moroshige (founder) :Furuyama Moromasa :Furuyama Morotane :Furuyama Morotsug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Kuniyoshi
Utagawa Kuniyoshi ( ja, 歌川 国芳, ; January 1, 1798 – April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting.Nussbaum, Louis Frédéric ''et al'' (2005). "Kuniyoshi" in He was a member of the Utagawa school.Nussbaum, "Utagawa-ryū" in The range of Kuniyoshi's subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of legendary samurai heroes.Lubow, Arthur "Everything But the Robots: A Kuniyoshi Retrospective Reveals the Roots of Manga,"''New York Magazine.'' March 7, 2010. His artwork incorporated aspects of Western representation in landscape painting and caricature. Life Kuniyoshi was born on January 1, 1798, the son of a silk-dyer, Yanagiya Kichiyemon,Robinson (1961), p. 5 originally named Yoshisaburō. Apparently he assisted his father's business as a pattern designer, and some have suggested that this experience influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakusha-e
''Yakusha-e'' (役者絵), often referred to as "actor prints" in English, are Japanese woodblock prints or, rarely, paintings, of kabuki actors, particularly those done in the ''ukiyo-e'' style popular through the Edo period (1603–1867) and into the beginnings of the 20th century. Most strictly, the term ''yakusha-e'' refers solely to portraits of individual artists (or sometimes pairs, as seen in this work by Sharaku). However, prints of kabuki scenes and of other elements of the world of the theater are very closely related, and were more often than not produced and sold alongside portraits. ''Ukiyo-e'' images were almost exclusively images of urban life; the vast majority that were not landscapes were devoted to depicting courtesans, sumo, or kabuki. Realistic detail, inscriptions, the availability of playbills from the period, and a number of other resources have allowed many prints to be analyzed and identified in great detail. Scholars have been able to identify the subj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyakki Yagyō
''Hyakki Yagyō'' (, "Night Parade of One Hundred Demons"), also transliterated ''Hyakki Yakō'', is an idiom in Japanese folklore. Sometimes an orderly procession, other times a riot, it refers to a parade of thousands of supernatural creatures known as ''oni'' and ''yōkai'' that march through the streets of Japan at night. As a terrifying eruption of the supernatural into the real world, it is similar (though not precisely equivalent) to the concept of pandemonium in English. Various legends Over more than one thousand years of history, and its role as a popular theme in traditional storytelling and art, a great deal of folklore has developed around the concept, making it difficult if not impossible to isolate any canonical meanings. One legend of recent vintage states that "every year the ''yōkai'' Nurarihyon, will lead all of the ''yōkai'' through the streets of Japan during summer nights." Anyone who comes across the procession would perish or be spirited away by the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muzan-e
''Muzan-e'' (), also known as "Bloody Prints", refers to Japanese woodcut prints of violent nature published in the late Edo and Meiji periods. One of the earliest and most well-known examples is the collection by the artists Yoshitoshi and Yoshiiku from the 1860s, which depicted several gruesome acts of murder or torture based on historical events or scenes in Kabuki plays. Reception Although most of the works are solely violent by nature, it is perhaps the first known example of ero guro or the erotic grotesque in Japanese culture, an art subgenre which depicts either erotic or extreme images of violence and mutilation. The Muzan-e has influenced many modern day art formats and ero guro can be found in manga with the works of Suehiro Maruo, Shintaro Kago or Toshio Maeda; in many live action films such as the pink film movement and most of the works of director Takashi Miike and even non-Japanese artists such as Trevor Brown. Muzan translates from Japanese as cruelty or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century Japanese Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1904 Deaths
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1833 Births
Events January–March * January 3 – Reassertion of British sovereignty over the Falkland Islands in the South Atlantic. * February 6 – His Royal Highness Prince Otto Friedrich Ludwig of Bavaria assumes the title His Majesty Othon the First, by the Grace of God, King of Greece, Prince of Bavaria. * February 16 – The United States Supreme Court hands down its landmark decision of Barron v. Mayor and City Council of Baltimore. * March 4 – Andrew Jackson is sworn in for his second term as President of the United States. April–June * April 1 – General Antonio López de Santa Anna is elected President of Mexico by the legislatures of 16 of the 18 Mexican states. During his frequent absences from office to fight on the battlefield, Santa Anna turns the duties of government over to his vice president, Valentín Gómez Farías. * April 18 – Over 300 delegates from England, Scotland, Wales and Ireland travel to the office of the Prime Minister, the Earl Grey, to cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Douglas Lane
Richard Douglas Lane (1926–2002) was an American scholar, author, collector, and dealer of Japanese art. He lived in Japan for much of his life, and had a long association with the Honolulu Museum of Art in Hawaii, which now holds his vast art collection. Life Lane was born in Kissimmee, Florida. After graduating from high school in 1944, during World War II, he enlisted in the United States Marine Corps. In the Marines he trained as a Japanese translator, and served in Japan during the war. He later received a bachelor's degree from the University of Hawaii in Japanese and Chinese literature, and continued his studies at Columbia University, where he earned a master's degree and a PhD in 18th-century Japanese literature. In 1957, Lane moved to Japan, where he lived for the rest of his life. Lane was never on a university faculty, but supported himself as an author, dealer and consultant. He was a visiting research associate at the Honolulu Museum of Art from 1957 to 1971, durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signatures Of Utagawa Yoshiiku Reading From Left To Right- Chôkarô Yoshiiku Ga, Ikkeisai Yoshiiku Ga, And Ikkunsai Yoshiiku Ga
A signature (; from la, signare, "to sign") is a handwritten (and often stylized) depiction of someone's name, nickname, or even a simple "X" or other mark that a person writes on documents as a proof of identity and intent. The writer of a signature is a signatory or signer. Similar to a handwritten signature, a signature work describes the work as readily identifying its creator. A signature may be confused with an autograph, which is chiefly an artistic signature. This can lead to confusion when people have both an autograph and signature and as such some people in the public eye keep their signatures private whilst fully publishing their autograph. Function and types The traditional function of a signature is to permanently affix to a document a person's uniquely personal, undeniable self-identification as physical evidence of that person's personal witness and certification of the content of all, or a specified part, of the document. For example, the role of a signat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
