Yedikuleli Seyyid 'Abdullah Efendi
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Yedikuleli Seyyid 'Abdullah Efendi
Yedikuleli Seyyid Abdullah Efendi ( ota, يدى قللى سيد عبد الله Modern Turkish: ''Yedikuleli Seyyid Abdullah Efendi'') (1670-1731) was an Ottoman master calligrapher. Life and career Born Hâşimîzâde Abdullah Efendi in 1670 in Istanbul, his father was Sayyid Hassan al-Hashimite, the imam of Imrahor Mosque. He was born into a family of calligraphers and grew up in the 'Yedikuleli' district from which he derived the nickname. He was descended from the prophet, Mohammed through both his paternal and maternal line, which allowed him to use the title of Seyyid. He studied calligraphy with the great master, Hâfiz Osman. He became a court calligrapher and was a favourite of Sultan Ahmed III. He was appointed as the instructor of calligraphy at the Topkapi Palace in 1708, where he taught Egrikapili Mehmed Rasim Efendi. He wrote many copies of the Qur'an.Safwat, N.F., ''Understanding Calligraphy: The Ottoman Contribution'', Part One, London, 2014, p.322 At one poi ...
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Copied By Yedikuleli Seyyid Abdullah Efendi - Kıt’a (single Piece) - Google Art Project
Copying is the duplication of information or an artifact based on an instance of that information or artifact, and not using the process that originally generated it. With analog forms of information, copying is only possible to a limited degree of accuracy, which depends on the quality of the equipment used and the skill of the operator. There is some inevitable generation loss, deterioration and accumulation of "noise" (random small changes) from original to copy when copies are made. This deterioration accumulates with each generation. With digital forms of information, copying is perfect. Copy and paste is frequently used by a computer user when they select and copy an area of text or content. Español México Most high-accuracy copying techniques use the principle that there will be only one type of possible interpretation for each reading of data and only one possible way to write an interpretation of data or data classes. In art In visual art, copying the works of the mast ...
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Turkish Language
Turkish ( , ), also referred to as Turkish of Turkey (''Türkiye Türkçesi''), is the most widely spoken of the Turkic languages, with around 80 to 90 million speakers. It is the national language of Turkey and Northern Cyprus. Significant smaller groups of Turkish speakers also exist in Iraq, Syria, Germany, Austria, Bulgaria, North Macedonia, Greece, the Caucasus, and other parts of Europe and Central Asia. Cyprus has requested the European Union to add Turkish as an official language, even though Turkey is not a member state. Turkish is the 13th most spoken language in the world. To the west, the influence of Ottoman Turkish—the variety of the Turkish language that was used as the administrative and literary language of the Ottoman Empire—spread as the Ottoman Empire expanded. In 1928, as one of Atatürk's Reforms in the early years of the Republic of Turkey, the Ottoman Turkish alphabet was replaced with a Latin alphabet. The distinctive characteristics of the Turk ...
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Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) // CITED: p. 36 (PDF p. 38/338) also known as the Turkish Empire, was an empire that controlled much of Southeast Europe, Western Asia, and Northern Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Turkoman tribal leader Osman I. After 1354, the Ottomans crossed into Europe and, with the conquest of the Balkans, the Ottoman beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the conquest of Constantinople in 1453 by Mehmed the Conqueror. Under the reign of Suleiman the Magnificent, the Ottoman Empire marked the peak of its power and prosperity, as well a ...
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Calligraphy
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death cert ...
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Hâfiz Osman
Hâfiz Osman ( ota, حافظ عثمان Modern Turkish: ''Hâfız Osman'') (1642–1698) was an Ottoman calligrapher noted for improving the script and for developing a layout template for the hilye which became the classical approach to page design. History Born Osman Den Ali, in Istanbul, he was of Dervish origin and worked under the name of Hâfiz Osman. His father was a muezzin at the Khassèki mosque, a position which afforded he and his family great protection. He became an accomplished calligrapher and was a tutor to the sultans Ahmed II, Mustafa II and Ahmed III, and was held in high esteem by the sultan Mustafa II, who, according to legend often watched him work and held his inkwell as he wrote. He received his formal training with Suyolcuzade Mustafa Eyyubi and Derviş Ali. He studied ''nashk'' and ''sulus'' with Derviş Ali, and was certified by Suyolcuzade Mustafa Eyyubi. Osman also admired the work of the 15th-century calligrapher, Seyh Hamdullah, and spent many ...
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Ahmed III
Ahmed III ( ota, احمد ثالث, ''Aḥmed-i sālis'') was Sultan of the Ottoman Empire and a son of Sultan Mehmed IV (r. 1648–1687). His mother was Gülnuş Sultan, originally named Evmania Voria, who was an ethnic Greek. He was born at Hacıoğlu Pazarcık, in Dobruja. He succeeded to the throne in 1703 on the abdication of his brother Mustafa II (1695–1703). Nevşehirli Damat İbrahim Pasha and the Sultan's daughter, Fatma Sultan (wife of the former) directed the government from 1718 to 1730, a period referred to as the ''Tulip Era''. The first days of Ahmed III's reign passed with efforts to appease the janissaries who were completely disciplined. However, he was not effective against the janissaries who made him sultan. Çorlulu Ali Pasha, who Ahmed brought to the Grand Vizier, tried to help him in administrative matters, made new arrangements for the treasury and Sultan. He supported Ahmed in his fight with his rivals. Early life and education Sultan Ahmed was ...
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Topkapı Palace
The Topkapı Palace ( tr, Topkapı Sarayı; ota, طوپقپو سرايى, ṭopḳapu sarāyı, lit=cannon gate palace), or the Seraglio A seraglio, serail, seray or saray (from fa, سرای, sarāy, palace, via Turkish and Italian) is a castle, palace or government building which was considered to have particular administrative importance in various parts of the former Ott ..., is a large museum in the east of the Fatih List of districts of Istanbul, district of Istanbul in Turkey. From the 1460s to the completion of Dolmabahçe Palace in 1856, it served as the administrative center of the Ottoman Empire, and was the main residence of its sultans until the 17th century. Construction, ordered by the Sultan Mehmed the Conqueror, began in 1459, six years after the Fall of Constantinople, conquest of Constantinople. Topkapı was originally called the "New Palace" (''Yeni Saray'' or ''Saray-ı Cedîd-i Âmire'') to distinguish it from the Eski Saray, Old Palace (''Eski Sar ...
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Egrikapili Mehmed Rasim Efendi
Egrikapili Mehmed Rasim Efendi (b. 1687-d. May 13, 1756) (Modern Turkish: ''Eğrikapılı Mehmed Râsim Efendi'') was an Ottoman calligrapher and poet. Life and work Born in the Eğrikapı district of Istanbul, he became known as ''Eğrikapılı'' after the place of his birth. His father, Yusuf Efendi (d.1729), was the imam of the Molla Aşkî Masjid and an accomplished calligrapher. As a child, Eğrikapılı studied with his father, and later became a pupil of the court calligrapher, Yedikuleli Seyyid 'Abdullah Efendi. He received his ijazah (certificate) in 1705. Mehmed Rasim gained a reputation for his work and became a major court calligrapher in the Tulip period during the reign of Sultan Ahmed III. He was appointed calligraphy teacher at the Galata palace in 1714 and later at the Topkapi Palace in 1737. He is noted for copying over 60 manuscripts of the Kuran as well as executing many inscriptions, including on the fountain of Saliha Sultan at Azap Kapi in Constantin ...
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Qur'an
The Quran (, ; Standard Arabic: , Quranic Arabic: , , 'the recitation'), also romanized Qur'an or Koran, is the central religious text of Islam, believed by Muslims to be a revelation from God. It is organized in 114 chapters (pl.: , sing.: ), which consist of verses (pl.: , sing.: , cons.: ). In addition to its religious significance, it is widely regarded as the finest work in Arabic literature, and has significantly influenced the Arabic language. Muslims believe that the Quran was orally revealed by God to the final prophet, Muhammad, through the archangel Gabriel incrementally over a period of some 23 years, beginning in the month of Ramadan, when Muhammad was 40; and concluding in 632, the year of his death. Muslims regard the Quran as Muhammad's most important miracle; a proof of his prophethood; and the culmination of a series of divine messages starting with those revealed to Adam, including the Torah, the Psalms and the Gospel. The word ''Quran'' occurs so ...
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Culture Of The Ottoman Empire
Ottomans culture evolved over several centuries as the ruling administration of the Turks absorbed, adapted and modified the various native cultures of conquered lands and their peoples. There was influence from the customs and languages of Islamic societies, while Persian culture had a significant contribution through the Seljuq Turks, the Ottomans' predecessors. Despite newer added amalgamations, the Ottoman dynasty, like their predecessors in the Sultanate of Rum and the Seljuk Empire were influenced by Persian culture, language, habits and customs. Throughout its history, the Ottoman Empire had substantial subject populations of Orthodox subjects, Armenians, Jews and Assyrians, who were allowed a certain amount of autonomy under the ''millet'' system of Ottoman government, and whose distinctive cultures were adopted and adapted by the Ottoman state. As the Ottoman Empire expanded it assimilated the culture of numerous regions under its rule and beyond, being particularly i ...
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Islamic Calligraphy
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy.Chapman, Caroline (2012). ''Encyclopedia of Islamic Art and Architecture'', It is known in Arabic as ''khatt Arabi'' (), which translates into Arabic line, design, or construction. The development of Islamic calligraphy is strongly tied to the Qur'an; chapters and excerpts from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden by the Qur'an, pictures have traditionally been limited in Islamic books in order to avoid idolatry. Although some scholars dispute this, Kufic script was supposedly developed around the end of the 7th century in Kufa, Iraq, from which it takes its name. The style later developed into several varieties, including floral, fo ...
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List Of Ottoman Calligraphers
The following is an incomplete List of Ottoman Calligraphers: 15th–16th century *Hâfiz Osman *Seyyid Kasim Gubari * Ahmed Karahisari *Sheikh Hamdullah * Kahdi Mahmud Efendi (d. 1575) * Ahmed Pasa (d. 1611) son of Kahdi Mahmud Efendi * Mustafa Ali (d. 1600) * Yûsuf Efendi (d. 1611) * Abdullah Amâsi- 16th-century calligrapher * Ahmed Şemseddin Karahisarî (d. 963/1556) * Gâbârî Adurrahman (d. 974/1566) * Rizâî Mahmud Baba Efendi (d. 987/1579) * Mustafa Dede – son of Sheikh Hamdullah (d. 945/1538) * Tâcîzâde Ca'fer Çelebi (1452–1515) poet, calligrapher and scholar * Ibrahim Vahdi (d. 1714) 17th–18th century *Ibrahim Afif (d. 1767) *Egrikapili Mehmed Rasim Efendi * İsmail Zühdi Efendi * Mehmed Esad Yesari * Mehmed Rasim (1687–1755) * Mustafa Kutahi (d. after 1785) * Musa al-'Abidi *Yesarizade Mustafa Izzet Efendi * Derviş Ali * Veliyyuddin Efendi * Mehmed Refi Efendi (d. 1769) * Abdul Rahman Hilmi (d. 1805) *Yedikuleli Seyyid 'Abdullah Efendi (d. 1731) ...
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