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Yatsuko Tan'ami
Yatsuko Kaneko Tanami (Japanese: 丹阿弥 谷津子, born 25 June 1924) is a Japanese actress, known for her performance during the Golden Age of Japanese film. Early years Her real name is Yatsuko Kaneko. Her father, Tanami Iwakichi (1901-1992), was a painter from Tokyo who studied under Taikan Yokoyama. Her mother, Tomie, was a paulownia doll artist from Hikami-cho, Hyogo Prefecture (currently Tamba City). Her younger sister Tanami Niwako (1927-) became a copperplate engraver after entering Bunka Gakuin. Her family lived in Atelier Village in Nagasaki, Toshima Ward. Education In 1937, she graduated from Tokyo Higher Normal School Attached Elementary School and from Tokyo Prefectural 10th High School for Girls. In 1942, she graduated from Bunka Gakuin Faculty of Literature. In 1942 she became a research student at the Bungakuza. In the same year she made her debut in "''Matsugoro Tomishima''".Nichigai Associates Information on Modern People. In 1945, she gained atten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokyo
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, with an estimated 37.468 million residents ; the city proper has a population of 13.99 million people. Located at the head of Tokyo Bay, the prefecture forms part of the Kantō region on the central coast of Honshu, Japan's largest island. Tokyo serves as Japan's economic center and is the seat of both the Japanese government and the Emperor of Japan. Originally a fishing village named Edo, the city became politically prominent in 1603, when it became the seat of the Tokugawa shogunate. By the mid-18th century, Edo was one of the most populous cities in the world with a population of over one million people. Following the Meiji Restoration of 1868, the imperial capital in Kyoto was moved to Edo, which was renamed "Tokyo" (). Tokyo was devastate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts Festival
An arts festival is a festival that can encompass a wide range of art forms including music, dance, film, fine art, literature, poetry and isn't solely focused on visual arts. Arts festivals may feature a mixed program that include music, literature, comedy, children's entertainment, science, or street theatre, and are typically presented in venues over a period of time ranging from as short as a day or a weekend to a month. Each event within the program is usually separate. Arts festivals are largely curated by an artistic director who handles the organizations' artistic direction and can encompass different genres, including fringe festivals, fringe theater festivals that are open access, making arts festivals distinctive from greenfield festivals, which typically are weekend camping festivals such as Glastonbury Festival, Glastonbury, and Visual Arts Festivals, which concentrate on the visual arts. Another type of arts festivals are music festivals, which are outdoor music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikio Naruse
was a Japanese filmmaker who directed 89 films spanning the period 1930 to 1967. Naruse is known for imbuing his films with a bleak and pessimistic outlook. He made primarily shomin-geki ("common people drama") films with female protagonists, portrayed by actresses such as Hideko Takamine, Kinuyo Tanaka, and Setsuko Hara. Because of his focus on family drama and the intersection of traditional and modern Japanese culture, his films have been compared with the works of Yasujirō Ozu. Many of his films in his later career were adaptations of the works of acknowledged Japanese writers. Titled a "major figure of Japan's golden age" and "supremely intelligent dramatist", he remains lesser known than his contemporaries Akira Kurosawa, Kenji Mizoguchi, and Ozu. Among his most noted films are ''Sound of the Mountain'', ''Late Chrysanthemums'', ''Floating Clouds'' and ''When A Woman Ascends The Stairs''. Biography Early years Mikio Naruse was born in Tokyo in 1905 and raised by his brot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wife (film)
''Wife'' ( ja, 妻, Tsuma) is a 1953 Japanese drama film directed by Mikio Naruse. It is based on Fumiko Hayashi's novel ''Chairo no me'' (1950). Cast *Ken Uehara as Toichi *Mieko Takamine as Mihoko *Yatsuko Tan'ami as Fusako * Sanae Takasugi as Setsuko *Rentarō Mikuni as Tadashi *Michiyo Aratama as Yoshimi *Chieko Nakakita as Eiko Production ''Wife'' was part of a series of six films by Naruse based on works by writer Hayashi, made between 1951 and 1962. Like '' Repast'', the theme of ''Wife'' involved a couple trapped with each other and, like in ''Lightning Lightning is a naturally occurring electrostatic discharge during which two electrically charged regions, both in the atmosphere or with one on the ground, temporarily neutralize themselves, causing the instantaneous release of an avera ...'', an unhappy family. References External links * * 1953 films 1953 drama films 1950s Japanese-language films Japanese black-and-white films Films directed by M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kozo Saeki
was a Japanese film director. Filmography The filmography of Kōzō Saeki include 110 films as film director and other works: * (猛獣使いの少女 ''Mōjū Tsukai no Shōjo'') (1952) * ''The Badger Palace , a.k.a. ''The Princess of Badger Palace'', is a 1958 color ( Eastmancolor) Japanese Musical film directed by Kōzō Saeki. Production designer was Kazuo Okawa, sound recordist was Kanji Nakano and lighting technician was Kazuo Shimomura. ...'' (大当り狸御殿 Ōatari Tanuki Goten) aka ''The Princess of Badger Palace'' (1958) * '' Hot Spring Ghost'' (1964) * ''Izukoe'' (1966) Notes References * External links * 1912 births 1972 deaths Japanese film directors {{Japan-film-director-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadashi Imai
was a Japanese film director known for Social realism, social realist filmmaking informed by a Left-wing politics, left-wing perspective. His most noted films include ''An Inlet of Muddy Water'' (1953) and ''Bushido, Samurai Saga'' (1963). Life Although leaning towards left-wing politics already at Tokyo University, where he joined a Communism, Communist student group, Imai's directing career, after serving as Script supervisor, continuity writer at J.O. studios (later Toho), started in 1939 with a series of films promoting the war efforts of the Japanese militarism, militarist regime. Later calling these films "the biggest mistake of my life", he soon turned to socially conscious themes after the Pacific War, war. ''Aoi sanmyaku (1949 film), Aoi sanmyaku'' (1949), although a light comedy, observed the educational system, and was successful both with moviegoers and critics. While his 1950 drama ''Until We Meet Again (1950 film), Until We Meet Again'' portrayed a young couple's doo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Inlet Of Muddy Water
''An Inlet of Muddy Water'' ( ja, にごりえ, Nigorie) is a 1953 Japanese drama film based on short stories by Ichiyō Higuchi and directed by Tadashi Imai. It was entered into the 1954 Cannes Film Festival and awarded numerous national film prizes. Plot In three episodes, the film portrays the fate of women during the Meiji era: 1. ''The Thirteenth Night:'' Young wife Seki turns up at her parents' house, announcing that she wants to divorce her abusive husband. Her father talks her into returning to her marital home, as her parents' welfare and the career of her brother depend on the marriage, also reminding her that she will have to leave her young son behind. On her way back home in a rickshaw, she discovers that the driver is Rokunosuke, a childhood friend who never got over their separation. They reminisce their once mutual affection, but part ways without an outlook to meeting again. 2. ''On The Last Day Of The Year:'' Mine works as a maid in the strict household of Mr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umetsugu Inoue
was a Japanese people, Japanese film director and screenwriter, scriptwriter. He directed 115 movies, wrote 101 screenplays, and is credited with the original story for five films. In addition, he worked with all six major Japanese film production companies. His film work extended to Hong Kong, and he did the technical guidance for movies there from 1966 to 1970. Filmography Filmography of Umetsugu Inoue include: Director * ''Jazz on Parade 1954 nen: Tokyo Cinderella Musume'' (1954) * ''Mittsu no Kao'' (1955) a.k.a. ''Three Faces'' * ''Midori haruka ni'' (1955) a.k.a. ''The Green Music Box'' * ''Hi no Tori'' (1956) * ''Nikoyon Monogatari'' (1956) * ''Shi no Jūjiro'' (1956) * ''Man Who Causes a Storm'' (1957) * ''Shorisha'' (1957) * ''Washi to Taka'' (1957) * ''Arashi o Yobu yūjō'' (1959) a.k.a. ''A Friendship That Causes a Storm'' * ''Ashita wa Ashita no Kaze ga Fuku'' (1958) * ''Subarashiki dansei'' (1958) * ''Yoru no kiba'' (1958) * ''Arashi o Yobu Gakudan'' (1960) * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shūe Matsubayashi
(born July 7, 1920 - August 15, 2009, Shimane Prefecture, Japan) was a Japanese film director. He is best known for films in the comedy and war genres. He was also an ordained Shin Buddhist priest. His final work as director was in the 1992 film ''Shorishatachi''. Filmography He directed over 69 movies: * 東京のえくぼ ('' Tokyo no ekubo'', 1952) * ハワイの夜 ('' Hawai no yoru'', 1953) * 戦艦大和 (1953) * 人間魚雷回天 ('' Ningen gyorai kaiten'', 1955) * 兄とその妹 (''Ani to sono musume'', aka ''Brother and Sister'', 1956) * 続青い山脈 雪子の巻 ('' Zoku Aoi sanmyaku Yukiko no maki'', 1957) * 美貌の都 (1957) * ひかげの娘 (''Hikage no musume is a Japanese shōjo manga series by Ema Tōyama. The series was serialized in the shōjo manga magazine, ''Nakayoshi''. The series ended with 5 volumes released by Kodansha under the imprint, ''Kodansha Comics''. It was announced in th ...'', 1957) * 社長三代記 ('' Shachō sandai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akira Kurosawa
was a Japanese filmmaker and painter who directed thirty films in a career spanning over five decades. He is widely regarded as one of the most important and influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production. Kurosawa entered the Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during World War II with the popular action film '' Sanshiro Sugata''. After the war, the critically acclaimed ''Drunken Angel'' (1948), in which Kurosawa cast the then little-known actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another fifteen films. ''Rashomon'' (1950), which premiered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikiru
is a 1952 Japanese drama film directed and co-written (with Shinobu Hashimoto and Hideo Oguni) by Akira Kurosawa. The film examines the struggles of a terminally ill Tokyo bureaucrat (played by Takashi Shimura) and his final quest for meaning. The screenplay was partly inspired by Leo Tolstoy's 1886 novella ''The Death of Ivan Ilyich''. The major themes of the film include learning how to live, the inefficiency of bureaucracy, and decaying family life in Japan, which have been the subject of analysis by academics and critics. ''Ikiru'' has received widespread critical acclaim, and won awards for Best Film at the Kinema Junpo and Mainichi Film Awards. It was remade as a television film in 2007. Plot Kanji Watanabe has worked in the same monotonous bureaucratic position for thirty years and is near his retirement. His wife is dead and his son and daughter-in-law, who live with him, seem to care mainly about Watanabe's pension and their future inheritance. At work, he's a party to c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hideo Sekigawa
was a Japanese film director known mainly for films with a Left-wing politics, left-wing agenda made in the late 1940s and early 1950s. His most noted works are the anti-war films ''Listen to the Voices of the Sea'' (1950) and ''Hiroshima (1953 film), Hiroshima'' (1953). Life Hideo Sekigawa joined the Documentary film, documentary branch of P.C.L. film studios (later Toho) in the 1930s where he worked on Japanese militarism, militarist propaganda films despite his Communism, Communist leanings. After the World War II, Second World War, Sekigawa debuted as co-director of the pro-Trade union, unionist ''Those Who Make Tomorrow'' (1946) which was intended to illustrate the purpose of the workers' union at the Toho film studios. Having difficulties finding work due to his political leanings, he directed the anti-war film ''Listen to the Voices of the Sea'' for Mitsuo Makino's Toyoko Eiga company (later Toei Company). For the Japan Teachers Union, which had been unhappy with Kaneto Shi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
