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YU RetROCKspektiva
''YU retROCKspektiva'' (trans. ''YU retROCKspektive'') is a compilation album series released by Serbian record label Komuna in 1994. The discs, compiled by Serbian music critics Bogoljub Mijatović and Peca Popović, feature songs by artists from the former Yugoslav rock scene. ''Sve smo mogli mi: Akustičarska muzika'' The disc ''Sve smo mogli mi: Akustičarska muzika'' (trans. ''We Could Have Done All: Acoustic Music'') featured songs by artists from the former Yugoslav acoustic rock scene. Track listing # S Vremena Na Vreme - "Sunčana strana ulice" - 2:44 # Suncokret - "Prvi sneg" - 4:15 # Srđan Marjanović - "Kad bih smeo, kad bi htela" - 3:33 # Andrej Šifrer - "Od šanka do šanka" - 2:50 # Miladin Šobić - "Kad bi došla Marija" - 3:18 # Ivica Percl - "Stari Pjer" - 3:44 # Jadranka Stojaković - "Sve smo mogli mi" - 2:36 # Vlada i Bajka - "Oblak" - 3:30 # Buco i Srđan - "Povratak" - 2:10 # Rani Mraz - "Neki novi klinci" - 4:18 # DAG - "Daj mi ruku" - 4:05 # Maja d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buco I Srđan
Bijo (also, Bijoy, Bidzhov) is a village and municipality in the Aghsu district (Agsu Rayon) of the Republic of Azerbaijan. It has a population of 1,860 as of 2012 Etymology Some sources indicates the name of village as "Bijoy" or "Bija". During the Tsar Russian and most part of the Soviet empires periods it has been mainly called as "Bijov" or "Bidzov". Though it would not be realistic to strict upon one of the versions about the etymology of "Bojo", the two of them are grounded on more reliable sources as well as reasonable explanation methods: #It comes from the name of "pechoys" or a pecheneg tribes that is related to Oghuz Turks The Oghuz or Ghuzz Turks (Middle Turkic languages, Middle Turkic: ٱغُز, ''Oγuz'', ota, اوغوز, Oġuz) were a western Turkic people that spoke the Oghuz languages, Oghuz branch of the Turkic languages, Turkic language family. In th .... #It is from the same origin which is used in the name of the country - Azerbaijan. In Middle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parni Valjak
Parni Valjak (; "steamroller") is a Croatian and former Yugoslav rock band. They were one of the top acts of the former Yugoslav rock scene, and one of the top rock bands in Croatia. Biography Parni Valjak was founded in 1975 in Zagreb. Unlike many rock bands that would come later, their style was becoming more mainstream, becoming closer to pop, especially compared with the bands like Prljavo kazalište or Film. As years went by, their refusal to change their style proved to be an important factor in the band's longevity. Parni Valjak kept a loyal following in 1980s and in 1990s, refusing to allow elements of folk and turbo folk music to become part of their repertoire. Because of that the band enjoys great respect among many Croatian rock critics, being seen as the embodiment of "true" rock and urban culture and many of their songs are considered evergreen in the former Yugoslavia like "Sve još miriše na nju", "Jesen u meni", "Ugasi me" and "Zastave". Parni Valjak kept a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijelo Dugme
Bijelo Dugme (trans. ''White Button'') was a Socialist Federal Republic of Yugoslavia, Yugoslav rock music, rock band, formed in Sarajevo, Socialist Republic of Bosnia and Herzegovina, SR Bosnia and Herzegovina in 1974. Bijelo Dugme is widely considered to have been the most popular band ever to exist in the former Socialist Federal Republic of Yugoslavia and one of the most important acts of the Yugoslav rock scene. Bijelo Dugme was officially formed in 1974, although the members of the default lineup, guitarist Goran Bregović, vocalist Željko Bebek, drummer Ipe Ivandić, keyboardist Vlado Pravdić and bass guitarist Zoran Redžić, were previously active under the name Jutro (Sarajevo band), Jutro. The band's debut album ''Kad bi bio bijelo dugme'', released in 1974, brought them nationwide popularity with its The Balkans, Balkan Folk music, folk-influenced hard rock sound. The band's future several releases, featuring similar sound, maintained their huge popularity, describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time (rock Band)
Time was a rock band from SFR Yugoslavia, Yugoslavia that was formed in 1971 by Dado Topić (singing, vocals) after leaving his previous band Korni Grupa. The original lineup consisted of, in addition to Topić, Tihomir Pop Asanović, Tihomir "Pop" Asanović (organ (music), organ), Vedran Božić (guitar), Mario Mavrin (bass guitar, bass), Ratko Divjak (Drum kit, drums) and Brane Lambert Živković (piano and flute). Time frequently changed lineup and after three albums and many tours disbanded in late 1977 and Dado Topić started his solo career. In 1998 and 2001, Time reunited to play a limited number of live concerts. Now they still play together as a rock trio. Time played a style of progressive rock with some jazz influences, perhaps similar to musical notions expressed by King Crimson, Genesis (band), Genesis or Steely Dan. The first album has a prominent Hammond organ, piano and flute. "''Time II''" has a harder sound and includes several ballads. The third album may be consi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets (two lines) of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or roc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard Rock
Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, The Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Queen, AC/DC, Aerosmith, Kiss, and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San (band)
San ( sr-cyr, Сан, trans. ''The Dream'') was a Yugoslav rock band formed in Belgrade in 1971. San was formed by the composer Aleksandar "Sanja" Ilić. It disbanded in 1975, after the band's vocalist Predrag Jovičić died in concert from an electric shock. Band history The band was formed in 1971 by keyboardist and composer Aleksandar "Sanja" Ilić, who gathered former members of the beat bands Smeli, Samonikli, Bele Višnje and Vragolani. The band consisted of Ilić (keyboards), Predrag Jovičić (vocals), Aleksandar Slaviković (guitar), Dragoslav Jovanović (bass guitar) and Aleksandar Grujić (drums). In 1971, the band released their first 7-inch single, featuring the songs "Tebe sam želeo" ("I Wanted You") and "Helena", through PGP-RTB. Two years later, the band released the single with the songs "Papirni brodovi" ("Paper Ships") and "Hej, malena" ("Hey, Little Girl"). In 1974, the band released three 7-inch singles: the first one featuring the songs "Legenda" ("Legend" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutajuća Srca
Lutajuća Srca (Serbian Cyrillic: Лутајућа Срца, trans. ''Wandering Hearts'') was a Serbian and Yugoslav rock band formed in Niš in 1970. They were one of the most notable representatives of the Yugoslav 1970s acoustic rock scene. During the initial years a number of musicians passed through the band, with vocalist Spomenka Đokić, known for her trademark soprano, and guitarists Milan Marković and Miroljub Jovanović remaining the core members of the band, Lutajuća Srca eventually becoming a musical trio. During the 1970s the band won numerous awards on Yugoslav pop festivals. The band disbanded in the mid-1980s and had reunited for the recording of one studio album and several one-off performances during the following decades. History 1970 – mid-1980s The band's history begins in 1970, when Milan Marković, a student of the Niš Faculty of Arts, and Miorljub Jovanović, a student of the Niš Faculty of Occupational Safety, spent summer in Šušanj as scouts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
