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Yūnosuke Itō
was a Japanese film actor. He appeared in more than ninety films from 1947 to 1979. Career Itō made his film debut at Toho in 1946, and although mostly a prominent supporting actor—playing memorable figures such as the novelist in Akira Kurosawa's ''Ikiru''—he also was cast in leading roles such as Kon Ichikawa's '' Mr. Pu''. He is acclaimed as "one of the...extremely talented character actors who populated Japanese movies in Shōwa_era.html"_;"title="he_Shōwa_era">Shōwaera,_playing_a_broad_range_of_roles." Itō_received_the_1962_Blue_Ribbon_Awards_for_Best_Supporting_Actor.html" "title="Shōwa_era">Shōwa.html" ;"title="Shōwa_era.html" ;"title="he Shōwa era">Shōwa">Shōwa_era.html" ;"title="he Shōwa era">Shōwaera, playing a broad range of roles." Itō received the 1962 Blue Ribbon Awards for Best Supporting Actor">Blue Ribbon Award for Best Supporting Actor for his dual role in the seminal ninja film ''Shinobi no Mono''. Film scholar Stuart Galbraith IV has not ...
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Masaki Kobayashi
was a Japanese film director and screenwriter, best known for the epic (genre), epic trilogy ''The Human Condition (film series), The Human Condition'' (1959–1961), the samurai films ''Harakiri (1962 film), Harakiri'' (1962) and ''Samurai Rebellion'' (1967), and the horror anthology ''Kwaidan (film), Kwaidan'' (1964). ''Senses of Cinema'' described him as "one of the finest depicters of Japanese society in the 1950s and 1960s." Biography Early life Kobayashi was born in Otaru, then a small port on the island of Hokkaido, the son of a company employee. He was a second cousin of the actress and director Kinuyo Tanaka. In 1933 he entered Waseda University in Tokyo where he studied East Asian art and philosophy. He embarked on a career in film in 1941 as an apprentice director at Shochiku Studios, but was drafted into the Imperial Japanese Army in January 1942 and sent to Manchuria. Kobayashi regarded himself as a pacifist and a socialist, and resisted by refusing promotion to a ...
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Manga
Manga (Japanese: 漫画 ) are comics or graphic novels originating from Japan. Most manga conform to a style developed in Japan in the late 19th century, and the form has a long prehistory in earlier Japanese art. The term ''manga'' is used in Japan to refer to both comics and cartooning. Outside of Japan, the word is typically used to refer to comics originally published in the country. In Japan, people of all ages and walks of life read manga. The medium includes works in a broad range of genres: action, adventure, business and commerce, comedy, detective, drama, historical, horror, mystery, romance, science fiction and fantasy, erotica ('' hentai'' and ''ecchi''), sports and games, and suspense, among others. Many manga are translated into other languages. Since the 1950s, manga has become an increasingly major part of the Japanese publishing industry. By 1995, the manga market in Japan was valued at (), with annual sales of 1.9billion manga books and manga magazi ...
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The Graceful Brute
is a 1962 Japanese satire, satirical comedy film directed by Yuzo Kawashima, Yūzō Kawashima and written by Kaneto Shindō. Plot The family of ex-naval officer Tokizo Maeda lives in a small urban concrete block apartment, always quick at hiding their belongings when the situation asks for a humble appearance. While daughter Tomoko, mistress (at her father's instruction) of a famous bestselling writer, won't stop borrowing money from her patron for the family, son Minoru, signed to a music talent agency, constantly embezzles the company's assets. Father and son both have their very own plans for the money: Tokizo invests in one military project after another, Minoru, to his father's consternation, spends it on his lover Yukie, none other than his agency's bookkeeper. When Yukie quits her job, using the occasion to end the liaison with Minoru, it turns out that she also had affairs with the company boss and the tax officer in charge, using the donations she received to finance her o ...
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Sanjuro
is a 1962 black-and-white Japanese ''jidaigeki'' film directed by Akira Kurosawa and starring Toshiro Mifune. It is a sequel to Kurosawa's 1961 ''Yojimbo''. Originally an adaptation of the Shūgorō Yamamoto novel ''Hibi Heian'', the script was altered following the success of the previous year's ''Yojimbo'' to incorporate the lead character of that film. Plot Nine young samurai believe that the lord chamberlain, Mutsuta, is corrupt after he tore up their petition against fraud at court. One of them tells the superintendent Kikui of this and he agrees to intervene. As the nine meet secretly to discuss this at a shrine, a rōnin overhears and cautions them against trusting the superintendent. While at first they do not believe him, he saves them from an ambush. But as their rescuer is about to leave, he realises that Mutsuta and his family must now be in danger and decides to stay and help. By the time the samurai get to Mutsuta's house, the chamberlain has been abducted and h ...
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Keisuke Kinoshita
was a Japanese film director and screenwriter.Ronald Berganbr>"A satirical eye on Japan: Keisuke Kinoshita" ''The Guardian'', 5 January 1999. While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu, he was a household figure in his home country, beloved by both critics and audiences from the 1940s to the 1960s. Among his best known films are '' Carmen Comes Home'' (1951), Japan's first colour feature, '' Tragedy of Japan'' (1953), ''Twenty-Four Eyes'' (1954), '' You Were Like a Wild Chrysanthemum'' (1955), ''Times of Joy and Sorrow'' (1957), '' The Ballad of Narayama'' (1958), and ''The River Fuefuki'' (1960). Biography Early years Keisuke Kinoshita was born Masakichi Kinoshita on 5 December 1912, in Hamamatsu, Shizuoka Prefecture, as the fourth of eight children of merchant Shūkichi Kinoshita and his wife Tama. His family manufactured pickles and owned a grocery store. A film fan already in early years, he vowed to become ...
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The Ballad Of Narayama (1958 Film)
is a 1958 Japanese period film directed by Keisuke Kinoshita and based on the 1956 novella of the same name by Shichirō Fukazawa. The film explores the legendary practice of ''ubasute'', in which elderly people were carried to a mountain and abandoned to die. Cast * Kinuyo Tanaka as Orin * Teiji Takahashi was a Japanese film actor. He appeared in more than twenty films from 1950 to 1959. Takahashi died in a traffic accident. Career Born in Tokyo, Takahashi graduated from the Japanese Film School (Nihon Eiga Gakkō) and joined the Shochiku studi ... as Tatsuhei * Yūko Mochizuki as Tamayan * Danko Ichikawa as Kesakichi * Keiko Ogasawara as Matsu-yan * Seiji Miyaguchi as Matayan * Yūnosuke Itō as Matayan's son * Ken Mitsuda as Teruyan Reception The film featured in competition at the 19th Venice International Film Festival and divided critics between those who thought it a masterpiece and those who thought it poor. The film won three Mainichi Film Awards, including Main ...
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Yasuzo Masumura
was a Japanese film director. Biography Masumura was born in Kōfu, Yamanashi. After dropping out of a law course at the University of Tokyo he worked as an assistant director at the Daiei Film studio, later returning to university to study philosophy; he graduated in 1949. He then won a scholarship allowing him to study film in Italy at the Centro Sperimentale di Cinematografia under Michelangelo Antonioni, Federico Fellini and Luchino Visconti. Masumura returned to Japan in 1953. From 1955, he worked as a second-unit director on films directed by Kenji Mizoguchi, Kon Ichikawa and Daisuke Ito, before directing his own first film, ''Kisses'', in 1957. Over the next three decades, he directed 58 films in a variety of genres. Legacy Japanese film critic Shigehiko Hasumi said, "Young and influential filmmaker Shinji Aoyama was a Japanese film director, screenwriter, composer, film critic, and novelist. He graduated from Rikkyo University. He won two awards at the 2000 Cann ...
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Giants And Toys
is a 1958 Japanese satirical comedy film directed by Yasuzo Masumura and starring Hiroshi Kawaguchi. Plot Candy manufacturer World competes with companies Giant and Apollo over caramel sales. While looking for a poster girl for a new promotional campaign, chief of advertising Goda discovers Kyoko, a working class girl with bad teeth, and makes her World's mascot, dressed up in a space suit and wielding a ray gun. Meanwhile, Goda's assistant Nishi, at the instruction of his boss, has an affair with Apollo's advertising lady Kurahashi to learn about their campaign plans. As Kyoko's popularity rises to unprecedented heights, the young woman is less and less inclined to go along with World's plans for her, working on a career as a singer and dancer. After Kyoko terminates their contract, Goda, cracking up and sick from professional stress to the point of coughing up blood, wants to take over her role. Nishi, worried about his boss's health, stops him and takes over the role of the ...
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Heinosuke Gosho
was a Japanese film director and screenwriter who directed Japan's first sound film, '' The Neighbor's Wife and Mine'', in 1931. His films are mostly associated with the shomin-geki (lit. "common people drama") genre. Among his most noted works are ''Where Chimneys Are Seen'', '' An Inn at Osaka'', ''Takekurabe'' and ''Yellow Crow''. Life Gosho was born on January 24, 1902, in Kanda, Tokyo, to merchant Heisuke Gosho and his father's geisha mistress. At the age of five, after Heisuke's eldest son died, Gosho left his mother to be the successor to his father's wholesale business. He studied business at Keio University, graduating in 1923. Through his father's close relation to film director Yasujirō Shimazu, Gosho was able to join the Shochiku film studios and worked as assistant director to Shimazu. In 1925, Gosho debuted as a director with the film ''Nantō no haru''. His films of the 1920s are nowadays regarded as lost. Gosho's first notable success, and Japan's first feat ...
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Yellow Crow
is a 1957 Japanese drama film directed by Heinosuke Gosho. Plot Kiyoshi Yoshida is a 9 years old boy. The boy loves to draw and he has some talent, but his teacher is worried because he draws only in black and yellow (that's where the title is from), which can mean according to color psychology that the child has no parents or is unhappy in his family. Then we learn that he has both parents but his father - Ichiro - came back from China just the previous year after 8 years in prisoner-of-war camp. Action moves back in time to show us first the happy time when Kiyoshi was living with his mother, and awaiting father's return. And then a harsh reality after that when his father has issues to adapt to society, finding work with his skills being obsolete. He also has issues with accepting his son's hobbies that include love for animals (and father hates rats after the prison) and art, as the father thinks he should focus on more scientific subjects, that can give him better job in the f ...
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Seiji Hisamatsu
(20 February 1912 – 28 December 1990) was a Japanese film director. He directed 101 films between 1934 and 1965. Selected filmography * ''Jūdai no yūwaku'' (1953) * ''Keisatsu nikki'' (1955) * ''Onna no koyomi is a 1954 Japanese film directed by Seiji Hisamatsu based on the short story collection by the Japanese woman writer Sakae Tsuboi. It was entered into the 1955 Cannes Film Festival. Cast * Kinuyo Tanaka as Michi Saeki * Yōko Sugi as Kuniko Hy ...'' (1954) References External links * 1912 births 1990 deaths Japanese film directors People from Ibaraki Prefecture {{Japan-film-director-stub ...
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Keisatsu Nikki
is a 1955 black-and-white Japanese film directed by Seiji Hisamatsu and produced by Nikkatsu. Cast * Masao Mishima as Ishiwarai, the head of Police * Hisaya Morishige as policeman Yoshii * Yukiyo Toake * Rentarō Mikuni as policeman Hakanawa * Miki Odagiri * Yūnosuke Itō * Jō Shishido as policeman Yabuta * Terumi Niki as Yukiko * Haruko Sugimura was a Japanese stage and film actress, best known for her appearances in the films of Yasujirō Ozu and Mikio Naruse from the late 1940s to the early 1960s. Biography Sugimura was born in Nishi-ku, Hiroshima. After the death of her parents, ... as Moyo Sugita References External links * Japanese black-and-white films 1955 films Films directed by Seiji Hisamatsu Nikkatsu films Japanese drama films 1955 drama films 1950s Japanese films {{1950s-Japan-film-stub ...
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