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Yvonne Gouverné
Yvonne Gouverné, ''née'' Yvonne Marcelle Gouverné, (6 February 1890 – 26 October 1982) was a 20th-century French pianist by training, who went on to become an accompanist and choir conductor. Biography Early career Born in the 9th arrondissement of Paris, the daughter of a physician, Yvonne Gouverné moved to a career as a pianist after studying at the Schola Cantorum de Paris. In 1918, following a decisive meeting with André Caplet, she turned to the profession of accompanist and singer. With Caplet, at the Concerts Pasdeloup, they premiered in concert '' Le Martyre de saint Sébastien'' by Claude Debussy in November 1922 and ''Miroir de Jésus'' by Caplet with Claire Croiza as the soloist in June 1923. After André Caplet's death in 1925, she decided to dedicate herself to making her master's works known and continued her career at the Walther Straram concerts between 1925 and 1933. Among so many others, she participated in the premiere of '' Œdipus Rex'' by Igor Str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir Conductor
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Munch (conductor)
Charles Munch (; born Charles Münch, 26 September 1891 – 6 November 1968) was an Alsatian French symphonic conductor and violinist. Noted for his mastery of the French orchestral repertoire, he was best known as music director of the Boston Symphony Orchestra. Life and career Munch was born in 1891 in Strasbourg, Alsace. The son of organist and choir director Ernst Münch, he was the fifth of six children. He was the brother of conductor Fritz Münch and the cousin of conductor and composer Hans Münch. Although his first ambition was to be a locomotive engineer, he studied violin at the Strasbourg Conservatoire. His father, Ernst, was a professor of organ at the Conservatoire and performed at the cathedral; he also directed an orchestra with his son Charles in the second violins. After receiving his diploma in 1912, Charles studied with Carl Flesch in Berlin and Lucien Capet at the Conservatoire de Paris. He was conscripted into the German army in World War I, serving as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Noces
''Les Noces'' (French for The Wedding; russian: Свадебка, ''Svadebka'') is a ballet and orchestral concert work composed by Igor Stravinsky for percussion, pianists, chorus, and vocal soloists. The composer gave it the descriptive title "Choreographed Scenes with Music and Voices" and dedicated it to impresario Sergei Diaghilev. Though initially intended to serve as a ballet score, it is often performed without dance. The ballet premiered under the musical direction of Ernest Ansermet at the Ballets Russes with choreography by Bronislava Nijinska on 13 June 1923, in Paris. Several versions of the score have been performed, either substituting orchestra for the percussion and pianos or using pianolas in accordance with a version of the piece that Stravinsky abandoned without completing. Composition Stravinsky first conceived of writing the ballet in 1913 and completed it in short score by October 1917. He wrote the libretto himself using Russian wedding lyrics taken prima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland-Manuel
Alexis Roland-Manuel (22 March 18911 November 1966) was a French people, French composer and critic, remembered mainly for his criticism. Biography He was born Roland Alexis Manuel Lévy in Paris, to a family of Belgians, Belgian and Jewish origins. He studied composition under Vincent d'Indy and Albert Roussel. As a young man he befriended composer Erik Satie, who helped him to make numerous influential connections. In 1911, Satie introduced Roland-Manuel to Maurice Ravel, whose pupil, friend and biographer he soon became. In 1947, he was appointed Professor of Aesthetics at the Conservatoire de Paris, where he remained until his retirement in 1961, making many contributions to musical theory and criticism, even assisting Igor Stravinsky by ghost-writing the theoretical work "The Poetics of Music". In addition to theoretical works, he wrote and composed various works for stage, especially comic operas, and screen, developing a partnership with director Jean Grémillon, for five ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite '' Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the '' Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as ''Les Six''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florent Schmitt
Florent Schmitt (; 28 September 187017 August 1958) was a French composer. He was part of the group known as Les Apaches. His most famous pieces are ''La tragédie de Salome'' and ''Psaume XLVII'' (Psalm 47). He has been described as "one of the most fascinating of France's lesser-known classical composers". Biography Early life and career Born in Meurthe-et-Moselle, Schmitt took music lessons in Nancy with the local composer Gustave Sandré. At the age of 19 he entered the Paris Conservatoire, where he studied with Gabriel Fauré, Jules Massenet, Théodore Dubois, and Albert Lavignac. In 1900 he won the Prix de Rome. During the 1890s he became friendly with Frederick Delius, who was living in Paris at the time, and Schmitt prepared vocal scores for four of Delius's operas: ''Irmelin'', ''The Magic Fountain'', ''Koanga'' and ''A Village Romeo and Juliet''. From 1929 to 1939 Schmitt worked as a music critic for ''Le Temps'', where he proved controversial. He was known to shout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Bondeville
Emmanuel Bondeville was a French composer and music administrator, born 29 October 1898 in Rouen, and died 26 November 1987 in Paris. He was a member of the Académie des Beaux-Arts. Biography As a young man he was organist at the church of Saint-Nicaise in Rouen and Notre-Dame in Caen. Bondeville lost both his parents when he was 16, and took on various jobs – organist, bank clerk, translator - to get by.Landormy P. ''La Musique Française après Debussy.'' Gallimard, Paris, 1943. He made his beginnings in music around 1923 writing works for piano, symphonic poems, opéras-comiques and opéras. During this time he also travelled around Europe and worked as an assistant in a music shop. He eventually had lessons in harmony and counterpoint from Jean Déré. In 1935 he became musical director of the radio stations Radio Tour Eiffel, Radio Paris, Radiodiffusion française then artistic director of Radio Monte-Carlo. From 1949 to 1951 Bondeville was director of the Opéra-Comique, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Rivier
Alexis Fernand Félix Jean Rivier (21 July 1896 – 6 November 1987) was a French composer of classical music in the neoclassical style. The son of Henri Rivier, a co-inventor of Armenian paper, he composed over two hundred works, including music for orchestra, chamber groups, chorus, piano, and solo instruments. Rivier served as Professor of Composition at the Paris Conservatory from 1948 until his retirement in 1966. During the period 1948–1962, he shared this position with famous composer Darius Milhaud. Three of his notable students at the Paris Conservatory were Gareth Walters, Pedro Ipuche Riva, and Gerd Boder. Quote from Tadlock's dissertation on Rivier ::"Jean Rivier (1896–1987), a twentieth-century French composer of the neo-classical school, is remembered primarily for his flute compositions. However, this prolific composer was extremely active in French musical circles from the period after World War I until his death. He composed over two hundred works, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Barraud (composer)
Henry Barraud (sometimes ''Henri'') (23 April 1900 – 28 December 1997) was a French composer. He was born in Bordeaux. He was a student of Louis Aubert at the Conservatoire de Paris, but in 1927 failed to graduate, apparently because of his refusal to follow orthodox methods. Along with Pierre-Octave Ferroud and Jean Rivier, he helped to form the society Triton for the wider distribution of contemporary music. After the Liberation of Paris in 1944, he was named the Director of Paris Radio, and later, in 1948, of what later became ORTF, a position he held until his retirement in 1965. Works As a composer, Barraud wrote opera music, ballet music, orchestral music, chamber music, choral music and other vocal music. Paul Paray and the Detroit Symphony Orchestra recorded Barraud's orchestral work '' Offrande à une ombre'' in 1957 for Mercury Records. This wartime memorial, commemorating the death during combat of Maurice Jaubert at the age of 40, was initially released on L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Octave Ferroud
Pierre-Octave Calixte Ferroud (6 January 1900 – 17 August 1936)K.S. (2003). was a French composer of classical music. Life Ferroud was born in Chasselay, Rhône, near Lyon. He went to Lyon, to Strasbourg (for military service from 1920-2) where he studied with Guy Ropartz, and again to Lyon where he was for a time an associate and "disciple" of Florent Schmitt, and a pupil of Georges Martin Witkowski. He then travelled to Paris in 1923, settling as a composer and music critic. In 1932, together with Henry Barraud, Jean Rivier and Emmanuel Bondeville, he founded ''Triton'', a contemporary music society. In a letter to Boris Asafiev, Sergei Prokofiev described his encounter with Ferroud, praised the Symphony in A and suggested that Asafiev might have a look at it. Ferroud's opera, he reported, impressed him much less. He wrote a biographical work about his mentor Florent Schmitt (whom he was, nevertheless, to pre-decease - Schmitt died 31 years after ''Autour de Florent S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
