Yvonne Borree
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Yvonne Borree
Yvonne Borree is a former principal dancer at New York City Ballet. She was raised in Norfolk, Virginia, where she began her dance studies with the Tidewater Ballet Association at four years of age. She attended the School of American Ballet for three summers and was invited to enter SAB full-time in 1985. Two years later Yvonne became an apprentice with SAB's parent company, New York City Ballet, and joined the corps de ballet in 1988. she danced with guest artist Mikhail Baryshnikov in George Balanchine's "Duo Concertant" in Spring, 1992. Ms. Borree was promoted to the rank of soloist the next year and to principal in 1997. She is the daughter of Susan Borree, who danced with Jerome Robbins' Ballets: USA, with New York City Ballet and American Ballet Theatre. Yvonne Borree's farewell performance took place Sunday, June 6, 2010,NY Times
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New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan"
(review of Martin Du ...
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Ash (ballet)
''Ash'' is a ballet made by New York City Ballet's ballet master in chief Peter Martins to ''Ash'' (1991) by Michael Torke. The premiere took place Thursday, June 20, 1991, at the David H. Koch Theater, New York State Theater, Lincoln Center for the Performing Arts, Lincoln Center. ''Ash'' was the fourth in a series of collaborations between the choreographer and composer. Original cast *Wendy Whelan *Yvonne Borree *Rebecca Metzger *Monique Meunier *Kathleen Tracey *Nilas Martins *Albert Evans (dancer), Albert Evans *Arch Higgins *Russell Kaiser *Ethan Stiefel See also *''Black and White (ballet), Black and White'' *''Echo (ballet), Echo'' *''Ecstatic Orange'' Articles Sunday NY Timesby Anna Kisselgoff, July 7, 1991 Reviews NY Timesby Anna Kisselgoff, June 24, 1991NY Times
by Jack Anderson (dance critic), Jack Anderson, June 15, 1999 {{Michael Torke Ballets by Peter Martins Ballets by Michael Torke 1991 ballet premieres New York City Ballet repertory ...
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Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ...
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Apollo (ballet)
''Apollo'' (originally ''Apollon musagète'' and variously known as ''Apollo musagetes'', ''Apolo Musageta'', and ''Apollo, Leader of the Muses'') is a neoclassical ballet in two ''tableaux'' composed between 1927 and 1928 by Igor Stravinsky. It was choreographed in 1928 by twenty-four-year-old George Balanchine, with the composer contributing the libretto. The scenery and costumes were designed by André Bauchant, with new costumes by Coco Chanel in 1929. The scenery was executed by Alexander Shervashidze, with costumes under the direction of Mme. A. Youkine. The American patron of the arts Elizabeth Sprague Coolidge had commissioned the ballet in 1927 for a festival of contemporary music to be held the following year at the Library of Congress in Washington, D.C. The story centres on Apollo, the Greek god of music, who is visited by three Muses: Terpsichore, muse of dance and song; Polyhymnia, muse of mime; and Calliope, muse of poetry. The ballet takes Classical antiquity a ...
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Carnival Of The Animals (ballet)
''Carnival of the Animals'' is a ballet choreographed by Christopher Wheeldon to the ''Le Carnaval Des Animaux'' by Saint-Saëns, with narrations written by John Lithgow, costumes and sets designs by Jon Morrell and lighting designed by Natasha Katz. It premiered on May 14, 2003, at the New York State Theater, performed by the New York City Ballet. The ballet is about a little boy who falls asleep at the American Museum of Natural History and dreams of people he knew as animals. Synopsis Oliver Pendleton Percy III, a little boy, falls asleep during a visit to the American Museum of Natural History. In his dream, people he knows are transformed to animals, such as his great aunt who is also a former ballerina as the swan, the librarian as a kangaroo who dreams of being a mermaid, his teacher as the lion, and his worried parents as cuckoos. The narrator appears as the school nurse who transforms into a female elephant. Production Christopher Wheeldon and John Lithgow met in 2002 wh ...
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Thou Swell (ballet)
''Thou Swell'' is a ballet created by New York City Ballet's balletmaster-in-chief Peter Martins to the songs of Richard Rodgers in an arrangement by Glen Kelly with orchestrations Don Sebesky. The music is performed by an on stage trio and two singers. During the course of the ballet one of the male dancers (Nilas Martins in the original cast) "sits in" at the piano. The premiere took place on 22 January 2003 at the New York State Theater, Lincoln Center, with scenery by Robin Wagner, costumes by Julius Lumsden, supervised by Holly Hynes, and lighting by Mark Stanley. Featured songs (Song used and date of composition): *"Where or When" (1937) *"Manhattan" (1925) *" Mountain Greenery" (1926) *"My Heart Stood Still" (1927) *" This Can't Be Love" (1938) *" Bewitched, Bothered and Bewildered" (1940) *" The Lady Is a Tramp" (1937) *"Blue Moon" (1934) *" Getting to Know You" (1951) *"Lover" (1932) *" The Most Beautiful Girl in the World" (1935) *" With a Song in My Heart" (1929) ...
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Stabat Mater (ballet)
The Stabat Mater is a 13th-century Christian hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.Sabatier, Paul ''Life of St. Francis Assisi'' Charles Scribner Press, NY, 1919, page 286''The seven great hymns of the Mediaeval Church'' by Charles Cooper Nott 1868 ASIN: B003KCW2LA page 96 The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers. Date The Stabat Mater has often been ascribed to Jacopone da Todi, OFM (ca. 1230–1306), but this has been strongly challenged by the discovery of the earliest notated copy of the Stabat Mater in a 13th-century gradual belonging to the Dominican nuns in Bologna (Museo Civico Medievale MS 518, fo. 200v-04r). The Stabat Mat ...
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Slonimsky's Earbox (ballet)
''Slonimsky's Earbox'' is an orchestral work written in 1996 by American composer John Adams. The world premiere was given by the Halle Orchestra, conducted by Kent Nagano on September 11, 1996 as part of the opening night celebrations for Manchester's Bridgewater Hall. The piece is based on Igor Stravinsky's work ''Le chant du rossignol'', as Adams was drawn to the modal harmonies that Stravinsky employed. It is a step toward integrating standard minimalist techniques with a more complex contrapuntal style. It is approximately 13 minutes in length. Adams wrote the piece in tribute to his friend, the Russian-American composer, critic and musicologist Nicolas Slonimsky, who had recently died. Slonimsky, the long-time editor of '' Baker's Biographical Dictionary of Musicians,'' was the author of ''The Thesaurus of Scales and Melodic Patterns,'' a book of which Adams has made frequent use. Adams describes Slonimsky as "a character of mind-boggling ability", and says that ''Sloni ...
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The Sleeping Beauty (Martins)
'' Sleeping Beauty'' is a classic fairy tale. Sleeping Beauty or ''variant'', may also refer to: Film * ''The Sleeping Beauty'' (1930 film), a Soviet film directed by Georgi Vasilyev and Sergei Vasilyev * ''The Sleeping Beauty'' (1935 film), an American cartoon in the Puppetoon series by George Pal, included in '' The Puppetoon Movie'' * ''Sleeping Beauty'' (1942 film), an Italian film * ''Sleeping Beauty'' (1959 film), an American animated film from Walt Disney Pictures ** Aurora (Disney), the title character of the Disney film ** ''Sleeping Beauty'' (franchise), a Disney media franchise that began in 1959 with the release of ''Sleeping Beauty'' * ''Sleeping Beauty'' (1955 film), a 1955 West German film directed by Fritz Genschow * ''Sleeping Beauty'' (1973 film) or ''Some Call It Loving'', a drama by James B. Harris * ''Sleeping Beauty'' (1987 film), a film starring Tahnee Welch * ''Sleeping Beauties'' (film), a 1999 American comedy film * ''Sleeping Beauty'' (2010 fi ...
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Sinfonia (ballet)
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (sound). In English it most commonly refers to a 17th- or 18th-century orchestral piece used as an introduction, interlude, or postlude to an opera, oratorio, cantata, or suite (, who gives the origin of the word as Italian) . The word is also found in other Romance languages such as Spanish or Portuguese. In the Middle Ages down to as late as 1588, it was also the Italian name for the hurdy-gurdy . Johann Sebastian Bach used the term for his keyboard compositions also known as '' Three-part Inventions'', and after about 1800, the term, when in reference to opera, meant "Overture" . In George Frideric Handel's oratorio Messiah (HWV 56), "Overture to the Messiah" (French Overture in E minor) was originally titled "Sinfony". In the 20th an ...
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Quartet For Strings
In music, a quartet or quartette (, , , , ) is an ensemble of four singers or instrumental performers; or a musical composition for four voices and instruments. Classical String quartet In classical music, one of the most common combinations of four instruments in chamber music is the string quartet. String quartets most often consist of two violins, a viola, and a cello. The particular choice and number of instruments derives from the registers of the human voice: soprano, alto, tenor and bass ( SATB). In the string quartet, two violins play the soprano and alto vocal registers, the viola plays the tenor register and the cello plays the bass register. Composers of notable string quartets include Joseph Haydn ( 68 compositions), Wolfgang Amadeus Mozart (23), Ludwig van Beethoven (16), Franz Schubert (15), Felix Mendelssohn (6), Johannes Brahms (3), Antonín Dvořák (14), Alexander Borodin (2), Béla Bartók (6), Elizabeth Maconchy (13), Darius Milhaud (18), Heitor Villa-Lobos ...
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Jazz (ballet)
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphony, polyphonic Musical improvisation, improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented Swing (music), swing big bands, Kansas City ja ...
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