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You Must Believe In Spring (Bill Evans Album)
''You Must Believe in Spring'' is an album by American jazz pianist Bill Evans, recorded by Evans, bassist Eddie Gómez, and drummer Eliot Zigmund in August 1977, and released after Evans' death in September 1981. Background The album was Evans's last recording sessions done with Gomez on bass, who left after eleven years with Evans to pursue other musical projects. The same year, Evans also recorded the title song in duet with jazz vocalist Tony Bennett on their second album, '' Together Again''. The album's two originals by Evans are dedicated to his common-law wife Ellaine Schultz and his brother Harry, both of whom had taken their own lives.Francis Davis, ''You Must Believe in Spring'', Rhino 8122-73719-2 liner notes p. 7. The album also features the Johnny Mandel song "Suicide Is Painless". Rhino reissued the album on compact disc in 2003 with three bonus tracks added, including a take on the only song from ''Kind of Blue'' that Evans did not play on, "Freddie Freeloader." T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded '' Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eliot Zigmund
Eliot Zigmund (born April 14, 1945) is an American jazz drummer, who has worked extensively as a session musician. Biography Zigmund studied at Mannes School of Music and City College of New York, where he graduated in 1969. After moving to California, he found work in the 1970s playing with Ron McClure, Steve Swallow, Art Lande, Mike Nock, Mel Martin, and Vince Guaraldi. He moved back to New York City in 1974, where he played with Bill Evans from 1975 to 1978. He also played with Eddie Gómez, Bennie Wallace, Richard Beirach, Jim Hall, Chet Baker, Stan Getz, Fred Hersch, and Red Mitchell before the end of the 1970s. He played with Don Friedman from 1979 to 1984, and then joined a trio with Michel Petrucciani until the late 1980s. After this he worked both as a leader in small ensembles and as a sideman with Gary Peacock (1980), Carl Barry (1982), Keith Greko (1985), Eiji Nakayama (1988), and Stefan Karlsson (1995). Zigmund has also done work as a session player for Neil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Without A Song
"Without a Song" is a popular song composed by Vincent Youmans with lyrics later added by Billy Rose and Edward Eliscu, published in 1929. It was included in the musical play, ''Great Day''. The play only ran for 36 performances but contained two songs which became famous, "Without a Song" and "Great Day". Background and initial recordings *Canadian singer, Gilbert Burgess Holland introduced “Without A Song” in the show ''Great Day'' accompanied by Fletcher Henderson's Orchestra, in the pit of the famous Park Theatre, NYC. Gilbert is the son of Reverend John Christie Holland. *One of the earliest recordings of the song was by Paul Whiteman's orchestra featuring Bing Crosby on October 9, 1929 and this reached the charts of the day. *"Without a Song" was recorded in March 1946 in New York by Billy Eckstine, who later rerecorded the song live on 30 August 1960 at the Cloud Nine Lounge of the New Frontier Hotel in Las Vegas for his album No Cover, No Minimum. *"Without a Song" a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Freeloader
"Freddie Freeloader" is a composition by Miles Davis and is the second track on his 1959 album ''Kind of Blue''. The piece takes the form of a twelve-bar blues in B, but the chord over the final two bars of each chorus is an A7, not the traditional B7 followed by either F7 for a turnaround (music), turnaround or some variation of B7 for an ending. Davis employed Wynton Kelly as the pianist for this track in place of Bill Evans, as Kelly was something of a blues specialist. The solos are by Kelly, Miles Davis, John Coltrane, Cannonball Adderley and Paul Chambers. The origin of the title is disputed. Jon Hendricks and ''Kind of Blue'' chronicler Ashley Kahn claim that Fred Tolbert was a Philadelphia bartender whose business card read "Freddie the Freeloader". According to the documentary ''Kind of Blue: Made in Heaven'', and an anecdote from the jazz pianist Monty Alexander, the piece was named after an individual named Freddie who would frequently try to see the music Davis and ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kind Of Blue
''Kind of Blue'' is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track – "Freddie Freeloader" – in place of Evans. Influenced in part by Evans, who had joined the ensemble in 1958, Davis departed further from his early hard bop style in favor of greater experimentation with musical modes, as on his previous album ''Milestones'' (1958). Basing ''Kind of Blue'' entirely on modality, he gave each performer a set of scales that encompassed the parameters of their improvisation and style, and consequently more creative freedom with melodies; Coltrane later expande ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonus Tracks
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhino Records
A rhinoceros (; ; ), commonly abbreviated to rhino, is a member of any of the five extant species (or numerous extinct species) of odd-toed ungulates in the family Rhinocerotidae. (It can also refer to a member of any of the extinct species of the superfamily Rhinocerotoidea.) Two of the extant species are native to Africa, and three to South and Southeast Asia. Rhinoceroses are some of the largest remaining megafauna: all weigh at least one tonne in adulthood. They have a herbivorous diet, small brains (400–600 g) for mammals of their size, one or two horns, and a thick (1.5–5 cm), protective skin formed from layers of collagen positioned in a lattice structure. They generally eat leafy material, although their ability to ferment food in their hindgut allows them to subsist on more fibrous plant matter when necessary. Unlike other perissodactyls, the two African species of rhinoceros lack teeth at the front of their mouths; they rely instead on their lips to pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suicide Is Painless
"Suicide Is Painless" (or "Song from M*A*S*H") is a song written by Johnny Mandel (music) and Michael Altman (lyrics) for the 1970 film ''M*A*S*H''. In addition to being performed by characters in the film, it plays during the title sequence as sung by The Ron Hicklin Singers. An instrumental version is likewise the theme music for the TV series based on the film, playing over the opening and closing credits. Background The song was written for Ken Prymus, the actor playing Private Seidman, to sing during the faux-suicide of Walter "Painless Pole" Waldowski (John Schuck) in the film's "Last Supper" scene. Director Robert Altman had two stipulations about the song for composer Johnny Mandel: it had to be called "Suicide Is Painless" and it had to be the "stupidest song ever written". Altman attempted to write the lyric himself, but, upon finding it too difficult for his "45-year-old brain" to write something "stupid" enough, he gave the task to his 15-year-old-son Michael, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mandel
John Alfred Mandel (November 23, 1925June 29, 2020) was an American composer and arranger of popular songs, film music and jazz. The musicians he worked with include Count Basie, Frank Sinatra, Peggy Lee, Anita O'Day, Barbra Streisand, Tony Bennett, Diane Schuur and Shirley Horn. He won five Grammy Awards - from 17 nominations; his first nomination was for his debut film score for the multi-nominated 1958 film ''I Want to Live!'' Early life Mandel was born in the borough of Manhattan in New York City on November 23, 1925. His father, Alfred, was a garment manufacturer who ran Mandel & Cash; his mother, Hannah (Hart-Rubin), had aimed to be an opera singer and discovered her son had perfect pitch at the age of five. His family was Jewish. They moved to Los Angeles in 1934, after his father's business collapsed during the Great Depression. Mandel was given piano lessons, but switched to the trumpet and later the trombone. Career Mandel studied at the Manhattan School of Music and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a sympathetic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
