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You Like It Like That
This is the discography of American R&B singer Nivea Nivea (, stylized as NIVEA) is a German personal care brand that specializes in skin and body care. It is owned by the Hamburg-based company Beiersdorf Global AG. The company was founded on 28 March 1882, by Paul Carl Beiersdorf. In 1890, it w ..., containing information about her albums, singles and guest appearances. Albums Studio albums EPs Singles Promotional singles Guest appearances These songs have not appeared on a studio album released by Nivea: Notes References {{Nivea Discographies of American artists Rhythm and blues discographies ...
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Nivea (singer)
Nivea B. Hamilton (also known as Nivea H. Nash) (born March 24, 1982), better known by her mononym Nivea, is an American R&B singer whose recordings reached the ''Billboard'' charts during the early 2000s. Nivea is known most for her Grammy-nominated hit " Don't Mess with My Man" as well as "Laundromat" and "Okay" featuring YoungbloodZ & Lil' Jon. She has released three studio albums: ''Nivea'' (2001), '' Complicated'' (2005), ''Animalistic'' (2006), and an independently released extended play ''Nivea: Undercover'' (2011). On September 26, 2019, she released her album ''Mirrors'', including the single "Circles". In 2022, the song ''Virginia'' was commercialised as single and received excellent reviews. Early life Nivea was born in Savannah, Georgia, the youngest of three sisters. She sang in a church choir and admired the music of Mariah Carey. Nivea admitted to being shy in a BET "Finding Nivea" interview. She said, "I never wanted anyone to hear me sing... my parents would t ...
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Danger (Been So Long)
"Danger (Been So Long)" is the second single released by American rapper Mystikal from his fourth album, ''Let's Get Ready'' (2000), featuring singer Nivea. The song was released on December 12, 2000, and was produced by the Neptunes. "Danger" was a success commercially, peaking at number 14 on the US ''Billboard'' Hot 100, number one on the Hot R&B/Hip-Hop Singles & Tracks chart, and number three on the Hot Rap Singles chart. "Danger (Been So Long)" was the second single from the album to reach the top 20 on the US charts, after "Shake Ya Ass". "Danger" was used as part of a running gag on ''The Daily Show'' during John Oliver's tenure as interim host in 2013, and again on Oliver's own show ''Last Week Tonight A last is a mechanical form shaped like a human foot. It is used by Shoemaking, shoemakers and cordwainers in the manufacture and repair of shoes. Lasts typically come in pairs and have been made from various materials, including hardwoods, cas ...'' in 2016, in refer ...
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Lil Jon
Jonathan H. Smith (born January 17, 1971) better known by his stage name Lil Jon, is an American rapper, producer and former frontman of the rap group Lil Jon & the East Side Boyz. He was instrumental in the emergence of the hip hop subgenre crunk, and is credited with bringing the genre into mainstream success. Lil Jon frequently collaborates with Miami-based rapper Pitbull (rapper), Pitbull, San Francisco Bay Area, Bay Area-based rappers Too Short and E-40 . He participates as one-third of an unofficial trio consisting of Atlanta-based artists Ludacris and Usher (musician), Usher who frequently create songs together. As a producer, Lil Jon has produced several Billboard Hot 100, ''Billboard'' Hot 100 hit singles including "Salt Shaker (song), Salt Shaker", "Cyclone (song), Cyclone", "Get Low (Lil Jon & the East Side Boyz song), Get Low", "Snap Yo Fingers", "Damn! (song), Damn!", "Freek-a-Leek", "Lovers and Friends (song), Lovers and Friends", "Goodies (song), Goodies" and "Y ...
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Laundromat (song)
"Laundromat" is a song by American singer Nivea (singer), Nivea from her 2002 Nivea (album), self-titled debut album. Jive Records, Jive released it in the UK as a A-side and B-side#Double A-side, double A-side single along with "Don't Mess with My Man (Nivea song), Don't Mess With My Man" on April 28, 2003. R. Kelly wrote and produced "Laundromat", and performed some uncredited vocals on the recording, which is an Contemporary R&B, R&B and Pop music, pop track. It was recorded and Audio mixing (recorded music), mixed in Chicago, and was one of the last songs to be produced for the album. The track is structured as a telephone call in which Nivea breaks up with her boyfriend, who is played by Kelly. The lyrics use the laundromat as a metaphor for the washing away of an old relationship. Critics praised Kelly for his contributions to the song. In the US, "Laundromat" peaked at number 58 on the Billboard Hot 100, ''Billboard'' Hot 100 chart and at number 92 on the Billboard Y ...
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Jagged Edge (American Group)
Jagged Edge is an American R&B group from Atlanta, Georgia. The group, initially signed to record producer Jermaine Dupri's So So Def Recordings, is best known for their string of hit singles including " Let's Get Married" and "Where the Party At" (featuring Nelly), most of which were produced by Dupri. The group's members include identical twin lead singers Brian and Brandon Casey as well as Richard Wingo and Kyle Norman. The group's debut album, ''A Jagged Era'' (1997), performed modestly at the time of its release but achieved gold status; however, their subsequent albums until 2007 all became commercial successes—debuting within the top 10 of the ''Billboard'' 200. Wingo was a late addition to the group, added after a recommendation from Kandi Burruss of Xscape. Burruss was also the one who brought the group to the attention of Dupri, who signed them to his Columbia Records distributed imprint, So So Def Recordings. The name ''Jagged Edge'' is derived from the song "Sna ...
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Don't Mess With My Man (Nivea Song)
"Don't Mess with My Man" is a song by American R&B singer Nivea featuring Brian and Brandon Casey from R&B group Jagged Edge. It was released in on June 3, 2002, as the third single from her self-titled debut album (2001). The song peaked at number eight on the ''Billboard'' Hot 100 and was an international hit as well, reaching the top 10 in France and New Zealand and receiving a gold certification in the former country. In the United Kingdom, the song was released twice: once as a solo single in 2002—reaching number 41 on the UK Singles Chart The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-s ...—and again as a A-side and B-side#Double A-side, double A-side with "Laundromat (Nivea song), Laundromat" in 2003, reaching number 33 on the same chart. The recording earned the artist ...
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Clipse
Clipse, also known as The Clipse, is an American hip hop duo, chiefly active from 1994 to 2010. It consists of brothers Gene "No Malice" and Terrence "Pusha T" Thornton. Pusha T was known as Terrar during the group's early years, while No Malice was originally known as Malicious, then changed his stage name to Malice soon after the group's formation, before changing it again to No Malice in 2012 following a conversion to Christianity. The duo were based in Virginia Beach, Virginia, and were heavily affiliated with producer and fellow Virginia Beach native, Pharrell Williams, who convinced the two in 1992 to be a rap duo instead of solo artists. Williams would go on to serve as their label head, main producer (via the production duo The Neptunes) and frequent guest artist through most of their career. The duo frequently rapped about the drug dealing they had done in their youth. Clipse was integral in establishing Virginia as one of the East Coast's strongholds in hip hop. In 1 ...
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Pusha T
Terrence LeVarr Thornton (born May 13, 1977), better known by his stage name Pusha T, is an American rapper, songwriter and record executive. He rose to prominence as one-half of the hip hop duo Clipse, which was mainly active from 1994 to 2010, alongside his older brother No Malice. As Clipse, the two released three studio albums and a number of mixtapes, and had hit singles including "Grindin'" and "When the Last Time" (both 2002). In September 2010, Pusha T signed to Kanye West's GOOD Music imprint, under the aegis of Def Jam Recordings. Later that year, he was featured on West's single " Runaway," which peaked at number 12 on the ''Billboard'' Hot 100. In 2011, he released his first solo project, the mixtape ''Fear of God'', which was followed up with his debut solo album, ''My Name Is My Name'', released in 2013. In November 2015, West appointed Pusha T to take over his role as president of GOOD Music. Pusha T remained a flagship artist for the label until ending his ten ...
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Run Away (I Wanna Be With U)
Runaway, Runaways or Run Away may refer to: Engineering * Runaway reaction, a chemical reaction releasing more heat than what can be removed and becoming uncontrollable * Thermal runaway, self-increase of the reaction rate of an exothermic process while temperature increases with the heat released and giving rise to an explosion * Chain reaction, chemical, or nuclear, reaction giving rise to an exponential propagation with catastrophic consequences * Diesel engine runaway, the impossibility to turn off a diesel engine fueled by an excess of its own lubricating oil Films * ''The Runaway'' (1917 film), an American film starring Julia Sanderson * ''The Runaway'' (1926 film), an American film starring Warner Baxter * ''Runaway'' (1958 film) (''Bari Theke Paliye''), a Bengali film by Ritwik Ghatak * ''The Runaway'' (1961), an American film starring Cesar Romero * ''The Runaway'' (1964), a British film by Tony Young * ''Runaway'' (1964 film), a New Zealand film by John O'Shea * ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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