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You Belong To Me (Memoir)
''You Belong to Me'' is a 2004 compilation album of songs recorded by American singer Jo Stafford. It is one of many Stafford compilations to have been released in the early 2000s under the title ''You Belong to Me'', the name derived from '' the song of the same name'', which became one of her best known hits during the 1950s. This album was released on June 29, 2004 and appears on the Memoir label. Track listing # ''Kissin' Bug Boogie'' # ''Hawaiian War Chant'' # '' Jambalaya (On the Bayou)'' # ''Gabriella (The Gamblin' Lady) '' # '' Georgia on My Mind'' # '' Always True to You in My Fashion'' # ''I Hate Men'' # ''Wunderbar'' # '' Walkin' My Baby Back Home'' # ''Early Autumn'' # ''The Moment I Saw You'' # ''Our Very Own'' # ''Pretty Eyed Baby'' # ''Shrimp Boats'' # '' Around the Corner'' # '' I'm Gonna Wash That Man Right Outa My Hair'' # '' Some Enchanted Evening'' # '' With These Hands'' # ''Stardust'' ...
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Jo Stafford
Jo Elizabeth Stafford (November 12, 1917July 16, 2008) was an American traditional pop music singer, whose career spanned five decades from the late 1930s to the early 1980s. Admired for the purity of her voice, she originally underwent classical training to become an opera singer before following a career in popular music, and by 1955 had achieved more worldwide record sales than any other female artist. Her 1952 song " You Belong to Me" topped the charts in the United States and United Kingdom, becoming the second single to top the UK Singles Chart, and the first by a female artist to do so. Born in remote oil-rich Coalinga, California, near Fresno in the San Joaquin Valley, Stafford made her first musical appearance at age 12. While still at high school, she joined her two older sisters to form a vocal trio named the Stafford Sisters, who found moderate success on radio and in film. In 1938, while the sisters were part of the cast of Twentieth Century Fox's production of ''A ...
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A-round The Corner (Beneath The Berry Tree)
"A-round the Corner (Beneath the Berry Tree)", also titled "Ay-round the Corner (Bee-hind The Bush)" or "A-round the Corner (Be-neath The Berry Tree)", is a traditional popular song adapted by Josef Marais, from the repertoire of Marais and Miranda. The title was first published in February 1952, but an earlier version was registered in August 1940. The most popular version was recorded by Jo Stafford on 10 December 1951 with accompaniment by her partner Paul Weston and the Norman Luboff Choir. It was issued on Columbia 39653 and entered the Billboard chart in March 1952, peaking at number nine, also making number 12 on the ''Cash Box'' chart. A recording by The Weavers and Gordon Jenkins on Decca charted in April and reached number 19. In the UK, the song entered the chart based on sheet music sales in April, and reached number one in May, holding the top spot for three weeks. Both the recordings by Stafford and The Weavers were available in the UK, alongside versions by Britis ...
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Tennessee Waltz
"Tennessee Waltz" is a popular country music song with lyrics by Redd Stewart and music by Pee Wee King written in 1946 and first released in January 1948. The song became a multimillion seller via a 1950 recording – as "The Tennessee Waltz" – by Patti Page. As of 1974, it was the biggest-selling song ever in Japan. All versions of the lyrics narrate a situation in which the persona has introduced his or her sweetheart to a friend who then waltzes away with her or him. The lyrics are altered for pronoun gender on the basis of the gender of the singer. The popularity of "Tennessee Waltz" also made it the fourth official song of the state of Tennessee in 1965. Early versions Pee Wee King, Redd Stewart, and their fellow Golden West Cowboys members were en route to Nashville "close to Christmas in 1946" when King and Stewart, who were riding in a truck carrying the group's equipment, heard Bill Monroe's new song " Kentucky Waltz" on the radio. Stewart had an idea to writ ...
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Allentown Jail
"Allentown Jail" is a folk-style song, written by Irving Gordon. Background it tells the story of a man who is caught stealing a diamond for his girlfriend and ends up in the Allentown jail. Recordings *In 1951, Jo Stafford recorded this song. It was released as a single on Columbia Records. *In 1960, Kathy Linden recorded it as her first single on Monument Records. *The Kingston Trio recorded a version in 1962, as the song became popular in the folk scene. The trio had plans of releasing it as a single, but the single never came to fruition. Their version has since been released on various CD compilations of their works. *In 1963, a more harmonic arrangement was performed by The Lettermen and released as a single. This version incurred some success, but only to a minor degree. Other recordings *Other artists who recorded this song include The Seekers, The Springfields, Billy Strange, and British singers Lita Roza and Karen Young. There is also a French adaptation of the son ...
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Don't Worry 'Bout Me
"Don't Worry 'bout Me" is a 1938 song composed by Rube Bloom, with lyrics written by Ted Koehler. It was introduced in the "World's Fair" edition of the Cotton Club show in 1939. The first hit recording was in 1939 by Hal Kemp and His Orchestra (vocal by Bob Allen). Other notable recordings *Billie Holiday – ''Last Recording'' with Ray Ellis and his Orchestra. Recording completed on March 11, 1959 and released in July the same year under MGM. *Savannah Churchill – recorded on December 26, 1951 for RCA Victor (catalog No. 20-4773). *Ella Fitzgerald, Count Basie, Joe Williams – ''One O'Clock Jump'' (Verve, 1956) note: Williams sings this tune with Basie's orchestra *Chris Connor – ''Chris In Person'' ive recording(Atlantic, 1959) *Jack Sheldon – ''Jack Sheldon Sings'' (Butterfly, 1993). *Frank Sinatra – ''This Is Sinatra!'' (1956), ''Where Are You'' (1957), ''Sinatra at the Sands'' (1966). His 1954 single reached No. 17 in the Billboard charts that year. *Sarah Vaughan ...
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No Other Love (1950 Song)
"No Other Love" is a popular song. The words were written by Bob Russell. The music is credited to Paul Weston but is actually derived from Frédéric Chopin's '' Étude No. 3 in E,'' Op. 10, and is practically identical to that of the song "Tristesse," a 1939 hit for French singer-actor Tino Rossi. It should not be confused with " No Other Love", written and composed by Broadway team Rodgers and Hammerstein. A version recorded by Jo Stafford (Weston's wife) with Weston's orchestra backing her (released by Capitol Records as catalog number 1053), reached #8 on the ''Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertise ...'' chart in 1950. The piano artistry of George Greeley is also credited on the recording. This version of the song was featured in the trailers and fina ...
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Stardust (1927 Song)
"Stardust" is a jazz song composed by American singer, songwriter and musician Hoagy Carmichael with lyrics by Mitchell Parish. Now considered a standard and part of the Great American Songbook, the song has been recorded over 1,500 times either as an instrumental or vocal track, featuring different performers. During his time attending Indiana University, Carmichael developed a taste for jazz. He formed his own band and played at local events in Indiana and Ohio. Following his graduation, Carmichael moved to Florida to work for a law firm. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his love affairs, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the s ...
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With These Hands (song)
"With These Hands" is a song written by Benny Davis and Abner Silver and performed by Eddie Fisher featuring Hugo Winterhalter and His Orchestra. It reached number 7 on the U.S. pop chart in 1953. The song ranked number 28 on ''Billboard'' magazine's Top 30 singles of 1953. Other charting versions *Shirley Bassey released a version which reached number 38 on the UK Singles Chart in 1960. * Tom Jones released a version which reached number 3 on the adult contemporary chart, number 13 on the UK Singles Chart, and number 27 on the U.S. pop chart in 1965. Other versions The following additional artists have released recordings of the song: * The Mariners, release as a single in 1951, though it did not chart *Jo Stafford and Nelson Eddy featuring Paul Weston and His Orchestra, released as a single in 1951, though it did not chart. * Guy Lombardo and His Royal Canadians, released as the B-side to their 1951 single "Lonesome and Sorry" *Charlie Kunz, on his 1953 EP *Bob Haymes fe ...
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Some Enchanted Evening (song)
"Some Enchanted Evening" is a show tune from the 1949 Rodgers and Hammerstein musical '' South Pacific''. It has been described as "the single biggest popular hit to come out of any Rodgers and Hammerstein show." Mast, Gerald''Can't Help Singin': The American Musical on Stage and Screen'' Overlook Press (1987), p. 206, excerpted in: Block, Geoffrey''The Richard Rodgers Reader'' p. 91, Oxford University Press (2006). Andrew Lloyd Webber describes it as the "greatest song ever written for a musical". The song is a three-verse solo for the leading male character, Emile, in which he describes first seeing a stranger, knowing that he will see her again, and dreaming of her laughter. He sings that when you find your "true love", you must "fly to her side, and make her your own, / Or all through your life you may dream all alone." In ''South Pacific'' The song appears in the first act of the musical. It is sung as a solo by the show's male lead, Emile de Becque, a middle-aged French ex ...
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I'm Gonna Wash That Man Right Outa My Hair
"I'm Gonna Wash That Man Right Outa My Hair" is a song from the musical '' South Pacific'', sung by Nellie Forbush, the female lead, originally played by Mary Martin in the 1949 Broadway production. Her character, fed up with a man (Emile De Becque) and singing energetically in the shower, claims that she will forget about him. The song was written by Rodgers and Hammerstein in response to Martin's request. She had starred on Broadway for years and Martin suggested that she wash her hair on stage during the performance. Adaptations The song was adapted into a commercial jingle for Clairol hair coloring ("I'm gonna wash that gray right outa my hair") in the early 1980s. PJ Harvey referenced the song in her 1992 single " Sheela-Na-Gig" with the repeated lyric "gonna wash that man right outa my hair". 50 Foot Wave's song "Bone China" also references this song in the lyric, "Gonna wash that man right out of my head / and soap him into my eyes". The song was covered in the 2004 film ...
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Shrimp Boats
"Shrimp Boats" was a popular song in the 1950s. It was written by Paul Mason Howard and Paul Weston and published in 1951. The original sheet music was arranged by Hawley Ades. Charting versions were recorded by Jo Stafford (Weston's wife) and Dolores Gray. It was also recorded by Claude Gray (a country music singer) in 1963, and by Pete Fountain, Abdullah Ibrahim, The Orioles, and Buddy Tate. The recording by Jo Stafford was made in July 1951 and released by Columbia Records as catalog number 39581, with the flip side "Love, Mystery, and Adventure". It first reached the ''Billboard'' chart on November 9, 1951 and lasted for 17 weeks on the chart, peaking at number 2. The recording by Dolores Gray was released by Decca Records as catalog number 27832, with the flip side "More! More! More!" It first reached the ''Billboard'' chart on November 30, 1951 and lasted 6 weeks on the chart, peaking at number 25. A British version was recorded by Billy Cotton and his band, also in 1 ...
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Traditional Pop
Traditional pop (also known as classic pop and pre-rock and roll pop) is Western culture, Western pop music that generally pre-dates the advent of rock and roll in the mid-1950s. The most popular and enduring songs from this era of music are known as pop standards or American standards. The works of these songwriters and composers are usually considered part of the canon known as the "Great American Songbook". More generally, the term "Standard (music), standard" can be applied to any popular song that has become very widely known within mainstream culture. AllMusic defines traditional pop as "post-big band and pre-rock & roll pop music". Origins Classic pop includes the song output of the Broadway theatre, Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers and Lorenz Hart, Oscar Hammer ...
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