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You And Lee
''You and Lee'' is an album by American jazz saxophonist Lee Konitz which was released on the Verve label in 1959.Lee Konitz discography
accessed July 6, 2015


Critical reception

Scott Yanow of states "One of the lesser-known Lee Konitz albums, this LP features the altoist joined by six brass and a rhythm section for eight Jimmy Giuffre arrangements. The shouting brass contrasts well with Konitz's cool-toned solos and together they perform eight underplayed standards".


Track listing

# "Everything I've Got (Belongs to You)" (

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Lee Konitz
Leon Konitz (October 13, 1927 – April 15, 2020) was an American composer and alto saxophonist. He performed successfully in a wide range of jazz styles, including bebop, cool jazz, and avant-garde jazz. Konitz's association with the cool jazz movement of the 1940s and 1950s includes participation in Miles Davis's ''Birth of the Cool'' sessions and his work with pianist Lennie Tristano. He was one of relatively few alto saxophonists of this era to retain a distinctive style, when Charlie Parker exerted a massive influence. Like other students of Tristano, Konitz improvised long, melodic lines with the rhythmic interest coming from odd accents, or odd note groupings suggestive of the imposition of one time signature over another. Other saxophonists were strongly influenced by Konitz, such as Paul Desmond and Art Pepper. He died during the COVID-19 pandemic from complications brought on by the disease. Biography Early life Konitz was born on October 13, 1927, in Chicago. He ...
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Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ...
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Phil Sunkel
Phil may refer to: * Phil (given name), a shortened version of masculine and feminine names * Phill, a given name also spelled "Phil" * Phil, Kentucky, United States * ''Phil'' (film), a 2019 film * -phil-, a lexical fragment, used as a root term for many words * Philippines, a country in Southeast Asia, frequently abbreviated as ''PHIL'' * Philosophy, abbreviated as "phil." * Philology, abbreviated as "phil." See also * Master of Philosophy (M.Phil) * Doctor of Philosophy (D.Phil or Ph.D) * University Philosophical Society, known as "The Phil" * * Big Phil (other) * Dr. Phil (other) * Fil (other) * Fill (other) * Philip (other) * Philipp * Philippa * Philippic * Philipps Philipps is an English, Dutch, and German surname meaning "lover of horses". Derivative, patronym, of the more common ancient Greek name "Philippos and Philippides." Notable people with this surname are: "Philipps" has also been a shortened versio ...
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Ernie Royal
Ernest Andrew Royal (June 2, 1921 in Los Angeles, California – March 16, 1983 in New York City) was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording '' The Genius of Ray Charles'' (1959). Career He began in Los Angeles as a member of Les Hite's Orchestra in 1937. In the following 20 years he would work with Lionel Hampton, Woody Herman, Count Basie, Duke Ellington, Wardell Gray, Stan Kenton and recording as a member of the Charles Mingus Octet, with Teo Macero, John Lewis and Kenny Clarke, among others, in 1953. He led ten albums, most of them recorded in Paris. In 1957 he became a staff musician for the American Broadcasting Company. He went on to play in The Tonight Show Band and can be heard on the Miles Davis albums '' Miles Ahead'' (1957), ''Porgy and Bess'' (1958), and ''Sketches of Spain'' (1960). Death A resident of Teaneck, New Jersey, Royal died of cancer at a ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Marky Markowitz
Irvin "Marky" Markowitz (aka Irwin Markowitz, Irving Markowitz; December 11, 1923 - November 18, 1986) was an American jazz trumpeter. Born the youngest of seven children of Russian-Jewish immigrants who disembarked in Baltimore, and settled on 4 1/2 Street, Southwest, in Washington, D.C., Markowitz learned the trumpet at the local Police Boys' Club. He played early in his career in a number of big bands, including those of Charlie Spivak (1941–42), Jimmy Dorsey, Boyd Raeburn, and Woody Herman (1946). He played in Buddy Rich's orchestra in 1946–47, then returned to service under Herman in 1947–48. Moving his family from Washington, D.C. to New York in 1958, and eventually settling in Nyack, he worked primarily as a studio musician in the 1960s, 1970s, and 1980s. Some live appearances included work with Herman, Gene Krupa (1958), Lee Konitz (1959), Ralph Burns, George Russell (composer), George Russell, Al Cohn (1962), Paul Desmond (1969), and Bill Evans (1974). Marky was a " ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ...
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George Bassman
George Bassman (February 7, 1914 – June 26, 1997) was an American composer and arranger. Biography Born in New York City to a Ukrainian- and Lithuanian-Jewish émigré couple, Bassman was later raised in Boston and began studying music at the Boston Conservatory while still a boy. He studied orchestration and composition formally, but in his teens he left home against his father's wishes to play piano in an itinerant jazz group, and subsequently worked as an arranger for Fletcher Henderson in New York. Through that gig, he became part of the burgeoning swing/big band scene and was soon writing songs as well. Bassman peaked in that career when he and Ned Washington wrote "I'm Getting Sentimental Over You" for the bandleader Tommy Dorsey. Bassman also worked in radio as an arranger for Andre Kostelanetz, and made the move to Hollywood in the mid 1930s. Among his earliest film jobs was orchestrating the Gershwin songs in the Fred Astaire movie '' A Damsel in Distress'' at RKO ...
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I'm Getting Sentimental Over You
"I'm Getting Sentimental Over You" is a song recorded by Tommy Dorsey and His Orchestra. The words were written by Ned Washington and the music was written by George Bassman. It was first performed in 1932. The original copyright is dated 1933 and issued to Lawrence Music Publishers, Inc. The copyright was assigned to Mills Music, Inc. in 1934. Noni Bernardi, a saxophonist with the Dorsey orchestra arranged this song. Dorsey was the featured trombone soloist when his orchestra played it. It was first recorded in September 1935. A second recording on October 18, 1935 is the exact arrangement that Tommy would henceforth feature. Cliff Weston was the vocalist and trumpet player. It was released as a single in 1936. After Tommy Dorsey's death in 1956 Frank Sinatra sang it in the Dorsey Orchestra and also featured it in an album, ''I Remember Tommy''. This song was featured in an episode of ''The Twilight Zone'' called "Static", and in the films ''Carnal Knowledge'', ''Bart G ...
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You Are Too Beautiful
You Are Too Beautiful is a 1932 song written by Richard Rodgers and Lorenz Hart for the 1933 film ''Hallelujah, I'm a Bum'', where it was sung by Al Jolson. It became a pop and jazz standard in the 1940s, with a notable recording made on August 3, 1945 by Dick Haymes (Decca 23750). Other recordings Other versions include those by: *Frank Sinatra (1945) *Cannonball Adderley on ''Julian Cannonball Adderley and Strings'' (1955) *Thelonious Monk on ''The Unique Thelonious Monk'' (1956) *Warne Marsh on ''Music for Prancing'' (1957) *David Whitfield on ''Alone'' (1961) *John Coltrane and Johnny Hartman on ''John Coltrane and Johnny Hartman'' (1963) *Sarah Vaughan Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer. Nicknamed "Sassy" and "Jazz royalty, The Divine One", she won two Grammy Awards, including the Lifetime Achievement Award, and was nominated for a total of nine ... on '' Crazy and Mixed Up'' (1982) References 1932 songs 1930s ja ...
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Mack Gordon
Mack Gordon (born Morris Gittler; June 21, 1904 – February 28, 1959) was an American composer and lyricist for the stage and film. He was nominated for the best original song Oscar nine times in 11 years, including five consecutive years between 1940 and 1944, and won the award once, for "You'll Never Know". That song has proved among his most enduring, and remains popular in films and television commercials to this day. "At Last" is another of his best-known songs. Biography Gordon was born in Grodno, then part of the Russian Empire. He emigrated with his mother and older brother to New York City in May 1907; the ship they sailed on was the S/S ''Bremen''; their destination was to his father in Guttenberg, New Jersey. Gordon appeared in vaudeville as an actor and singer in the late 1920s and early 1930s, but his songwriting talents were always paramount. He formed a partnership with English pianist Harry Revel, that lasted throughout the 1930s. In the 1940s he worked with a str ...
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