Yoshimi (Synthesizer)
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Yoshimi (Synthesizer)
Yoshimi is an open-source software synthesizer for Linux. It contains three synthesis engines, using additive, subtractive and wavetable synthesis (AddSynth, SubSynth, and PADSynth, respectively). Any single patch can use one or all. A kit mode allows a patch to have up to 16 of engine sets to support multi-layered sounds/drum kits. A complete setup or instance can contain anywhere from one to sixty-four patches. All signal generation is done by synthesis, without importing external samples. Yoshimi also has extensive FX capabilities, which can be applied at all levels, ranging from one synth engine to an entire setup. It is also microtonal, and allows for custom scales to be defined. It was originally based on the 2.4.0 version of ZynAddSubFX. While full compatibility with ZynAddSubFX voice patches has been maintained, control and the user interface have deliberately diverged considerably. Sound generation Yoshimi combines several different methods of audio synthesis in o ...
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Debian
Debian (), also known as Debian GNU/Linux, is a Linux distribution composed of free and open-source software, developed by the community-supported Debian Project, which was established by Ian Murdock on August 16, 1993. The first version of Debian (0.01) was released on September 15, 1993, and its first stable version (1.1) was released on June 17, 1996. The Debian Stable branch is the most popular edition for personal computers and servers. Debian is also the basis for many other distributions, most notably Ubuntu. Debian is one of the oldest operating systems based on the Linux kernel. The project is coordinated over the Internet by a team of volunteers guided by the Debian Project Leader and three foundational documents: the Debian Social Contract, the Debian Constitution, and the Debian Free Software Guidelines. New distributions are updated continually, and the next candidate is released after a time-based freeze. Since its founding, Debian has been developed openly ...
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Additive Synthesis
Additive synthesis is a sound synthesis technique that creates timbre by adding sine waves together. The timbre of musical instruments can be considered in the light of Fourier series, Fourier theory to consist of multiple harmonic or inharmonic ''Harmonic series (music)#Partial, partials'' or overtones. Each partial is a sine wave of different frequency and amplitude that swells and decays over time due to modulation from an ADSR envelope or low frequency oscillator. Additive synthesis most directly generates sound by adding the output of multiple sine wave generators. Alternative implementations may use pre-computed Wavetable synthesis, wavetables or the inverse fast Fourier transform. Explanation The sounds that are heard in everyday life are not characterized by a single frequency. Instead, they consist of a sum of pure sine frequencies, each one at a different amplitude. When humans hear these frequencies simultaneously, we can recognize the sound. This is true for both ...
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2009 Software
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ...
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Open Source Software Synthesizers
Open or OPEN may refer to: Music * Open (band), Australian pop/rock band * The Open (band), English indie rock band * ''Open'' (Blues Image album), 1969 * ''Open'' (Gotthard album), 1999 * ''Open'' (Cowboy Junkies album), 2001 * ''Open'' (YFriday album), 2001 * ''Open'' (Shaznay Lewis album), 2004 * ''Open'' (Jon Anderson EP), 2011 * ''Open'' (Stick Men album), 2012 * ''Open'' (The Necks album), 2013 * ''Open'', a 1967 album by Julie Driscoll, Brian Auger and the Trinity * ''Open'', a 1979 album by Steve Hillage * "Open" (Queensrÿche song) * "Open" (Mýa song) * "Open", the first song on The Cure album ''Wish'' Literature * ''Open'' (Mexican magazine), a lifestyle Mexican publication * ''Open'' (Indian magazine), an Indian weekly English language magazine featuring current affairs * ''OPEN'' (North Dakota magazine), an out-of-print magazine that was printed in the Fargo, North Dakota area of the U.S. * Open: An Autobiography, Andre Agassi's 2009 memoir Computin ...
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Software Synthesizers For Linux
Software is a set of computer programs and associated documentation and data. This is in contrast to hardware, from which the system is built and which actually performs the work. At the lowest programming level, executable code consists of machine language instructions supported by an individual processor—typically a central processing unit (CPU) or a graphics processing unit (GPU). Machine language consists of groups of binary values signifying processor instructions that change the state of the computer from its preceding state. For example, an instruction may change the value stored in a particular storage location in the computer—an effect that is not directly observable to the user. An instruction may also invoke one of many input or output operations, for example displaying some text on a computer screen; causing state changes which should be visible to the user. The processor executes the instructions in the order they are provided, unless it is instructed to ...
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Free Software Programmed In C++
Free may refer to: Concept * Freedom, having the ability to do something, without having to obey anyone/anything * Freethought, a position that beliefs should be formed only on the basis of logic, reason, and empiricism * Emancipate, to procure political rights, as for a disenfranchised group * Free will, control exercised by rational agents over their actions and decisions * Free of charge, also known as gratis. See Gratis vs libre. Computing * Free (programming), a function that releases dynamically allocated memory for reuse * Free format, a file format which can be used without restrictions * Free software, software usable and distributable with few restrictions and no payment * Freeware, a broader class of software available at no cost Mathematics * Free object ** Free abelian group ** Free algebra ** Free group ** Free module ** Free semigroup * Free variable People * Free (surname) * Free (rapper) (born 1968), or Free Marie, American rapper and media personal ...
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Linux Audio Software
The following is an incomplete list of Linux audio software. Audio players GStreamer-based * Amarok is a free music player for Linux and other Unix-like operating systems. Multiple backends are supported (xine, helix and NMM). * Banshee is a free audio player for Linux which uses the GStreamer multimedia platforms to play, encode, and decode Ogg Vorbis, MP3, and other formats. Banshee supports playing and importing audio CDs and playing and synchronizing music with iPods. Audioscrobbler API support. * Clementine is a cross-platform, open-source, Qt based audio player, written in C++. It can play Internet radio streams; managing some media devices, playlists; supports visualizations, Audioscrobbler API. It was made as a spin-off of Amarok 1.4 and is a rougher version of said program. * Exaile is a free software audio player for Unix-like operating systems that aims to be functionally similar to KDE’s Amarok. Unlike Amarok, Exaile is a Python program and uses the GTK toolki ...
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Free Audio Software
This comparison of free software for audio lists notable free and open source software for use by sound engineers, audio producers, and those involved in sound recording and reproduction. Players Audio analysis Converters DJ software Distributions and other platforms Various projects have formed to integrate the existing free software audio packages. Modular systems Notation Programming languages Many computer music programming languages are implemented in free software. See also the comparison of audio synthesis environments. Radio broadcasting See also streaming below. Recording and editing The following packages are digital audio editors. Softsynths Streaming These programs are for use with streaming audio. Technologies Trackers These music sequencer programs allow users to arrange notes (pitch-shifted sound samples) on a timeline: see tracker (music software). Other See also * ABC notation * List of Linux audio software R ...
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GitHub
GitHub, Inc. () is an Internet hosting service for software development and version control using Git. It provides the distributed version control of Git plus access control, bug tracking, software feature requests, task management, continuous integration, and wikis for every project. Headquartered in California, it has been a subsidiary of Microsoft since 2018. It is commonly used to host open source software development projects. As of June 2022, GitHub reported having over 83 million developers and more than 200 million repositories, including at least 28 million public repositories. It is the largest source code host . History GitHub.com Development of the GitHub.com platform began on October 19, 2007. The site was launched in April 2008 by Tom Preston-Werner, Chris Wanstrath, P. J. Hyett and Scott Chacon after it had been made available for a few months prior as a beta release. GitHub has an annual keynote called GitHub Universe. Organizational ...
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NRPN
Non-Registered Parameter Number (NRPN) is part of the Musical Instrument Digital Interface ( MIDI) specification for control of electronic musical instruments. NRPNs allow manufacturer-specific or instrument-specific MIDI controllers that are not part of the basic MIDI standard. Unlike other MIDI controllers (such as velocity, modulation In electronics and telecommunications, modulation is the process of varying one or more properties of a periodic waveform, called the ''carrier signal'', with a separate signal called the ''modulation signal'' that typically contains informatio ..., volume, etc.), NRPNs require more than one item of controller data to be sent. First, controller 99 - NRPN Most Significant Byte (MSB) - followed by 98 - NRPN Least Significant Byte (LSB) sent as a pair specify the parameter to be changed. Controller 6 then sets the value of the relevant parameter. Controller 38 may optionally then be sent as a fine adjustment to the value set by controller 6. Thi ...
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Aftertouch
Keyboard expression is the ability of a keyboard instrument, keyboard musical instrument to change tone or other qualities of the sound in response to velocity, pressure or other variations in how the performer depresses the keys of the musical keyboard. Expression types include: * ''Velocity sensitivity''—how fast the key is pressed * ''Aftertouch'', or ''pressure sensitivity'' — the amount of pressure on a key, once already held down * ''Displacement sensitivity''—distance that a key is pressed down Keyboard instruments offer a range of expression types. Acoustic pianos, such as upright and grand pianos, are velocity-sensitive—the faster the key strike, the harder the hammer hits the strings. Baroque-style clavichords and professional synthesizers are aftertouch-sensitive—applied force on the key after the initial strike produces effects such as vibrato or swells in loudness, volume. Tracker pipe organs and some electronic organs are displacement-sensitive—partly dep ...
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Subtractive Synthesis
Subtractive synthesis is a method of sound synthesis in which partials of an audio signal (often one rich in harmonics) are attenuated by a filter to alter the timbre of the sound. While subtractive synthesis can be applied to any source audio signal, the sound most commonly associated with the technique is that of analog synthesizers of the 1960s and 1970s, in which the harmonics of simple waveforms such as sawtooth, pulse or square waves are attenuated with a voltage-controlled resonant low-pass filter. Many digital, virtual analog and software synthesizers use subtractive synthesis, sometimes in conjunction with other methods of sound synthesis. Examples of subtractive synthesis A human example The basis of subtractive synthesis can be understood by considering the human voice; when a human speaks, sings or makes other vocal noises, the vocal folds act as an oscillator and the mouth and throat as a filter. Consider the difference between singing "oooh" and "aaah" , a ...
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