Yoeun Mek
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Yoeun Mek
Yoeun Mek (1939 - 2014) was a Cambodian musician who joined the Cambodian Master Performers Program (now Cambodian Living Arts) in 1999, an organization founded by his friend Arn Chorn-Pond to preserve Cambodian music, arts and rituals and keep traditional instruments from going extinct. The program, in its quest to preserve Khmer music, sought out Cambodia's "nearly extinct instruments and the people who can make and play them." 80-90% of the musicians of the country were "purged" by the Khmer Rouge from 1975-1979. Out of the people who could play the traditional instruments to a high level, the Cambodian Master Performers Program estimated that only 100 to 200 musicians had survived the executions, which targeted almost everyone with an education, those who understood a foreign language, and many artists (including musicians, writers, and filmmakers). Yoeun, who had made his first tro sor when he was 15, was a "master" of the tro family of instruments, especially the tro sau th ...
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Arn Chorn-Pond
Arn Chorn-Pond (born 1966) is a Cambodian musician, human rights activist, and a survivor of the Khmer Rouge regime. He is an advocate for the healing and transformative power of the arts, and especially music. Biography Early life Chorn-Pond was born in Cambodia in 1966 into a Battambang family of performers and musicians. According to Chorn-Pond in a 2006 article: : "My family owned an opera company. The National Charity Company, as we were called, performed in temples, opera houses and mayors’ compounds throughout the country. Many people knew my father, grandfather, and uncle through their performances, which had become legendary. Since the family ran the company, all of us performed. When I was six or seven, I often played the role of a baby. Somebody would say “Cry!” and I’d cry...My father and uncle trained my older cousin, in his teens at the time, to perform the main roles in traditional Cambodian operas." Survival during the Pol Pot Regime When the Khmer Rouge c ...
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Tro Sor
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or  huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'',  as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings ...
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Tro (instrument)
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or  huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'',  as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings. ...
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Tro Sau Thom
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or  huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'',  as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings. ...
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Tro U
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or  huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'',  as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings ...
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Khim
The ''khim'' ( th, ขิม ; lo, ຂິມ ;  km, ឃឹម ) is a stringed musical instrument derived from the Mesopotamian or Persian Santur. It is similar to the Hammered Dulcimer or Cimbalom. This ''khim'' was introduced to Thailand from China, where a similar (though, since the late 20th century, usually larger) instrument is called ''yangqin,'' and introduced to Lao and Cambodia from Thailand later. It is played with two flexible bamboo sticks with soft leather at the tips to produce a soft tone. This instrument can be played by either sitting down on the floor with the khim on the floor, or by sitting on a chair or standing while the ''khim'' is on a stand. The ''khim'' produces a bright and expressive sound when played. It is made of wood, with brass strings that are laid across the instrument. The Australian-born musician and vocal artist Lisa Gerrard specialises in the use of a ''khim'' hammered dulcimer, featuring its music on several albums and performing with th ...
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Chakhe
The ''chakhe'' ( Lao: ຈະເຂ້, , th, จะเข้, , also spelled ''jakhe'' or ''ja-khe''), or ''krapeu'' ( km, ក្រពើ; also called ''takhe'', km, តាខេ, ''takhe'', ''takkhe'' or ''charakhe''), is a fretted floor zither or lute with three strings used in Thai and Khmer music. The Thai and the Khmer instrument are virtually identical. It is made of hardwood in a stylized crocodile shape and is approximately 20 cm high and 130–132 cm long. The "head" portion is 52 cm long, 28 cm wide and 9–12 cm deep; the "tail" portion 81 cm long and 11.5 cm wide. It has eleven ''(chakhe)'' or twelve ''(krapeu)'' raised frets made of bamboo, ivory, bone or wood, graduated between 2 and 3.5 cm in height, which are affixed to the fretboard with wax or glue. Its highest two strings are made of silk yarn, catgut or nylon while the lowest is made of metal. They are tuned C–G–c. The instrument is usually supported by three or f ...
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Ching (instrument)
Ching (also spelled Chheng, km, ឈិង or Chhing, th, ฉิ่ง) are finger cymbals played in Cambodian and Thai theater and dance ensembles. Construction and use Joined by a cord that runs through the center, ching are bowl-shaped, about 5 centimeters in diameter, and made of bronze alloy—iron, copper, and gold. They are struck together in a cyclical pattern to keep time and regulate the melody, and they function as the "timekeeper" of the ensemble. The rhythm typically consists of alternating the accented closed stroke with an unaccented open "ching" stroke. The name "ching" is probably onomatopoeic for this open sound. Musical context The Cambodian ensemble—which has traditionally accompanied court dance, masked plays, and shadow plays and ceremonies—is composed of vocalists and instruments: gong chimes, reed instruments, metallophones, xylophones, drums, and ching. A Thai ensemble consists of stringed fiddles, flutes, zither, xylophones, gong circles, drums, and c ...
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Phnom Penh
Phnom Penh (; km, ភ្នំពេញ, ) is the capital and most populous city of Cambodia. It has been the national capital since the French protectorate of Cambodia and has grown to become the nation's primate city and its economic, industrial, and cultural centre. Phnom Penh succeeded Angkor Thom as the capital of the Khmer nation but was abandoned several times before being reestablished in 1865 by King Norodom. The city formerly functioned as a processing center, with textiles, pharmaceuticals, machine manufacturing, and rice milling. Its chief assets, however, were cultural. Institutions of higher learning included the Royal University of Phnom Penh (established in 1960 as Royal Khmer University), with schools of engineering, fine arts, technology, and agricultural sciences, the latter at Chamkar Daung, a suburb. Also located in Phnom Penh were the Royal University of Agronomic Sciences and the Agricultural School of Prek Leap. The city was nicknamed the "Pearl of As ...
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Khmer Rouge
The Khmer Rouge (; ; km, ខ្មែរក្រហម, ; ) is the name that was popularly given to members of the Communist Party of Kampuchea (CPK) and by extension to the regime through which the CPK ruled Cambodia between 1975 and 1979. The name was coined in the 1960s by then Chief of State Norodom Sihanouk to describe his country's heterogeneous, communist-led dissidents, with whom he allied after his 1970 overthrow. The Khmer Rouge army was slowly built up in the jungles of eastern Cambodia during the late 1960s, supported by the North Vietnamese army, the Viet Cong, the Pathet Lao, and the Chinese Communist Party (CCP). Although it originally fought against Sihanouk, the Khmer Rouge changed its position and supported Sihanouk on the advice of the CCP after he was overthrown in a 1970 coup by Lon Nol who established the pro-American Khmer Republic. Despite a massive American bombing campaign (Operation Freedom Deal) against them, the Khmer Rouge won the Cambodian C ...
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