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Yes Indeed! (Ray Charles Album)
''Yes Indeed!!'' is the fourth album by Ray Charles, released in 1958 by Atlantic. It was the second of three Atlantic LPs that compiled Charles' hit singles for the label. (See discography) ''Ray Charles, Yes Indeed!!'' is also the title of the book and DVD tribute published in memory of Charles by his manager Joe Adams, The Ray Charles Marketing Group and Genesis Publications in 2009. Track listing All songs written by Ray Charles except as indicated. Side One #"What Would I Do Without You?" – 2:32 #"It's All Right" – 2:14 #"I Want to Know" – 2:07 # "Yes Indeed!!" ( Sy Oliver) – 2:12 #"Get On the Right Track Baby" ( Titus Turner) – 2:19 #"Talkin' 'bout You" – 2:48 #" Swanee River Rock (Talkin' 'bout That River)" – 2:15 Side Two #" Lonely Avenue" ( Doc Pomus) – 2:33 #"Blackjack" – 2:17 #"The Sun's Gonna Shine Again" (Sam Sweet) – 2:35 #"I Had a Dream" – 2:51 #"I Want a Little Girl" (Billy Moll, Murray Mencher) – 2:50 #"Heartbreaker" (A. Nugetre) – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Charles
Ray Charles Robinson Sr. (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential singers in history, and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians he preferred being called "Brother Ray". Charles was blinded during childhood, possibly due to glaucoma. Charles pioneered the soul music genre during the 1950s by combining blues, jazz, rhythm and blues, and gospel styles into the music he recorded for Atlantic Records. He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two ''Modern Sounds'' albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company. Charles's 1960 hit "Georgia On My Mind" was the first of his three career No. 1 hits on the ''Billboard'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Willis
Edgar Willis is a jazz bassist. Associated for many years with Ray Charles, Willis was also a member of the late 1950s Sonny Stitt Quartet, with Bobby Timmons and Kenny Dennis. Discography ;With Curtis Amy *'' Mustang'' (Verve, 1967) With Ray Charles *''The Genius of Ray Charles'' (Atlantic, 1959) With Hank Crawford *''The Soul Clinic'' (Atlantic, 1962) *'' From the Heart'' (Atlantic, 1962) *'' True Blue'' (Atlantic, 1964) *''Dig These Blues'' (Atlantic, 1966) With David "Fathead" Newman *'' Fathead Comes On'' (Atlantic, 1962) With Sonny Stitt *''37 Minutes and 48 Seconds with Sonny Stitt ''37 Minutes and 48 Seconds with Sonny Stitt'' is an album by saxophonist Sonny Stitt that was released by Roost.Edwards, D. & Callahan, MRoyal Roost/Roost Album Discography accessed January 3, 2013 Track listing Personnel * Sonny Stitt ...'' (Roost, 1957) *'' Personal Appearance'' (Verve, 1957) References {{DEFAULTSORT:Willis, Edgar Post-bop double-bassists Hard bop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecil Payne
Cecil Payne (December 14, 1922 – November 27, 2007) was an American jazz baritone saxophonist born in Brooklyn, New York. Payne also played the alto saxophone and flute. He played with other prominent jazz musicians, in particular Dizzy Gillespie and Randy Weston, in addition to his solo work as bandleader. Biography Payne received his first saxophone aged 13, asking his father for the instrument after hearing " Honeysuckle Rose" performed by Count Basie with Lester Young soloing. Payne took lessons from a local alto sax player, Pete Brown, and studied at Boys High School, Bedford-Stuyvesant. Payne began his professional recording career with J. J. Johnson on the Savoy label in 1946. During that year he also began playing with Roy Eldridge, through whom he met Dizzy Gillespie. His earlier recordings would largely fall under the swing category, until Gillespie hired him. Payne stayed on board until 1949, heard performing solos on "Ow!" and "Stay On It". In the early 1950s, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Taylor (saxophonist)
Samuel Leroy Taylor, Jr. (July 12, 1916 – October 5, 1990), Sam Taylor Biography ''AllMusic'' known as Sam "The Man" Taylor, was an American jazz, rhythm and blues, and blues tenor saxophonist. Taylor was born in Lexington, Tennessee, United States. He attended Alabama State University, where he played with the Bama State Collegians. He later worked with Scatman Crothers, Cootie Williams, Lucky Millinder, Cab Calloway, Ray Charles, Buddy Johnson, Louis Jordan and Big Joe Turner. Taylor was one of the most requested session saxophone players in New York recording studios in the 1950s. He also replaced Count Basie as the house bandleader on Alan Freed's radio series, ''Camel Rock 'n Roll Dance Party'', on CBS. Taylor played the saxophone solo on Turner's "Shake, Rattle and Roll". He also played on "Harlem Nocturne"; on " Money Honey", recorded by Clyde McPhatter and the Drifters in 1953; and on "Sh-Boom" by the Chords. During the 1960s, he led a five-piece band, the Blues Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Newman (jazz Musician)
David Newman may refer to: Entertainment *David "Fathead" Newman (1933–2009), American jazz saxophonist *David Newman (screenwriter) (1937–2003), American screenwriter *David Newman (composer) (born 1954), American composer *David Newman (singer) (born 1963), aka Durga Das, American singer/songwriter Sports * Dave Newman (footballer) (1923–1995), Australian footballer for Melbourne * Dave Newman (Canadian football) (born 1956), former Canadian Football League wide receiver Other *David Newman (politician) (born 1944), Canadian politician * David Newman (priest) (born 1954), Archdeacon of Loughborough since 2009 *David Newman (political geographer) (born 1956), British/Israeli political geographer *David Newman (physicist) David E. Newman is a professor in the physics department at the University of Alaska Fairbanks. He has a Ph.D. in plasma physics Plasma () ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Wilkerson
Don Wilkerson (c. 1932 – 18 July 1986) was an American soul jazz / R&B tenor saxophonist born in Moreauville, Louisiana, probably better known for his Blue Note Records recordings in the 1960s as bandleader with guitarist Grant Green. Prior to signing with the label, he worked frequently with Cannonball Adderley. Some of his earliest recordings were done in the 1950s as a sideman for Amos Milburn and Ray Charles. In Houston in the early 1970s, he played in the Sonny Franklin Big Band with Tom Archia, Arnett Cobb, and his bandmate from the Ray Charles band, Joe Bridgewater, with guest appearances by Eddie "Cleanhead" Vinson and Clarence "Gatemouth" Brown. Many of the band's arrangements were done by Cedric Haywood. Discography As leader * '' The Texas Twister'' (Riverside, 1960) * ''Preach Brother!'' (Blue Note, 1962) * '' Shoutin''' (Blue Note, 1963) * '' Elder Don'' ( Blue Note, 1963) As sideman With Ray Charles * '' Yes Indeed!'' ( Atlantic, 1958) * ''Modern So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
