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Yerma (opera)
''Yerma'' is an opera in three acts by Heitor Villa-Lobos based on the tragedy of the same name by Federico García Lorca. History ''Yerma'' was commissioned in 1955 by an old friend of Villa-Lobos, Hugh Ross, the conductor of the New York Schola Cantorum, and by John Blankenship, at that time head of the drama department at Sarah Lawrence College. The original plan was that García Lorca's play would be translated into English by the Scottish poet Alastair Reid, but Villa-Lobos immediately began setting the original Spanish text. It was composed partly in New York, partly in Paris, and was finished in 1956. ''Yerma'' was first performed by the Santa Fe Opera in Santa Fe, New Mexico, on August 12, 1971 (erroneously reported in one source as July 12), and repeated just once, on August 18. The Santa Fé premiere was produced by Basil Langton, choreographed by José Limón, with scenery by Allen Charles Klein. Paintings by Giorgio de Chirico were projected on the walls during the ...
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Heitor Villa-Lobos (c
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2,000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his ''Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant, a ...
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Southbank Centre
Southbank Centre is a complex of artistic venues in London, England, on the South Bank of the River Thames (between Hungerford Bridge and Waterloo Bridge). It comprises three main performance venues (the Royal Festival Hall including the National Poetry Library, the Queen Elizabeth Hall and the Purcell Room), together with the Hayward Gallery, and is Europe’s largest centre for the arts. It attracted 4.36 million visitors during 2019. Over two thousand paid performances of music, dance and literature are staged at Southbank Centre each year, as well as over two thousand free events and an education programme, in and around the performing arts venues. In addition, three to six major art exhibitions are presented at the Hayward Gallery yearly, and national touring exhibitions reach over 100 venues across the UK. Location Southbank Centre's site, which formerly extended to 21 acres (85,000 m2) from County Hall to Waterloo Bridge, is fronted by The Queen’s Walk. In ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Christopher Keene
Christopher Keene (December 21, 1946 – October 8, 1995) was an American conductor. Early life and education Keene was born in 1946 in Berkeley, California, the son of Yvonne (née Cyr) and Jim Keene. His mother was of Acadian, German, and Scottish descent. His parents divorced in 1953 and his mother remarried to Jim San Jule in 1954 until their divorce in 1970.Smith, p. 6 He has three siblings: Philip Keene (born 1941), Elodie Keene (born 1949), and Tamsen (née San Jule) Calhoon (born 1956). His mother remarried to biochemist Daniel E. Koshland Jr. in 2000, of the Haas family, the owners of Levi Strauss & Co. Keene studied the piano and cello in his youth. A highly self motivated student, he organized neighborhood productions of plays and operas while growing up and directed ensembles at his high school while a student. At the University of California, Berkeley he earned a degree in history instead of music; reasoning that he didn't want to waste his time re-learning skills ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Eliane Coelho
Eliane Coelho (born in 1951 in Rio de Janeiro) is a Brazilian soprano singer. She was a soprano in the Frankfurt Opera and performed dozens of roles at the Vienna Staatsoper. Biography Coelho began studying architecture at a college in Rio de Janeiro, but she soon decided she would develop her singing career in Europe. She was a pupil of Solange Petit-Renaux, a former star of the Paris Opéra. In 1971, she moved to Germany and studied at the Musikhochschule, in Hanover. In 1974, she was already singing roles like Nannetta, Gretel, Zdenka, Violetta, Liù and Konstanze. In 1976, she concentrated her performances at the Stadttheater, in Bremen, where she stayed for six years and added roles like Fiorilla in ''Il turco in Italia'', Norina in ''Don Pasquale'', Hanna Glawari in ''The Merry Widow'' and Lulu in Berg's ''Lulu''. After starting her career as a lyric coloratura soprano, her voice gradually gained heft and a darker color, tending to the lyric and lyric spinto repertoi ...
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Manaus
Manaus () is the capital and largest city of the Brazilian state of Amazonas. It is the seventh-largest city in Brazil, with an estimated 2020 population of 2,219,580 distributed over a land area of about . Located at the east center of the state, the city is the center of the Manaus metropolitan area and the largest metropolitan area in the North Region of Brazil by urban landmass. It is situated near the confluence of the Negro and Solimões rivers. It is the only city in the Amazon Rainforest with a population over 1 million people. The city was founded in 1669 as the Fort of São José do Rio Negro. It was elevated to a town in 1832 with the name of "Manaus", an altered spelling of the indigenous Manaós peoples, and legally transformed into a city on October 24, 1848, with the name of ''Cidade da Barra do Rio Negro'', Portuguese for "The City of the Margins of the Black River". On September 4, 1856, it returned to its original name. Manaus is located in the center of ...
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Teatro Amazonas
The Amazon Theatre () is an opera house located in Manaus, in the heart of the Amazon rainforest in Brazil. It is the location of the annual ''Festival Amazonas de Ópera'' (Amazonas Opera Festival) and the home of the Amazonas Philharmonic Orchestra which regularly rehearses and performs at the Amazon Theatre along with choirs, musical concerts and other performances. More than 120 years old, it represents the city's heyday during the rubber boom. It was chosen by the magazine ''Vogue'' as one of the most beautiful opera houses in the world. History The Amazonas Theatre was built during the Belle Époque at a time when fortunes were made in the rubber boom. Construction of the Amazon Theatre was first proposed in 1881 by a member of the local House of Representatives, Antonio Jose Fernandes Júnior, who envisioned a "jewel" in the heart of the Amazon rainforest. In 1882, the State legislature approved some limited financing, but this was considered insufficient. Later that ...
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Das Orchester
''Das Orchester'' is a German-language magazine for musicians and management which has been published eleven times a year since 1953 by Schott Music and is distributed in over 45 countries worldwide. The editor-in-chief is based in Berlin while the publishing house's editorial office is located in Mainz. Content The magazine deals with all topics concerning the orchestra: with music education and professional life, with music and music medicine, with music education and training programmes, audience acquisition and cultural financing, orchestra marketing and orchestra management. It takes a look at the international orchestra landscape, reports on the work of and publishes studies on audience research. Reports on concert series, music theatre premieres, music festivals, competitions and symposia reflect current musical life. In addition, there is information about new things for musicians, also in instrument making, short news items and detailed reviews of new books, sheet m ...
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Opernwelt
''Opernwelt'' (''Opera World'') is a monthly German magazine for opera, operetta and ballet. It includes news about current performances, portraits of composers and performers, articles about opera houses, performance spaces, and contemporary and historical subjects from the world of opera and classical music. It reviews recordings and books and publishes monthly schedules of German and international opera houses. The magazine's website offers full text search for past issues. A year book is published every October. Awards Each year since 1994, at the end of the season, the magazine sponsors a jury of 50 critics to select the best in several categories: * opera house of the year (') * staging of the year (') * stage director of the year (') * singer of the year (') * stage- and costume designer of the year (') * orchestra of the year (') * premiere of the year (') They are usually selected from German-speaking countries, Austria, Germany and German-speaking Switzerland. In 2011, ...
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Bielefeld Opera
The Bielefeld Opera is the venue of Städtische Bühnen Bielefeld (Municipal stages Bielefeld) in Bielefeld, Germany. It is a ''Dreisparten Haus'' (three-department house), offering plays, music (opera, musical theatre), and ballet. The main performance venue is the ''Stadttheater am Niederwall'' (Municipal Theatre at the Lower Wall), built in 1904 and extensively renovated from 2004 to 2006. It is the largest theater in East Westphalia, offering 500 performances annually. It is under the direction of Michael Heicks; its resident orchestra is the 72-member Bielefeld Philharmonic Orchestra that also performs symphonic concerts at the Rudolf-Oetker-Halle. History Plans to build an opera house in Bielefeld were laid in 1885 by a foundation set up the widow of the founder of the Crüwell Tobacco Company. Bernhard Sehring was chosen as architect and construction was started in 1901 on the Niederwall. The Art Nouveau building was inaugurated with a performance of Carl Maria von Webe ...
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