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Yamaha TX81Z
The Yamaha TX81Z is a rack version of Yamaha DX11 and rack-mounted (keyboard-less) frequency modulation music synthesizer, which was released in 1987. Unlike previous FM synthesizers of the era, the TX81Z was the first to offer a range of oscillator waveforms other than just sine waves, conferring the new timbres of some of its patches when compared to older, sine-only FM synths. The TX81Z has developed a famous reputation, largely based on some of its preset bass sounds. A keyboard version with more onboard editing abilities was released the following year as the Yamaha DX11. Features The unit is multitimbral, and has 128 ROM voices, 32 editable voice slots, and 24 editable Performance memories. The RAM slots were rarely utilized due to the perceived high quality and usability of the original patches and the difficulty of programming new sounds with the limited front-panel interface. Among the presets is the famous ''LatelyBass'', one of the most popular presets in synthesize ...
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Yamaha Corporation
is a Japanese multinational corporation and conglomerate with a very wide range of products and services. It is one of the constituents of Nikkei 225 and is the world's largest musical instrument manufacturing company. The former motorcycle division was established in 1955 as Yamaha Motor Co., Ltd., which started as an affiliated company but later became independent, although Yamaha Corporation is still a major shareholder. History Nippon Gakki Co. Ltd. (currently Yamaha Corporation) was established in 1887 as a reed organ manufacturer by Torakusu Yamaha (山葉寅楠) in Hamamatsu, Shizuoka Prefecture and was incorporated on 12 October 1897. In 1900, the company started the production of pianos. The first piano to be made in Japan was an upright built in 1900 by Torakusu Yamaha, founder of Nippon Gakki Co., Ltd. — later renamed Yamaha Corporation. The company's origins as a musical instrument manufacturer are still reflected today in the group's logo—a trio of interloc ...
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Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ...
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Yamaha Synthesizers
Yamaha may refer to: * Yamaha Corporation, a Japanese company with a wide range of products and services, established in 1887. The company is the largest shareholder of Yamaha Motor Company (below). ** Yamaha Music Foundation, an organization established by the authority of Japanese Ministry of Education for the purpose of promoting music education and music popularization ** Yamaha Pro Audio, a Japanese company specializing in products for the professional audio market * Yamaha Motor Company, a Japanese motorized vehicle-producing company. The company was established in 1955 upon separation from Yamaha Corporation (above), and is currently one of the major shareholders of Yamaha Corporation (See: Cross ownership). ** Yamaha Júbilo, a Japanese rugby team ** Yamaha Stadium is a football stadium located in Iwata City, Shizuoka Prefecture, Japan, owned by Yamaha Motors, next to whose plant it is located, and was purpose-designed for use with soccer and rugby union. It is the hom ...
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Sound Modules
A sound module is an electronic musical instrument without a human-playable interface such as a piano-style musical keyboard. Sound modules have to be operated using an externally connected device, which is often a MIDI controller, of which the most common type is the musical keyboard. Another common way of controlling a sound module is through a sequencer, which is computer hardware or software designed to record and playback control information for sound-generating hardware. Connections between sound modules, controllers, and sequencers are generally made with MIDI (Musical Instrument Digital Interface), which is a standardized interface designed for this purpose. Sound modules are often rack-mountable, but are also produced in table-top form factor, particularly when the intended user is a DJ or record producer. The height of a sound module is often described in rack units. Small sound modules are mostly 1U in height, the larger models a multiplication e.g. 2U or 3U. Despi ...
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Chorus Effect
Chorus (or chorusing, choruser or chorused effect) is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra, it can also be simulated using an electronic effects unit or signal processing device. When the effect is produced successfully, none of the constituent sounds are perceived as being out of tune. It is characteristic of sounds with a rich, shimmering quality that would be absent if the sound came from a single source. The shimmer occurs because of beating. The effect is more apparent when listening to sounds that sustain for longer periods of time. The chorus effect is especially easy to hear when listening to a choir or string ensemble. A choir has multiple people singing each part ( alto, tenor, etc.). A string ensemble has multiple violinists and possibly multiples of other stringed instr ...
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Kenneth "Babyface" Edmonds
Kenneth Brian Edmonds (born April 10, 1959), better known by his stage name Babyface, is an American singer, songwriter, and record producer. He has written and produced over 26 number-one R&B hits throughout his career and has won 12 Grammy Awards. He was ranked number 20 on ''NME'' 50 of The Greatest Producers Ever list. Early life Edmonds was born on April 10, 1959, in Indianapolis, Indiana, to Marvin and Barbara Edmonds. Barbara was a production operator at a pharmaceutical plant. Edmonds, who is the fifth of six brothers (including future After 7 band members Melvin and Kevon Edmonds, the latter of whom went on to have a modestly successful solo career), attended North Central High School in Indianapolis, and as a shy youth, wrote songs to express his emotions. When he was in eighth grade, Edmonds' father died of lung cancer, leaving his mother to raise her sons alone. Music career Edmonds later met funk performer Bootsy Collins, who tagged him "Babyface" because of hi ...
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Eliot Kennedy
Eliot Kennedy (born 29 March 1969) is an English songwriter and record producer based in Sheffield. He has worked with artists such as Billie Piper, The Spice Girls, Mary J. Blige, Donny Osmond, Bryan Adams, Lulu (singer), Lulu, S Club 7, Five (band), Five, Gary Barlow, Delta Goodrem, The Wanted, Janet Devlin, Lovers Electric, and Brazilian group Rouge (pop group), Rouge. History Kennedy began writing songs with his brother at the age of thirteen and started a band at his school in Rotherham, Dinnington High School, but he was interested in composing and studio work more than performing. He apprenticed as an Audio engineering, audio engineer, and after collecting insurance for an automobile accident, he purchased equipment and began working as an engineer on a freelance basis, which eventually led to production work. The first major band that Kennedy was in was World Still Turns, a studio band in Sheffield, along with former gospel singer John Taylor and Tom Chester; they receiv ...
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Acid House
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 ele ...
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House (music)
House is a music genre characterized by a repetitive four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by DJs and music producers from Chicago's underground club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson (" Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogue"), but also produced some mainstream hits on its own, such as "French Kiss" by Lil Louis, " Show Me Love" by Robin S. or " Push the Feeling On ...
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Patch (synthesizer)
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ...
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Read Only Memory
Read-only memory (ROM) is a type of non-volatile memory used in computers and other electronic devices. Data stored in ROM cannot be electronically modified after the manufacture of the memory device. Read-only memory is useful for storing software that is rarely changed during the life of the system, also known as firmware. Software applications (like video games) for programmable devices can be distributed as plug-in cartridges containing ROM. Strictly speaking, ''read-only memory'' refers to memory that is hard-wired, such as diode matrix or a mask ROM integrated circuit (IC), which cannot be electronically changed after manufacture. Although discrete circuits can be altered in principle, through the addition of bodge wires and/or the removal or replacement of components, ICs cannot. Correction of errors, or updates to the software, require new devices to be manufactured and to replace the installed device. Floating-gate ROM semiconductor memory in the form of erasable pro ...
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Multitimbral
Monotimbral (from the root prefix ''mono'' meaning one, and ''timbre'' meaning a specific tone of a sound independent of its pitch) is usually used in reference to electronic synthesizers which can produce a single timbre at a given pitch when pressing one key (if the synth is monophonic) or multiple keys (if the synth is polyphonic). An electronic musical instrument may be multitimbral, which means it can produce two or more ''timbres'' (also called ''sounds'' or ''patches'') at the same time. Instruments which may be multitimbral include synthesizers, samplers, and music workstations. A multitimbral instrument might be configurable in a variety of ways: *Splitting the keyboard at a given point allows a musician to play, for example, a bass guitar sound with the left hand and a piano sound with the right hand. *Layering timbres allows a musician to play, for example, a pipe organ sound and a string ensemble sound together. *Combinations of keyboard splits and layers may be possib ...
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