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Yamaha TG77
Yamaha TG77 is the rack-mounted equivalent of Yamaha Corporation's SY77 synthesizer workstation. It, too, is a 16-voice multitimbral music (synthesizer) utilizing Yamaha's Advanced Frequency Modulation; Advanced Wave Memory; and the combination of these two systems, either by layering together or by modulating an AFM voice by an AWM wave, a synergy termed Realtime Convolution and Modulation Synthesis (RCM). The unit came into production in 1989, simultaneously with the SY77. The 77 series (and its successor, the SY99) feature various filters, which digitally model those of analog equipment and include the popular feature of self-oscillation from the latter. Each of up to four Elements within a Voice can have its own filter, which can be controlled by a dedicated envelope generator. The TG77 is equipped with two sets of stereo outputs, like the SY77, and is enhanced compared to the latter by having eight individual outputs, which are assignable to individual internal instruments. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Racks
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound *Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum *Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio *Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective *Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *Audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19-inch Rack
A 19-inch rack is a standardized frame or enclosure for mounting multiple electronic equipment modules. Each module has a front panel that is wide. The 19 inch dimension includes the edges or "ears" that protrude from each side of the equipment, allowing the module to be fastened to the rack frame with screws or bolts. Common uses include computer servers, telecommunications equipment and networking hardware, audiovisual production gear, and scientific equipment. Overview and history Equipment designed to be placed in a rack is typically described as rack-mount, rack-mount instrument, a rack-mounted system, a rack-mount chassis, subrack, rack cabinet, rack-mountable, or occasionally simply shelf. The height of the electronic modules is also standardized as multiples of or one rack unit or U (less commonly RU). The industry-standard rack cabinet is 42U tall; however, 45U racks are also common. The term ''relay rack'' appeared first in the world of telephony. By 1911, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha Corporation
is a Japanese multinational corporation and conglomerate with a very wide range of products and services. It is one of the constituents of Nikkei 225 and is the world's largest musical instrument manufacturing company. The former motorcycle division was established in 1955 as Yamaha Motor Co., Ltd., which started as an affiliated company but later became independent, although Yamaha Corporation is still a major shareholder. History Nippon Gakki Co. Ltd. (currently Yamaha Corporation) was established in 1887 as a reed organ manufacturer by Torakusu Yamaha (山葉寅楠) in Hamamatsu, Shizuoka Prefecture and was incorporated on 12 October 1897. In 1900, the company started the production of pianos. The first piano to be made in Japan was an upright built in 1900 by Torakusu Yamaha, founder of Nippon Gakki Co., Ltd. — later renamed Yamaha Corporation. The company's origins as a musical instrument manufacturer are still reflected today in the group's logo—a trio of interloc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha SY77
Yamaha SY77 is a 16 voice multitimbral music workstation first produced by Yamaha Corporation in 1989. The SY77 is a synthesizer whose architecture combines AFM (Advanced Frequency Modulation) synthesis, AWM2 (Advanced Wave Memory 2) for ROM-borne sample-based synthesis, and the combination of these two methods christened Realtime Convolution and Modulation Synthesis (RCM). The same technology was also packaged in a rack-mounted module released simultaneously, the TG77. The SY77 is equipped with a 61-key keyboard with velocity and aftertouch; has a pitch wheel and two modulation wheels (the latter being quite a rare feature among keyboards in general); and has a large backlit LCD display, expansion slots, floppy-drive, on-board effects, and a 16,000 note sequencer. Programming is performed through a keypad on the front panel. When the SY77 was released in late 1989, its initial prices were close to $3000 USD/£2000 GBP. In 1991, it was followed by the SY99, a successor that cost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitimbral
Monotimbral (from the root prefix ''mono'' meaning one, and ''timbre'' meaning a specific tone of a sound independent of its pitch) is usually used in reference to electronic synthesizers which can produce a single timbre at a given pitch when pressing one key (if the synth is monophonic) or multiple keys (if the synth is polyphonic). An electronic musical instrument may be multitimbral, which means it can produce two or more ''timbres'' (also called ''sounds'' or ''patches'') at the same time. Instruments which may be multitimbral include synthesizers, samplers, and music workstations. A multitimbral instrument might be configurable in a variety of ways: *Splitting the keyboard at a given point allows a musician to play, for example, a bass guitar sound with the left hand and a piano sound with the right hand. *Layering timbres allows a musician to play, for example, a pipe organ sound and a string ensemble sound together. *Combinations of keyboard splits and layers may be possib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frequency Modulation
Frequency modulation (FM) is the encoding of information in a carrier wave by varying the instantaneous frequency of the wave. The technology is used in telecommunications, radio broadcasting, signal processing, and Run-length limited#FM: .280.2C1.29 RLL, computing. In Analog signal, analog frequency modulation, such as radio broadcasting, of an audio signal representing voice or music, the instantaneous frequency deviation, i.e. the difference between the frequency of the carrier and its center frequency, has a functional relation to the modulating signal amplitude. Digital data can be encoded and transmitted with a type of frequency modulation known as frequency-shift keying (FSK), in which the instantaneous frequency of the carrier is shifted among a set of frequencies. The frequencies may represent digits, such as '0' and '1'. FSK is widely used in computer modems, such as fax modems, telephone caller ID systems, garage door openers, and other low-frequency transmissions. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha SY99
The Yamaha SY99 is a synthesiser combining frequency modulation synthesis (branded as Advanced FM) and sample-based synthesis (branded as Advanced Wave Memory 2) and the direct successor to Yamaha Corporation, Yamaha's Yamaha SY77, SY77/Yamaha TG77, TG77. Compared to the SY77, it has a larger keyboard at 76 keys instead of 61, a larger Read-only memory, ROM with more in-built AWM samples, the ability to load user-specified AWM samples into on-board RAM, an upgraded effects processor (based upon the Yamaha SPX900 rather than the SPX50 or SPX90), and several other enhanced features. Specifications * Date produced: 1991 * Polyphony: 16 notes ("Elements") of AFM + 16 notes (Elements") of sample-playback (AWM2) * Voice Architecture: Each voice can have up to 2 AFM (6-operator) Elements polyphonically, or 4 AFM (6-op) Elements monophonically, plus up to 2 AWM Elements * Filter: 2 multi-stage, time-variant, with resonance and self-oscillation per Element * Sequencer: 16 tracks, ~27,000 n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha DX7
The Yamaha DX7 is a synthesizer manufactured by the Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units. In the early 1980s, the synthesizer market was dominated by analog synthesizers. Frequency modulation synthesis, FM synthesis, a means of generating sounds via frequency modulation, was developed by John Chowning at Stanford University, California. FM synthesis created brighter, "glassier" sounds, and could better imitate acoustic sounds such as brass. Yamaha licensed the technology to create the DX7, combining it with very-large-scale integration chips to lower manufacturing costs. With its complex menus and lack of conventional controls, few learned to program the DX7 in depth. However, its preset sounds became staples of 1980s pop music, used by artists including A-ha, Kenny Loggins, Kool & the Gang, Whitney Houston, Chicago (band), Chicago, Phil Collin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha Synthesizers
Yamaha may refer to: * Yamaha Corporation, a Japanese company with a wide range of products and services, established in 1887. The company is the largest shareholder of Yamaha Motor Company (below). ** Yamaha Music Foundation, an organization established by the authority of Japanese Ministry of Education for the purpose of promoting music education and music popularization ** Yamaha Pro Audio, a Japanese company specializing in products for the professional audio market * Yamaha Motor Company, a Japanese motorized vehicle-producing company. The company was established in 1955 upon separation from Yamaha Corporation (above), and is currently one of the major shareholders of Yamaha Corporation (See: Cross ownership). ** Yamaha Júbilo, a Japanese rugby team ** Yamaha Stadium is a football stadium located in Iwata City, Shizuoka Prefecture, Japan, owned by Yamaha Motors, next to whose plant it is located, and was purpose-designed for use with soccer and rugby union. It is the hom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Synthesizers
A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds. This in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital recordings of acoustic, electric, or electronic instruments. Some digital synthesizers emulate analog synthesizers; others include sampling capability in addition to digital synthesis. History The very earliest digital synthesis experiments were made with computers, as part of academic research into sound generation. In 1973, the Japanese company Yamaha licensed the algorithms for frequency modulation synthesis (FM synthesis) from John Chowning, who had experimented with it at Stanford University since 1971. Yamaha's engineers began adapting Chowning's algorithm for use in a commercial digital synthesizer, adding improvements such as the "key scaling" method to avoid the introduction of distortion that normally occurred in analog systems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphonic Synthesizers
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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