Yamaha CS1x
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Yamaha CS1x
The Yamaha CS1x is a sample-based synthesizer released by the Yamaha Corporation in 1996. Aimed primarily at dance musicians, the CS1x features analogue synthesizer-emulating rotary controllers and monotimbral analogue synthesizer voices.The CS1x was succeeded in 1999 by the CS2x synthesizer. Features The CS1x uses the ''Yamaha Sample and Synthesis'' technology, as well as General MIDI and XG voices from the MU-50 module. Effects and functions The CS1x employs various arpeggiator presets and effects such as reverb, chorus (including flanging and celeste) and "variation" (a combination of reverbs, delays, modulation effects and equalisation). Notable users * Underworld * Jamiroquai * David Bowie * Boards of Canada * Dave Greenfield David Paul Greenfield (29 March 1949 – 3 May 2020) was an English keyboardist, singer and songwriter who was a member of rock band The Stranglers. He joined the band in 1975, within a year of its formation, and played with them for ...
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Yamaha Corporation
is a Japanese multinational corporation and conglomerate with a very wide range of products and services. It is one of the constituents of Nikkei 225 and is the world's largest musical instrument manufacturing company. The former motorcycle division was established in 1955 as Yamaha Motor Co., Ltd., which started as an affiliated company but later became independent, although Yamaha Corporation is still a major shareholder. History Nippon Gakki Co. Ltd. (currently Yamaha Corporation) was established in 1887 as a reed organ manufacturer by Torakusu Yamaha (山葉寅楠) in Hamamatsu, Shizuoka Prefecture and was incorporated on 12 October 1897. In 1900, the company started the production of pianos. The first piano to be made in Japan was an upright built in 1900 by Torakusu Yamaha, founder of Nippon Gakki Co., Ltd. — later renamed Yamaha Corporation. The company's origins as a musical instrument manufacturer are still reflected today in the group's logo—a trio of interloc ...
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Yamaha CS2x
Yamaha may refer to: * Yamaha Corporation, a Japanese company with a wide range of products and services, established in 1887. The company is the largest shareholder of Yamaha Motor Company (below). ** Yamaha Music Foundation, an organization established by the authority of Japanese Ministry of Education for the purpose of promoting music education and music popularization ** Yamaha Pro Audio, a Japanese company specializing in products for the professional audio market * Yamaha Motor Company, a Japanese motorized vehicle-producing company. The company was established in 1955 upon separation from Yamaha Corporation (above), and is currently one of the major shareholders of Yamaha Corporation (See: Cross ownership). ** Yamaha Júbilo, a Japanese rugby team ** Yamaha Stadium is a football stadium located in Iwata City, Shizuoka Prefecture, Japan, owned by Yamaha Motors, next to whose plant it is located, and was purpose-designed for use with soccer and rugby union. It is the hom ...
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Jamiroquai
Jamiroquai () are an English funk and acid jazz band from London. Formed in 1992, they are fronted by vocalist Jay Kay, and were prominent in the London-based funk and acid jazz movement of the 1990s. They built on their acid jazz sound in their early releases and later drew from rock, disco, electronic and Latin music genres. Lyrically, the group has addressed social and environmental justice. Kay has remained as the only original member through several line-up changes. The band made their debut under Acid Jazz Records but subsequently found mainstream success under Sony. While under this label, three of their albums have charted at number one in the UK, including ''Emergency on Planet Earth'' (1993), ''Synkronized'' (1999) and ''A Funk Odyssey'' (2001). The band's 1998 single, "Deeper Underground", was also number one in their native country. As of 2017, Jamiroquai had sold more than 26 million albums worldwide. Their third album, ''Travelling Without Moving'' (1996), receiv ...
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Underworld (band)
Underworld are a British electronic music group formed in 1987 in Cardiff, Wales and the principal collaborative project of Karl Hyde and Rick Smith. Prominent former members include Darren Emerson, from 1991 to 2001, and Darren Price, as part of the live band from 2005 to 2016. After briefly performing as a funk and synth-pop outfit, resulting in two albums between 1988 and 1989, Underworld gained prominence after reshaping into a alternative dance, dance and techno band, releasing albums including ''Dubnobasswithmyheadman'' (1994), ''Second Toughest in the Infants'' (1996) and ''Beaucoup Fish'' (1999), as well as singles "Born Slippy .NUXX" and "Dark & Long, Dark & Long (Dark Train)". Known for their psychedelic music, atmospheric, progressive house, progressive compositions, Hyde's cryptic lyrics, and dynamic live performances, Underworld have influenced a wide range of artists and have been featured in soundtracks and scores for films, television, and the 2012 Summer Olym ...
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Equalization (audio)
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric equalizers have much more flexibility in tailoring the frequency content of an audio signal. Broadcast and recording studios use sophisticated equalizers capable of much more detailed adjustments, such as eliminating unwanted sounds or making certain instruments or voices more prominent. Since equalizers "adjust the amplitude of audio signals at particular frequencies" they are, "in other words, frequency-specific volume knobs." Equalizers are used in recording studios, radio studios and production control rooms, and live sound reinforcement and in instrument amplifiers, such as guitar amplifiers, to correct or adjust the response of mi ...
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Delay (audio Effect)
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo. Delay effects range from a subtle echo effect to a pronounced blending of previous sounds with new sounds. Delay effects can be created using tape loops, an approach developed in the 1940s and 1950s and used by artists including Elvis Presley and Buddy Holly. Analog effects units were introduced in the 1970s; digital effects pedals in 1984; and audio plug-in software in the 2000s. History The first delay effects were achieved using tape loops improvised on reel-to-reel audio tape recording systems. By shortening or lengthening the loop of tape and adj ...
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Piano Pedals
Piano pedals are foot-operated levers at the base of a piano that change the instrument's sound in various ways. Modern pianos usually have three pedals, from left to right, the soft pedal (or una corda), the sostenuto pedal, and the sustaining pedal (or damper pedal). Some pianos omit the sostenuto pedal, or have a middle pedal with a different purpose such as a muting function also known as silent piano. The development of the piano's pedals is an evolution that began from the very earliest days of the piano, and continued through the late 19th century. Throughout the years, the piano had as few as one modifying stop, and as many as six or more, before finally arriving at its current configuration of three. Individual pedals Soft pedal The ''soft pedal'', or ''una corda'' pedal, was invented by Bartolomeo Cristofori. It was the first mechanism invented to modify the piano's sound. This function is typically operated by the left pedal on modern pianos. Neither of its commo ...
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Flanging
Flanging is an audio effect produced by mixing two identical signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and notches are produced in the resulting frequency spectrum, related to each other in a linear harmonic series. Varying the time delay causes these to sweep up and down the frequency spectrum. A flanger is an effects unit that creates this effect. Part of the output signal is usually fed back to the input (a "re-circulating delay line"), producing a resonance effect which further enhances the intensity of the peaks and troughs. The phase of the fed-back signal is sometimes inverted, producing another variation on the flanger sound. Origin As an audio effect, a listener hears a "drainpipe" or "swoosh" or "jet plane" sweeping effect as shifting sum-and-difference harmonics are created analogous to use of a variable notch filter. The term "flang ...
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Reverb
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100  ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of t ...
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Sound Effect
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media. Traditionally, in the twentieth century, they were created with foley. In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point ''without'' the use of dialogue or music. The term often refers to a process applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, dialogue, music, and sound effects recordings are treated as separate elements. Dialogue and music recordings are never referred to as sound effects, even though the processes applied to such as reverberation or flanging effects, often are called "sound effects". This area and sound design have been slowly merged since the ...
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Arpeggiator
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ...
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Yamaha MU-series
The Yamaha MU-series is a line of sound modules built by Yamaha. All sound modules except MU5 support Yamaha XG. The sound modules were commonly used when computers had slower processors. The computer could send MIDI commands to the sound module, acting as an external sound generation device. Later MU sound modules feature A/D inputs that allow direct input from microphones and guitars. The MU-series product line superseded the company's previous TG-series modules, the TG100 and TG300. Although the majority of Yamaha's MU-series modules were meant for the home user, the company also made rack-mount versions of the MU90 and MU100 called the MU90R and MU100R, respectively, for professional use. Compatibility MU50 and higher end models typically offer the following compatibility modes: * XG mode, also used for General MIDI * TG300B mode offers compatibility with Roland GS. In the MU1000EX and MU2000EX replaced by a licensed GS mode. * C/M mode offers limited compatibility with the ...
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