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Yama Zhao
''Yama Zhao'' () is a play written by Hong Shen in 1922. It was first produced in Shanghai in February 1923, and Hong played the title role. The play strongly opposed the brutal warfare that plagued China at the time, which is now known as the Warlord Era. The play was well received and established Hong Shen's reputation as a playwright. Inception Hong got the inspiration of ''Yama Zhao'' in the spring of 1922, shortly after the first battle between two warlords Zhang Zuolin and Wu Peifu. Hong was on a train to northern China when he overheard some soldiers' conversation. They mentioned that Wu's army buried many of Zhang's soldiers alive after winning the battle in order to take possession of their enemies' belongings. This unnerving conversation eventually led Hong to dramatize this incident in ''Yama Zhao''. Plot Set in the Warlord Era, the play tells the tragic story of Zhao Da, a body guard to a commander of a battalion. Zhao is nicknamed Yama Zhao, meaning "Zhao, the king ...
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Hong Shen
Hong Shen (; 31 December 1894 – 29 August 1955) was a Chinese playwright, film director and screenwriter, film and drama theorist, and educator. He is considered by drama historians as one of the three founders of Chinese spoken drama, together with Tian Han and Ouyang Yuqian. He wrote the first Chinese film script, ''Mrs. Shentu''. Early life and education Hong Shen was born in Wujin, Jiangsu Province, Qing Empire on 31 December 1894. After attending secondary schools in Shanghai and Tianjin, he entered the newly founded Tsinghua School (now Tsinghua University) in 1912, and graduated in 1916. He then left for the United States to study ceramic engineering at Ohio State University on a Boxer Indemnity Scholarship. While there, he wrote and produced two plays in English. A cast of Chinese students from OSU and Oberlin College performed one of them, ''The Wedded Husband'', in April 1919 to an audience of 1300 in the university chapel. It was probably the first play written by ...
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Zhang Zuolin
Zhang Zuolin (; March 19, 1875 June 4, 1928), courtesy name Yuting (雨亭), nicknamed Zhang Laogang (張老疙瘩), was an influential Chinese bandit, soldier, and warlord during the Warlord Era in China. The warlord of Manchuria from 1916 to 1928, and the military dictator of the Republic of China in 1927 and 1928, he rose from banditry to power and influence. Backed by Japan, Zhang successfully influenced politics in the Republic of China during the early 1920s. In the fall of 1924, during the Second Zhili–Fengtian War, he invaded and gained control of Peking, including the internationally recognized government, in April 1926. His appointment as grand marshal of the Republic of China in June 1927 represented the height of his success, but was quickly followed by defeat: the economy of Manchuria, the basis of his power, was overtaxed by his adventurism and collapsed in the winter of 1927; and he was defeated by the National Revolutionary Army of the Kuomintang under Gener ...
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Wu Peifu
Wu Peifu or Wu P'ei-fu (; April 22, 1874 – December 4, 1939) was a major figure in the struggles between the warlords who dominated Republican China from 1916 to 1927. Early career Born in Shandong Province in eastern China, Wu initially received a traditional Chinese education. He later joined the Baoding Military Academy () in Beijing and embarked on a career as a professional soldier. His talents as an officer were recognized by his superiors, and he rose quickly in the ranks. Wu joined the "New Army" () (renamed the Beiyang Army in 1902) created by modernizing Qing dynasty Gen. Yuan Shikai. Following the fall of the Qing in 1911, and after Yuan's rise to President of the Republic of China and his subsequent disastrous attempt to proclaim himself emperor, political power in China quickly devolved into the hands of various regional military authorities, inaugurating the era of warlordism. In 1915 Wu became commander of the 6th Brigade. Zhili Clique After Yuan's ...
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Eugene O'Neill
Eugene Gladstone O'Neill (October 16, 1888 – November 27, 1953) was an American playwright and Nobel laureate in literature. His poetically titled plays were among the first to introduce into the U.S. the drama techniques of realism, earlier associated with Russian playwright Anton Chekhov, Norwegian playwright Henrik Ibsen, and Swedish playwright August Strindberg. The tragedy '' Long Day's Journey into Night'' is often included on lists of the finest U.S. plays in the 20th century, alongside Tennessee Williams's ''A Streetcar Named Desire'' and Arthur Miller's ''Death of a Salesman''. O'Neill's plays were among the first to include speeches in American English vernacular and involve characters on the fringes of society. They struggle to maintain their hopes and aspirations, but ultimately slide into disillusion and despair. Of his very few comedies, only one is well-known (''Ah, Wilderness!'').The Eugene O'Neill Foundation newsletter: "''Now I Ask You'', along with ''The M ...
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The Emperor Jones
''The Emperor Jones'' is a 1920 tragic play by American dramatist Eugene O'Neill that tells the tale of Brutus Jones, a resourceful, self-assured African American and a former Pullman porter, who kills another black man in a dice game, is jailed, and later escapes to a small, backward Caribbean island where he sets himself up as emperor. The play recounts his story in flashbacks as Brutus makes his way through the jungle in an attempt to escape former subjects who have rebelled against him. Originally called ''The Silver Bullet'',"The Emperor Jones"
''Encyclopædia Britannica''.
the play is one of O'Neill's major experimental works, mixing and

Chinese Republican Era Plays
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