Yahya Ibn Mahmud Al-Wasiti
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Yahya Ibn Mahmud Al-Wasiti
Yahya ibn Mahmud al-Wasiti ( ar, يحيى بن محمود الواسطي) was a 13th-century Iraqi-Arab painter and calligrapher, noted for his illustrations of al-Hariri's '' Maqamat''. Biography Al-Wasiti was probably born in Wasit واسط south of Baghdad. In 1237 he transcribed and illustrated a copy of al-Hariri's '' Maqamat'' typically shortened to ''Maqamat,'' and also known as the ''Assemblies,'' a series of anecdotes of social satire written by Al-Hariri of Basra. Al-Wasiti's illustrations, which are among the finest examples of a style used in the 13th-century, served as an inspiration for the modern Baghdad art movement in the 20th-century. Very little is known about his life. He was from the 13th century school of painting. He was known for his articulate painting style. Illustrations from ''Maqamat'' In total, ''Maqmat'' has 96 illustrations, all by al-Wasiti. They are of "outstanding quality with fine composition, expressive figures, and vivid but controlled ...
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Slaves Zadib Yemen 13th Century BNF Paris
Slavery and enslavement are both the state and the condition of being a slave—someone forbidden to quit one's service for an enslaver, and who is treated by the enslaver as property. Slavery typically involves slaves being made to perform some form of work while also having their location or residence dictated by the enslaver. Many historical cases of enslavement occurred as a result of breaking the law, becoming indebted, or suffering a military defeat; other forms of slavery were instituted along demographic lines such as race. Slaves may be kept in bondage for life or for a fixed period of time, after which they would be granted freedom. Although slavery is usually involuntary and involves coercion, there are also cases where people voluntarily enter into slavery to pay a debt or earn money due to poverty. In the course of human history, slavery was a typical feature of civilization, and was legal in most societies, but it is now outlawed in most countries of the wo ...
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