Xoanon (sawfly)
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Xoanon (sawfly)
A xoanon (, el, ξόανον; plural: el, ξόανα , from the verb el, ξέειν, , to carve or scrape ood was an Archaic wooden cult image of Ancient Greece. Classical Greeks associated such cult objects, whether aniconic or effigy, with the legendary Daedalus. Many such cult images were preserved into historical times, though none are known to have survived to the modern day, except as copies in stone or marble. In the 2nd century CE, Pausanias described numerous xoana in his ''Description of Greece'', notably the image of Hera in her temple at Samos. "The statue of the Samian Hera, as Aethilos /nowiki>sicThe name ''Aethilos'' in the available text is thought to be a mis-spelling of ''Aethlios''.">sic.html" ;"title="/nowiki>sic">/nowiki>sicThe name ''Aethilos'' in the available text is thought to be a mis-spelling of ''Aethlios''./nowiki> says, was a wooden beam at first, but afterwards, when Prokles was ruler, it was humanized in form". In Pausanias' travels he nev ...
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Plank Figure
Plank may refer to: *Plank (wood), flat, elongated, and rectangular timber with parallel faces *Plank (exercise), an isometric exercise for the abdominal muscles * Martins Creek (Kentucky), the location of Plank post office * ''The Plank'' (1967 film), a British comedy film with no dialogue * ''The Plank'' (1979 film), a remake of the 1967 film *Plank, a character in ''Ed, Edd n Eddy'' *Plank (party platform), an item of a political party program People *Alex Plank (born 1986), American autism advocate *Conny Plank (1940−1987), German record producer and musician *Doug Plank (born 1953), American football player *Ed Plank (born 1952), American baseball pitcher in the late 1970s *Eddie Plank (1875−1926), early 20th-century American baseball player *Elizabeth Plank (born 1987), Canadian blogger and online journalist *Ewart G. Plank (1897−1982), American general *Heinz Plank (born 1945), German painter, draughtsman and graphic artist *Kevin Plank (born 1972), American businessm ...
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Gold Leaf
Gold leaf is gold that has been hammered into thin sheets (usually around 0.1 µm thick) by goldbeating and is often used for gilding. Gold leaf is available in a wide variety of karats and shades. The most commonly used gold is 22-karat yellow gold. Gold leaf is a type of metal leaf, but the term is rarely used when referring to gold leaf. The term ''metal leaf'' is normally used for thin sheets of metal of any color that do not contain any real gold. Pure gold is 24 karat. Real, yellow gold leaf is approximately 91.7% pure (i.e. 22-karat) gold. Silver-colored white gold is about 50% pure gold. Layering gold leaf over a surface is called gold leafing or gilding. Traditional water gilding is the most difficult and highly regarded form of gold leafing. It has remained virtually unchanged for hundreds of years and is still done by hand. In art Gold leaf is sometimes used in art in a "raw" state, without a gilding process. In cultures including the European Bronze Age it ...
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Erechtheum
The Erechtheion (latinized as Erechtheum /ɪˈrɛkθiəm, ˌɛrɪkˈθiːəm/; Ancient Greek: Ἐρέχθειον, Greek: Ερέχθειο) or Temple of Athena Polias is an ancient Greek Ionic temple-telesterion on the north side of the Acropolis, Athens, which was primarily dedicated to the goddess Athena. The building, made to house the statue of Athena Polias, has in modern scholarship been called the Erechtheion (the sanctuary of Erechtheus or Poseidon) in the belief that Pausanias' description of the Erechtheion applies to this building. However, whether the Erechtheion referred to by Pausanias is indeed the Ionic temple or an entirely different building has become a point of contention in recent decades. In the official decrees the building is referred to as “... το͂ νεὸ το͂ ἐμ πόλει ἐν ο͂ι τὸ ἀρχαῖον ἄγαλμα” (the temple on the Acropolis within which is the ancient statue). In other instances it is referred to as the Temple o ...
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Vitex Agnus-castus
''Vitex agnus-castus'', also called vitex, chaste tree (or chastetree), chasteberry, Abraham's balm, lilac chastetree, or monk's pepper, is a native of the Mediterranean region. It is one of the few temperate-zone species of ''Vitex'', which is on the whole a genus of tropical and sub-tropical flowering plants.David J. Mabberley. 2008. ''Mabberley's Plant-Book'' third edition (2008). Cambridge University Press: UK. Theophrastus mentioned the shrub several times, as ''agnos'' (άγνος) in ''Enquiry into Plants''. It has been long believed to be an anaphrodisiac – leading to its name as ''chaste tree'' – but its effectiveness for such action remains unproven. Vitex is a cross-pollinating plant, but its self-pollination has been recorded.Verein für Arznei- und Gewürzpflanzen Saluplanta. 2013. ''Handbuch des Arznei- und Gewürzpflanzenbaus'' volume 5 Arznei- und Gewürzpflanzen L-Z, pages 192-199. Verein für Arznei- und Gewürzpflanzen Saluplanta: Bernburg, Germany ...
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Peplos
A peplos ( el, ὁ πέπλος) is a body-length garment established as typical attire for women in ancient Greece by circa 500 BC, during the late Archaic and Classical period. It was a long, rectangular cloth with the top edge folded down about halfway, so that what was the top of the rectangle was now draped below the waist, and the bottom of the rectangle was at the ankle. One side of the peplos could be left open, or pinned or sewn together.Ancient Greek Dress
''Heilbrunn Timeline of Art History'', , 2000-2013. Retrieved 7 October 2013.
In Latin and in a Roman context, it could be called a ''
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Smilis
Smilis ( grc, Σμῖλις) was a legendary ancient Greek sculptor, the contemporary of Daedalus, whose name was associated with the archaic cult figure of Hera at Samos. Smilis was born in the island of Aegina Aegina (; el, Αίγινα, ''Aígina'' ; grc, Αἴγῑνα) is one of the Saronic Islands of Greece in the Saronic Gulf, from Athens. Tradition derives the name from Aegina (mythology), Aegina, the mother of the hero Aeacus, who was born ....Επίτομο Γεωγραφικό Λεξικό της Ελλάδος (Geographical Dictionary of Greece), Μιχαήλ Σταματελάτος, Φωτεινή Βάμβα-Σταματελάτου, εκδ. Ερμής, ΑΘήνα 2001 References External linksAndrew Stewart, ''One Hundred Greek Sculptors: Their Careers and Extant Works''"The Sculptors: The Archaic Period" 6th-century BC Greek sculptors Ancient Greek sculptors Ancient Aeginetans {{greece-sculptor-stub ...
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Temple Of Artemis At Ephesus
The Temple of Artemis or Artemision ( gr, Ἀρτεμίσιον; tr, Artemis Tapınağı), also known as the Temple of Diana, was a Greek temple dedicated to an ancient, local form of the goddess Artemis (identified with Diana, a Roman goddess). It was located in Ephesus (near the modern town of Selçuk in present-day Turkey). By 401 AD it had been ruined or destroyed. Only foundations and fragments of the last temple remain at the site. The earliest version of the temple (a Bronze Age ''temenos'') antedated the Ionic immigration by many years. Callimachus, in his ''Hymn to Artemis'', attributed it to the Amazons. In the 7th century BC, it was destroyed by a flood. Its reconstruction, in more grandiose form, began around 550 BC, under Chersiphron, the Cretan architect, and his son Metagenes. The project was funded by Croesus of Lydia, and took 10 years to complete. This version of the temple was destroyed in 356 BC by Herostratus in an act of arson. The next, greatest, and ...
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Britomartis
Britomartis (; grc-gre, Βριτόμαρτις) was a Greek goddess of mountains and hunting, who was primarily worshipped on the island of Crete. She was sometimes believed to be an oread, or a mountain nymph, but she was often conflated or syncretized with Artemis and Aphaea, the "invisible" patroness of Aegina. She is also known as Dictynna (Δίκτυννα; derived by Hellenistic writers as from δίκτυα 'diktya'' "hunting nets"). Many writers have related her to the presumed mother goddess of much earlier Minoan religion; however, there is no evidence from archaeology for this. In the 16th century, the naming of a character identified with English military prowess as "Britomart" in Edmund Spenser's knightly epic ''The Faerie Queene'' (probably just because "Brit" seemed to fit well with "Britain", with "mart" from Mars, the god of war) led to a number of appearances by "Britomart" figures in British art and literature. Etymology According to Solinus, the name ' ...
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Corinth
Corinth ( ; el, Κόρινθος, Kórinthos, ) is the successor to an ancient city, and is a former municipality in Corinthia, Peloponnese, which is located in south-central Greece. Since the 2011 local government reform, it has been part of the municipality of Corinth, of which it is the seat and a municipal unit. It is the capital of Corinthia. It was founded as Nea Korinthos (), or New Corinth, in 1858 after an earthquake destroyed the existing settlement of Corinth, which had developed in and around the site of ancient Corinth. Geography Located about west of Athens, Corinth is surrounded by the coastal townlets of (clockwise) Lechaio, Isthmia, Kechries, and the inland townlets of Examilia and the archaeological site and village of ancient Corinth. Natural features around the city include the narrow coastal plain of Vocha, the Corinthian Gulf, the Isthmus of Corinth cut by its canal, the Saronic Gulf, the Oneia Mountains, and the monolithic rock of Acrocorinth ...
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Rhamnus (Greek Archaeological Site)
Rhamnous ( grc, Ῥαμνοῦς, Rhamnoûs; el, Ραμνούς, Ramnoús, label=Modern Greek), also Ramnous or Rhamnus, was an ancient Greek city in Attica situated on the coast, overlooking the Euboean Strait. Its impressive ruins lie northwest of the modern town of Agia Marina in the municipality of Marathon. The site was best known in antiquity for its sanctuary of Nemesis, the implacable avenging goddess, her most important in ancient Greece. Rhamnous is the best-preserved Attic deme site. It was strategically significant on the sea routes and was fortified with an Athenian garrison of ''ephebes'' (young men). A fortified acropolis dominates the two small harbours located on either side of it which have silted up extensively since antiquity, and into which grain was imported for Athens during the Peloponnesian War. History Rhamnus or Rhamnous ( grc, Ῥαμνοῦς) or Rhamnuntus or Rhamnountos (Ῥαμνοῦντος) was a deme of ancient Attica, belonging to the trib ...
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Polykleitos
Polykleitos ( grc, Πολύκλειτος) was an ancient Greek sculptor in bronze of the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise (a canon of body proportions), the '' Canon of Polykleitos'', setting out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but there are many of what are believed to be later copies in marble, mostly Roman. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' ( grc, Πολύκλειτος, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Polyklitos'' ...
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Phidias
Phidias or Pheidias (; grc, Φειδίας, ''Pheidias'';  480 – 430 BC) was a Greek sculptor, painter, and architect. His Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World. Phidias also designed the statues of the goddess Athena on the Athenian Acropolis, namely the ''Athena Parthenos'' inside the Parthenon, and the '' Athena Promachos'', a colossal bronze which stood between it and the Propylaea, a monumental gateway that served as the entrance to the Acropolis in Athens. Phidias was the son of Charmides of Athens. The ancients believed that his masters were Hegias and Ageladas. Plutarch discusses Phidias' friendship with the Greek statesman Pericles, recording that enemies of Pericles tried to attack him through Phidias – who was accused of stealing gold intended for the Parthenon's statue of Athena, and of impiously portraying himself and Pericles on the shield of the statue. The historical value of this account, as well as the leg ...
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