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Xiuhcoatl
In Aztec religion, Xiuhcoatl was a mythological serpent, regarded as the spirit form of Xiuhtecuhtli, the Aztec fire deity sometimes represented as an atlatl or a weapon wielded by Huitzilopochtli. Xiuhcoatl is a Classical Nahuatl word that translates as "turquoise serpent" and also carries the symbolic and descriptive translation of "fire serpent". Xiuhcoatl was a common subject of Aztec art, including illustrations in Aztec codices, and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. Xiuhcoatl is interpreted as the embodiment of the dry season and was the weapon of the sun. Apparently, the royal diadem (or ''xiuhuitzolli'', "pointed turquoise thing") of the Aztec emperors represented the tail of the Xiuhcoatl, the fire serpent. Attributes Typically, Xiuhcoatl was depicted with a sharply back-turned snout and a segmented body. Its tail resembled the trapeze-and-ray year sign and probably does represent that symbol. In Nahuatl, the word ...
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Xiuhcoatl British Museum
In Aztec religion, Xiuhcoatl was a mythological serpent, regarded as the spirit form of Xiuhtecuhtli, the Aztec fire deity sometimes represented as an atlatl or a weapon wielded by Huitzilopochtli. Xiuhcoatl is a Classical Nahuatl word that translates as "turquoise serpent" and also carries the symbolic and descriptive translation of "fire serpent". Xiuhcoatl was a common subject of Aztec art, including illustrations in Aztec codices, and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. Xiuhcoatl is interpreted as the embodiment of the dry season and was the weapon of the sun. Apparently, the royal diadem (or ''xiuhuitzolli'', "pointed turquoise thing") of the Aztec emperors represented the tail of the Xiuhcoatl, the fire serpent. Attributes Typically, Xiuhcoatl was depicted with a sharply back-turned snout and a segmented body. Its tail resembled the trapeze-and-ray year sign and probably does represent that symbol. In Nahuatl, the w ...
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Xiuhtecuhtli
In Aztec mythology, Xiuhtecuhtli ("Turquoise Lord" or "Lord of Fire"), was the god of fire, day and heat. In historical sources he is called by many names, which reflect his varied aspects and dwellings in the three parts of the cosmos. He was the lord of volcanoes, the personification of life after death, warmth in cold (fire), light in darkness and food during famine. He was also named Cuezaltzin ("flame") and Ixcozauhqui , and is sometimes considered to be the same as Huehueteotl ("Old God"), although Xiuhtecuhtli is usually shown as a young deity.Matos Moctezuma & Solis Olguín 2002, p.476. His wife was Chalchiuhtlicue. Xiuhtecuhtli is sometimes considered to be a manifestation of Ometecuhtli, the Lord of Duality, and according to the Florentine Codex Xiuhtecuhtli was considered to be the father of the Gods, who dwelled in the turquoise enclosure in the center of earth.Matos Moctezuma 1988, p.94. Xiuhtecuhtli-Huehueteotl was one of the oldest and most revered of the indigeno ...
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Mirrors In Mesoamerican Culture
The use of mirrors in Mesoamerican culture was associated with the idea that they served as portals to a realm that could be seen but not interacted with.Fitzsimmons 2009, pp.96–97. Mirrors in pre-Columbian Mesoamerica were fashioned from stone and served a number of uses, from the decorative to the divinatory.Miller and Taube 1993, 2003, p.114. An ancient tradition among many Mesoamerican cultures was the practice of divination using the surface of a bowl of water as a mirror. At the time of the Spanish conquest this form of divination was still practiced among the Maya, Aztecs and Purépecha. In Mesoamerican art, mirrors are frequently associated with pools of liquid; this liquid was likely to have been water.Healy and Blainey 2011, p.241.Healy and Blainey speculate that this liquid may have been mercury. Quantities of liquid mercury ranging from have been recovered from elite tombs or ritual caches at six Maya sites. Healy and Blainey 2011, p.241. Early mirrors were fashioned ...
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Codex Borgia
The Codex Borgia ( The Vatican, Bibl. Vat., Borg.mess.1), also known as ''Codex Borgianus'', ''Manuscrit de Veletri'' and ''Codex Yohualli Ehecatl'', is a pre-Columbian Middle American pictorial manuscript from Central Mexico featuring calendrical and ritual content, dating from the 16th century. It is named after the 18th century Italian Cardinal, Stefano Borgia, who owned it before it was acquired by the Vatican Library after the Cardinal's death in 1804. The Codex Borgia is a member of, and gives its name to, the Borgia Group of manuscripts. It is considered to be among the most important sources for the study of Central Mexican gods, ritual, divination, calendar, religion and iconography. It is one of only a handful of pre-Columbian Mexican codices that were not destroyed during the conquest in the 16th century; it was perhaps written near Cholula, Tlaxcala, Huejotzingo or the Mixtec region of Puebla. Its ethnic affiliation is unclear, and could either have been produced by ...
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Veintena
A veintena is the Spanish-derived name for a 20-day period used in pre-Columbian Mesoamerican calendars. The division is often casually referred to as a "month", although it is not coordinated with the lunar cycle. The term is most frequently used with respect to the 365-day Aztec calendar, the '' xiuhpohualli'', although 20-day periods are also used in the 365-day Maya calendar (the Mayan ''tun''), as well as by other Mesoamerican civilizations such as the Zapotec and Mixtec. The 365-day cycle is divided into 18 veintenas of 20 days each, giving 360 days; an additional 5 "nameless days" or '' nemontemi'' are appended to bring the total to 365. The name used for these periods in pre-Columbian times is unknown. In Nahuatl, the word for "twenty days" is ''cempōhualilhuitl'' from the words ''cempōhualli'' "twenty" and ''ilhuitl'' "day". Through Spanish usage, the 20-day period of the Aztec calendar has become commonly known as a ''veintena''. The Aztec word for moon is ''metztl ...
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Tenochtitlan
, ; es, Tenochtitlan also known as Mexico-Tenochtitlan, ; es, México-Tenochtitlan was a large Mexican in what is now the historic center of Mexico City. The exact date of the founding of the city is unclear. The date 13 March 1325 was chosen in 1925 to celebrate the 600th anniversary of the city. The city was built on an island in what was then Lake Texcoco in the Valley of Mexico. The city was the capital of the expanding Aztec Empire in the 15th century until it was captured by the Spanish in 1521. At its peak, it was the largest city in the pre-Columbian Americas. It subsequently became a '' cabecera'' of the Viceroyalty of New Spain. Today, the ruins of are in the historic center of the Mexican capital. The World Heritage Site of contains what remains of the geography (water, boats, floating gardens) of the Mexica capital. was one of two Mexica (city-states or polities) on the island, the other being . The city is located in modern-day Mexico City. Etymolo ...
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Templo Mayor
The (Spanish: Main Temple) was the main temple of the Mexica people in their capital city of Tenochtitlan, which is now Mexico City. Its architectural style belongs to the late Postclassic period of Mesoamerica. The temple was called ' in the Nahuatl language. It was dedicated simultaneously to Huitzilopochtli, god of war, and Tlaloc, god of rain and agriculture, each of which had a shrine at the top of the pyramid with separate staircases. The central spire was devoted to Quetzalcoatl in his form as the wind god, Ehecatl. The Great Temple devoted to Huitzilopochtli and Tlaloc, measuring approximately at its base, dominated the Sacred Precinct. Construction of the first temple began sometime after 1325, and it was rebuilt six times. The temple was destroyed by the Spanish in 1521, and the Mexico City cathedral was built in its place. The Zócalo, or main plaza of Mexico City today, was developed to the southwest of Templo Mayor, which is located in the block between Semi ...
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Nahual
In Mesoamerican folk religion, a nagual (pronounced a'wal is a human being who has the power to shapeshift into their tonal animal counterpart. Nagualism is tied to the belief one can access power and spiritual insight by connecting with the tonal animal within. Etymology The word ''nagual'' derives from the Nahuatl word ''nāhualli'' , an indigenous religious practitioner, identified by the Spanish as a 'magician'. In English, the word is often translated as "transforming witch," but translations without negative connotations include "transforming trickster" or "shape shifter." Beliefs Naguals use their powers for good or evil according to their personality. The general concept of nagualism is pan-Mesoamerican. Nagualism is linked with pre-Columbian shamanistic practices through Pre-classic Olmec and Toltec depictions that are interpreted as human beings transforming themselves into animals. The system is linked with the Mesoamerican calendrical system, used for di ...
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